Colin Carr - Unaccompanied Cello: Works by Kodály, Crumb, Britten and Schuller (1992)
BAND/ARTIST: Colin Carr
- Title: Unaccompanied Cello: Works by Kodály, Crumb, Britten and Schuller
- Year Of Release: 1992
- Label: GM Recordings
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 1:19:07
- Total Size: 301 MB
- WebSite: Album Preview
Tracklist:
01. Sonata, Op. 8: I. Allegro maestoso ma appassionato
02. Sonata, Op. 8: II. Adagio
03. Sonata, Op. 8: III. Allegro molto vivace
04. Sonata: I. Fantasia: Andante espressivo
05. Sonata: II. Tema pastorale con variazioni
06. Sonata: III. Toccata
07. Third Suite, Op. 87: I. Introduzione (Lento)
08. Third Suite, Op. 87: II. Marcia (Allegro)
09. Third Suite, Op. 87: III. Canto (Con moto)
10. Third Suite, Op. 87: IV. Barcarolla (Lento)
11. Third Suite, Op. 87: V. Dialogo (Allegretto)
12. Third Suite, Op. 87: VI. Andante espressivo
13. Third Suite, Op. 87: VII. Recitativo
14. Third Suite, Op. 87: VIII. Molto perpetuo (Presto)
15. Third Suite, Op. 87: IX. Lento solenne
16. Fantasy, Op. 19
01. Sonata, Op. 8: I. Allegro maestoso ma appassionato
02. Sonata, Op. 8: II. Adagio
03. Sonata, Op. 8: III. Allegro molto vivace
04. Sonata: I. Fantasia: Andante espressivo
05. Sonata: II. Tema pastorale con variazioni
06. Sonata: III. Toccata
07. Third Suite, Op. 87: I. Introduzione (Lento)
08. Third Suite, Op. 87: II. Marcia (Allegro)
09. Third Suite, Op. 87: III. Canto (Con moto)
10. Third Suite, Op. 87: IV. Barcarolla (Lento)
11. Third Suite, Op. 87: V. Dialogo (Allegretto)
12. Third Suite, Op. 87: VI. Andante espressivo
13. Third Suite, Op. 87: VII. Recitativo
14. Third Suite, Op. 87: VIII. Molto perpetuo (Presto)
15. Third Suite, Op. 87: IX. Lento solenne
16. Fantasy, Op. 19
One of the most respected and acclaimed younger cellists, Colin Carr is the winner of many prestigious awards including First Prize in the Naumburg Competition, the 1990 Grand Prize in the Rostropovich International Cello Competition and the Piatigorsky Memorial Award, among others.
In this extraordinarily ‘present’ high fidelity recording, Carr’s razor sharp playing cuts straight to the heart of the matter. From the very beginning (the almost frightening first notes of the Kodály) to the very end (the declamatory, emphatic conclusion of the Schuller Fantasy), the soaring sound, performance and range of this program combine to stake a claim for Carr as one of today’s truly important cellists.
In this extraordinarily ‘present’ high fidelity recording, Carr’s razor sharp playing cuts straight to the heart of the matter. From the very beginning (the almost frightening first notes of the Kodály) to the very end (the declamatory, emphatic conclusion of the Schuller Fantasy), the soaring sound, performance and range of this program combine to stake a claim for Carr as one of today’s truly important cellists.
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