Carlos Damas, Rubén Lorenzo - Beethoven: Sonatas for Violin and Piano, Vol. II (2023)
BAND/ARTIST: Carlos Damas, Rubén Lorenzo
- Title: Beethoven: Sonatas for Violin and Piano, Vol. II
- Year Of Release: 2023
- Label: Etcetera
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 01:19:57
- Total Size: 313 mb
- WebSite: Album Preview
Tracklist
01. Sonata for Violin and Piano, Op. 47 in A Major, Kreutzer: I. Adagio sostenuto
02. Sonata for Violin and Piano, Op. 47 in A Major, Kreutzer: II. Andante con variazione I-IV
03. Sonata for Violin and Piano, Op. 47 in A Major, Kreutzer: III. Finale (Presto)
04. Sonata for Violin and Piano, Op. 24 in F Major, Spring: I. Allegro
05. Sonata for Violin and Piano, Op. 24 in F Major, Spring: II. Adagio molto expressivo
06. Sonata for Violin and Piano, Op. 24 in F Major, Spring: III. Scherzo (Allegro molto - Trio)
07. Sonata for Violin and Piano, Op. 24 in F Major, Spring: IV. Rondo (Allegro ma non troppo)
08. Sonata for Violin and Piano, Op. 30 No. 3 in G Major: I. Allegro assai
09. Sonata for Violin and Piano, Op. 30 No. 3 in G Major: II. Tempo di Minuetto, ma molto moderato e grazioso
10. Sonata for Violin and Piano, Op. 30 No. 3 in G Major: III. Allegro vivace
This represents the second in a three-album set that features Beethoven's Complete Violin Sonatas (ten in total). The brilliant performance put in by this exceptional duo of musicians, Carlos Damas (violin) and Ruben Lorenzo (piano), results from their extensive collaboration that took place in Spain, where both performed four recitals of the Complete Violin Sonatas. Their choice for this particular album falls on: Violin Sonata No. 5 in F, Op. 24 'Spring' (1800-1801); Violin Sonata No. 8 in G, Op. 30 No. 3 (1801-1802); and Violin Sonata No. 9 in A, Op. 47 'Kreutzer' (1802-1803).
These three Violin Sonatas correspond to that considered the first stage in the musical production of the composer Ludwig van Beethoven (1770-1827) which, for reasons of convenience in organizing his music, lasted until 1802. In this period, Beethoven assimilated the musical language of his time based on the Viennese Classical tradition inherited from Wolfgang Amadeus Mozart (1756-1791) and Joseph Haydn (1732-1809).
Nevertheless, while, on the one hand, Beethoven reveals a dependency and relationship with the classical tradition, on the other hand, he seeks to extend the classical tradition as he strives to establish his own path. This emerges most clearly in the renowned Violin Sonata No. 9 in A, Op. 47 'Kreutzer', which is a transitional work straddling Beethoven's first and second stages. This is a moment when the composer is already displaying his independence and, perhaps for this reason, this is considered one of his most difficult Violin Sonatas, both technically and emotionally, in addition to attaining a length unusual for a conventional sonata, lasting for 40'.
01. Sonata for Violin and Piano, Op. 47 in A Major, Kreutzer: I. Adagio sostenuto
02. Sonata for Violin and Piano, Op. 47 in A Major, Kreutzer: II. Andante con variazione I-IV
03. Sonata for Violin and Piano, Op. 47 in A Major, Kreutzer: III. Finale (Presto)
04. Sonata for Violin and Piano, Op. 24 in F Major, Spring: I. Allegro
05. Sonata for Violin and Piano, Op. 24 in F Major, Spring: II. Adagio molto expressivo
06. Sonata for Violin and Piano, Op. 24 in F Major, Spring: III. Scherzo (Allegro molto - Trio)
07. Sonata for Violin and Piano, Op. 24 in F Major, Spring: IV. Rondo (Allegro ma non troppo)
08. Sonata for Violin and Piano, Op. 30 No. 3 in G Major: I. Allegro assai
09. Sonata for Violin and Piano, Op. 30 No. 3 in G Major: II. Tempo di Minuetto, ma molto moderato e grazioso
10. Sonata for Violin and Piano, Op. 30 No. 3 in G Major: III. Allegro vivace
This represents the second in a three-album set that features Beethoven's Complete Violin Sonatas (ten in total). The brilliant performance put in by this exceptional duo of musicians, Carlos Damas (violin) and Ruben Lorenzo (piano), results from their extensive collaboration that took place in Spain, where both performed four recitals of the Complete Violin Sonatas. Their choice for this particular album falls on: Violin Sonata No. 5 in F, Op. 24 'Spring' (1800-1801); Violin Sonata No. 8 in G, Op. 30 No. 3 (1801-1802); and Violin Sonata No. 9 in A, Op. 47 'Kreutzer' (1802-1803).
These three Violin Sonatas correspond to that considered the first stage in the musical production of the composer Ludwig van Beethoven (1770-1827) which, for reasons of convenience in organizing his music, lasted until 1802. In this period, Beethoven assimilated the musical language of his time based on the Viennese Classical tradition inherited from Wolfgang Amadeus Mozart (1756-1791) and Joseph Haydn (1732-1809).
Nevertheless, while, on the one hand, Beethoven reveals a dependency and relationship with the classical tradition, on the other hand, he seeks to extend the classical tradition as he strives to establish his own path. This emerges most clearly in the renowned Violin Sonata No. 9 in A, Op. 47 'Kreutzer', which is a transitional work straddling Beethoven's first and second stages. This is a moment when the composer is already displaying his independence and, perhaps for this reason, this is considered one of his most difficult Violin Sonatas, both technically and emotionally, in addition to attaining a length unusual for a conventional sonata, lasting for 40'.
Year 2023 | Classical | FLAC / APE
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