Marie Perbost - Dis-moi Vénus… (2023) [Hi-Res]
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BAND/ARTIST: Marie Perbost
- Title: Dis-moi Vénus…
- Year Of Release: 2023
- Label: Château de Versailles Spectacles
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 00:55:46
- Total Size: 284 mb / 1.0 gb
- WebSite: Album Preview
Tracklist
01. « Brillez astres nouveaux »
02. « Le sommeil sur mes yeux »
03. Gavottes
04. « Ô toi que le hameau révère »
05. « Amour, lance tes traits »
06. « Ô vous, qui nous faites entendre »
07. Prélude
08. « Cruelle mère des Amours »
09. « Tristes apprêts »
10. « Aimez, aimez, qu'attendez-vous ? »
11. Chaconne
12. « Non! N'espère pas que ton tourment finisse »
13. « J'ai perdu mes attraits et l'Amour va paraître »
14. « Loin de vos cœurs, les tristes plaintes »
15. Chœur « Vénus, ô Vénus »
16. « Formons les plus brillants concerts »
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Venus; goddess of sensuality and great orchestrator of pleasures; pulls the strings of opera characters as if they were puppets in the land of Tendre. With great delectation; Marie Perbost invokes the goddess and the heroines of French opera from the century of Louis XV to embody all the victims of passions unleashed by Aphrodite. There are masterpieces and discoveries here; from the satirical mockery of Madness in Rameau’s Platée to the virtuosic pages of Mondonville in Les Fêtes de Paphos. By turns pastoral and piquant; tender and burning; the divine Marie Perbost; supported by Gaétan Jarry; embraces all the music of love under Louis XV. A medley of jesting and fleeting romances; grace and libertinism; experience the delirium of the senses titillated by Eros and Cupid!
Boasting a solid musical background (Maîtrise de Radio France, Conservatoire National Supérieur de Paris, Académie de l'Opéra de Paris, Académie du Festival d'Aix-en-Provence, Young Singers Project of Salzburg Festival), Marie Perbost has won a host of prizes and accolades. She was named the Révélation Lyrique (“Lyric Revelation”) at the 2016 ADAMI and Révélation Artiste Lyrique (“Opera Singer Revelation) of the Victoires de la Musique classique (Classical Music Awards) in 2020.
Over the course of her budding career, she has performed as Blanche de la Force in Dialogues Des Carmelites; Despina in Cosi Fan Tutte; Elisetta in The Secret Marriage by Cimarosa; The Young Woman in Reigen by Boesmans; Pamina in Die Zauberflöte (Opéra de Tours), Marzelline in Fidelio (Atelier Lyrique de Tourcoing), Tullia in Il Mondo Alla Roversa by Galuppi (Ensemble Akadêmia), Lucine in Le Testament De Tante Caroline by Roussel (Les Frivolités Parisiennes); The Countess in Richard Coeur De Lion (Le Concert Spirituel d'Hervé Niquet, Opéra Royal de Versailles); the title role of Coronis by Durón (Le Poème Harmonique/Opéra Comique), La Folie in Platée (Capitole de Toulouse, Opéra Royal de Versailles); Orfeo by Monteverdi (Les Epopées), Musetta in La Bohème (Capitole de Toulouse), Gloire, Phénice, Mélisse in Armide by Gluck (Opéra de Dijon, Opéra Royal de Versailles), and more.
She gives regular concert performances, among them at Radio-France (Kurt Masur, Myung Wung Chung), the Berlin Philharmonic (Le Concert d'Astrée/ Emmanuelle Haïm); Palazzetto Bru Zane in Venice; Victoria Hall in Geneva (Gli Angeli), the Festival de Sablé sur Sarthe, the Festival d'Ambronay, the Orchestre de Picardie, the CMBV; the Orchestre National de France (Festival Radio-Classique), the Opéra de Tours (gala concert), Les Epopées/ Stéphane Fuget (Le Retour d'Ulysse at the Festival d'Opéra Baroque in Beaune), the Festival Saoû chante Mozart, the Orchestre Colonne; the AJAM in Strasbourg, the Hémiolia ensembles, Les Ombres, the Orchestre National de Metz, the Orchestre de Chambre de Paris, Les Surprises/ Louis-Noël Bestion de Camboulas, Le Poème Harmonique/Vincent Dumestre, Il Caravaggio/Camille Delaforge, etc.
She performs recitals with Joséphine Ambroselli (with whom she won the Grand Prix at the Nadia and Lili Boulanger International Voice-Piano Competition in 2015), Nicolas Chesneau and Jean-Michel Dayez.
Her projects include performing the role of Almaïde in La Caravane Du Caire back at Versailles, and in 2023-24: Eurydice in Orphée Aux Enfers (Opéra de Lausanne), Ilia in Idomeneo (Opéra National du Capitole de Toulouse), Coronis (Le Poème Harmonique, Oviedo), among others.
Committed to sharing contemporary creation, she is a founding member and Solo Soprano of the Ensemble 101 (www. ensemble101.fr/), and has received grants from the Fondation l'Or du Rhin (Fondation de France), the Fondation Meyer and the Fondation Kriegelstein.
Her recordings include: Une jeunesse à Paris (Joséphine Ambroselli, Harmonia Mundi, 2019), Abendlied (Haydn Quarter) (Ensemble Consonances, released by Hérisson in 2021), the Grands Motets by Gervais (Les Ombres, Château Versailles Spectacles, 2022). Upcoming releases: Rameau chez la Pompadour (Les Surprises, Alpha), Ariane Et Bacchus (Le Concert Spirituel, Outhere Music).
01. « Brillez astres nouveaux »
02. « Le sommeil sur mes yeux »
03. Gavottes
04. « Ô toi que le hameau révère »
05. « Amour, lance tes traits »
06. « Ô vous, qui nous faites entendre »
07. Prélude
08. « Cruelle mère des Amours »
09. « Tristes apprêts »
10. « Aimez, aimez, qu'attendez-vous ? »
11. Chaconne
12. « Non! N'espère pas que ton tourment finisse »
13. « J'ai perdu mes attraits et l'Amour va paraître »
14. « Loin de vos cœurs, les tristes plaintes »
15. Chœur « Vénus, ô Vénus »
16. « Formons les plus brillants concerts »
Venus; goddess of sensuality and great orchestrator of pleasures; pulls the strings of opera characters as if they were puppets in the land of Tendre. With great delectation; Marie Perbost invokes the goddess and the heroines of French opera from the century of Louis XV to embody all the victims of passions unleashed by Aphrodite. There are masterpieces and discoveries here; from the satirical mockery of Madness in Rameau’s Platée to the virtuosic pages of Mondonville in Les Fêtes de Paphos. By turns pastoral and piquant; tender and burning; the divine Marie Perbost; supported by Gaétan Jarry; embraces all the music of love under Louis XV. A medley of jesting and fleeting romances; grace and libertinism; experience the delirium of the senses titillated by Eros and Cupid!
Boasting a solid musical background (Maîtrise de Radio France, Conservatoire National Supérieur de Paris, Académie de l'Opéra de Paris, Académie du Festival d'Aix-en-Provence, Young Singers Project of Salzburg Festival), Marie Perbost has won a host of prizes and accolades. She was named the Révélation Lyrique (“Lyric Revelation”) at the 2016 ADAMI and Révélation Artiste Lyrique (“Opera Singer Revelation) of the Victoires de la Musique classique (Classical Music Awards) in 2020.
Over the course of her budding career, she has performed as Blanche de la Force in Dialogues Des Carmelites; Despina in Cosi Fan Tutte; Elisetta in The Secret Marriage by Cimarosa; The Young Woman in Reigen by Boesmans; Pamina in Die Zauberflöte (Opéra de Tours), Marzelline in Fidelio (Atelier Lyrique de Tourcoing), Tullia in Il Mondo Alla Roversa by Galuppi (Ensemble Akadêmia), Lucine in Le Testament De Tante Caroline by Roussel (Les Frivolités Parisiennes); The Countess in Richard Coeur De Lion (Le Concert Spirituel d'Hervé Niquet, Opéra Royal de Versailles); the title role of Coronis by Durón (Le Poème Harmonique/Opéra Comique), La Folie in Platée (Capitole de Toulouse, Opéra Royal de Versailles); Orfeo by Monteverdi (Les Epopées), Musetta in La Bohème (Capitole de Toulouse), Gloire, Phénice, Mélisse in Armide by Gluck (Opéra de Dijon, Opéra Royal de Versailles), and more.
She gives regular concert performances, among them at Radio-France (Kurt Masur, Myung Wung Chung), the Berlin Philharmonic (Le Concert d'Astrée/ Emmanuelle Haïm); Palazzetto Bru Zane in Venice; Victoria Hall in Geneva (Gli Angeli), the Festival de Sablé sur Sarthe, the Festival d'Ambronay, the Orchestre de Picardie, the CMBV; the Orchestre National de France (Festival Radio-Classique), the Opéra de Tours (gala concert), Les Epopées/ Stéphane Fuget (Le Retour d'Ulysse at the Festival d'Opéra Baroque in Beaune), the Festival Saoû chante Mozart, the Orchestre Colonne; the AJAM in Strasbourg, the Hémiolia ensembles, Les Ombres, the Orchestre National de Metz, the Orchestre de Chambre de Paris, Les Surprises/ Louis-Noël Bestion de Camboulas, Le Poème Harmonique/Vincent Dumestre, Il Caravaggio/Camille Delaforge, etc.
She performs recitals with Joséphine Ambroselli (with whom she won the Grand Prix at the Nadia and Lili Boulanger International Voice-Piano Competition in 2015), Nicolas Chesneau and Jean-Michel Dayez.
Her projects include performing the role of Almaïde in La Caravane Du Caire back at Versailles, and in 2023-24: Eurydice in Orphée Aux Enfers (Opéra de Lausanne), Ilia in Idomeneo (Opéra National du Capitole de Toulouse), Coronis (Le Poème Harmonique, Oviedo), among others.
Committed to sharing contemporary creation, she is a founding member and Solo Soprano of the Ensemble 101 (www. ensemble101.fr/), and has received grants from the Fondation l'Or du Rhin (Fondation de France), the Fondation Meyer and the Fondation Kriegelstein.
Her recordings include: Une jeunesse à Paris (Joséphine Ambroselli, Harmonia Mundi, 2019), Abendlied (Haydn Quarter) (Ensemble Consonances, released by Hérisson in 2021), the Grands Motets by Gervais (Les Ombres, Château Versailles Spectacles, 2022). Upcoming releases: Rameau chez la Pompadour (Les Surprises, Alpha), Ariane Et Bacchus (Le Concert Spirituel, Outhere Music).
Year 2023 | Classical | FLAC / APE | HD & Vinyl
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