Titanic - Vidrio (2023)
BAND/ARTIST: Titanic, I la Católica, Mabe Fratti
- Title: Vidrio
- Year Of Release: 2023
- Label: Unheard of Hope
- Genre: Jazz, Chamber Jazz, Art Pop, Avantgarde, Latin
- Quality: FLAC (tracks) | Mp3 / 320kbps
- Total Time: 35:41
- Total Size: 210 MB | 81.4 MB
- WebSite: Album Preview
Tracklist
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01. Titanic; I la Católica; Mabe Fratti - Anónima
02. Titanic; I la Católica; Mabe Fratti - Circulo Perfecto
03. Titanic; I la Católica; Mabe Fratti - Cielo Falso
04. Titanic; I la Católica; Mabe Fratti - Hotel Elizabeth
05. Titanic; I la Católica; Mabe Fratti - En Paralelo
06. Titanic; I la Católica; Mabe Fratti - Te evite
07. Titanic; I la Católica; Mabe Fratti - Palacio
08. Titanic; I la Católica; Mabe Fratti - Balanza
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01. Titanic; I la Católica; Mabe Fratti - Anónima
02. Titanic; I la Católica; Mabe Fratti - Circulo Perfecto
03. Titanic; I la Católica; Mabe Fratti - Cielo Falso
04. Titanic; I la Católica; Mabe Fratti - Hotel Elizabeth
05. Titanic; I la Católica; Mabe Fratti - En Paralelo
06. Titanic; I la Católica; Mabe Fratti - Te evite
07. Titanic; I la Católica; Mabe Fratti - Palacio
08. Titanic; I la Católica; Mabe Fratti - Balanza
Titanic is the band collaboration from Venezuelan composer I la Catolica (Hector Tosta) and Guatemalan experimentalist Mabe Fratti
One could call Vitrio a jazz hybrid record, though once upon a time this music would have been called postmodern; an answer to pop's pre-packaged form, adopting maybe more classical structures to tell a story. In that, this record is reminiscent of Jarman's 1980s contemporaries, The Blue Nile, who made widescreen post-pop that ached with longing for resolutions that seemed to be just over the horizon. And for all the deconstructions, the deliberate raucousness of the sax and the rhythms of the percussion (like waves riding up a shingle beach outside Jarman's cottage), this is still a music that can thread a line back to classical opera whilst nodding along the way to the likes of Terry Riley, or bebop. Over time, and by dint of working closely together, Fratti and Tosta have reached a state of grace that only comes rarely to artists. In this space they can do no wrong: the touch, the decision-making, the clarity of the instrumentation, the knowledge where to apply the emotional press, is nothing short of breathtaking.
One could call Vitrio a jazz hybrid record, though once upon a time this music would have been called postmodern; an answer to pop's pre-packaged form, adopting maybe more classical structures to tell a story. In that, this record is reminiscent of Jarman's 1980s contemporaries, The Blue Nile, who made widescreen post-pop that ached with longing for resolutions that seemed to be just over the horizon. And for all the deconstructions, the deliberate raucousness of the sax and the rhythms of the percussion (like waves riding up a shingle beach outside Jarman's cottage), this is still a music that can thread a line back to classical opera whilst nodding along the way to the likes of Terry Riley, or bebop. Over time, and by dint of working closely together, Fratti and Tosta have reached a state of grace that only comes rarely to artists. In this space they can do no wrong: the touch, the decision-making, the clarity of the instrumentation, the knowledge where to apply the emotional press, is nothing short of breathtaking.
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Mp3
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Year 2023 | Jazz | Pop | Latin | FLAC / APE | Mp3
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