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Andrea De Carlo, Luca Guglielmi - Sonatae a Viola da Gamba & Cembalo Obligato (2023) [Hi-Res]

Andrea De Carlo, Luca Guglielmi - Sonatae a Viola da Gamba & Cembalo Obligato (2023) [Hi-Res]
  • Title: Sonatae a Viola da Gamba & Cembalo Obligato
  • Year Of Release: 2023
  • Label: Fineline
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 88.2kHz
  • Total Time: 01:07:07
  • Total Size: 399 mb / 1.28 gb
  • WebSite:
Tracklist

01. Introitus for Organ and Viola da Gamba BWV 653: An Wasserflüssen Babylon
02. Sonata in G minor BWV 1029 for Viola da Gamba and Harpsichord Obligato: Vivace
03. Sonata in G minor BWV 1029 for Viola da Gamba and Harpsichord Obligato: Adagio
04. Sonata in G minor BWV 1029 for Viola da Gamba and Harpsichord Obligato: Allegro
05. Sarabande in D BWV 828/5 [Klavierübung I]: Praeludium a Cembalo solo
06. Sonata in D Major BWV 1028 a Viola da Gamba et Cembalo Obligato: Adagio
07. Sonata in D Major BWV 1028 a Viola da Gamba et Cembalo Obligato: Allegro
08. Sonata in D Major BWV 1028 a Viola da Gamba et Cembalo Obligato: Andante
09. Sonata in D Major BWV 1028 a Viola da Gamba et Cembalo Obligato: Allegro moderato
10. Goldberg Variations - Aria - BWV 988: Praeludium a Silbermann piano solo
11. Sonata in G BWV 1027 a Viola da Gamba et Cembalo Obligato: Adagio
12. Sonata in G BWV 1027 a Viola da Gamba et Cembalo Obligato: Allegro ma non tanto
13. Sonata in G BWV 1027 a Viola da Gamba et Cembalo Obligato: Andante
14. Sonata in G BWV 1027 a Viola da Gamba et Cembalo Obligato: Allegro moderato
15. Praeludium a Organo solo in G Minor BWV 885,1: [WK II]
16. Postludium a Viola da Gamba et Organo: Largo e Dolce BWV 1032

Andrea De Carlo, Luca Guglielmi - Sonatae a Viola da Gamba & Cembalo Obligato (2023) [Hi-Res]


This musical project was born in the very first meeting with Luca Guglielmi, the night before a concert in Geneva when, through the music of J. S. Bach, a sincere human and musical affinity was revealed that needed neither words nor looks. Now, at a distance of a time made fluid by the hours of listening to the tracks, I see that we had met in Bach's profound italianness, in the singing of the melodies that danced in counterpoint, in the rhythmic undulation of his writing, but above all in the composer's human and eternal spirituality. Although in the manuscripts the three Sonatas for Viola da Gamba are accompanied by the harpsichord, we imagined the Viola da Gamba conversing with different keyboard instruments that Bach had at his disposal: Matthias Griewisch copy of a Mietke harpsichord (kindly loaned by the Bach Museum in Leipzig), Kerstin Schwarz copy of a Silbermann piano and the organ in the Frankenstein Dorfkirche, built by Gottfried Silbermann in 1753, few years after Bach's death.


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  • topomono
  •  wrote in 20:28
    • Like
    • 1
Gracias!!!