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Peter Gluboky, Natalia Rassudova - Shostakovich: Romances - Song Cycles for Bass and Piano (2011)

Peter Gluboky, Natalia Rassudova - Shostakovich: Romances - Song Cycles for Bass and Piano (2011)
  • Title: Shostakovich: Romances - Song Cycles for Bass and Piano
  • Year Of Release: 2011
  • Label: Brilliant Classics
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 01:11:14
  • Total Size: 262 mb
  • WebSite:
Tracklist:

Four Romances On Poems By Pushkin Op.46
1 Rebirth
2 Sobbing Bitterly
3 Foreboding
4 Stanzas
Six Romances On Verses By British Poets Op.62
5 To His Son
6 In The Fields In Snow And Rain
7 Macpherson Before His Execution
8 Jenny
9 Sonnet LXVI
10 The King Goes To War
Four Monologues On Verses By Pushkin Op.91
11 Fragment
12 What Does My Name Means To You?
13 In The Depths Of Siberian Mines
14 Farewell
Five Romances On Texts From 'Krokodil' Op.121
15 Manual Demonstration
16 A Difficult Request
17 A Reasonable Attitude
18 Irinka And The Cowherd
19 Excessive Enthusiasm
Four Verses By Captain Lebyadkin Op.146 On Texts From Dostoevsky's Novel The Devils
20 Captain Lebyadkin's Love
21 The Cockroach
22 The Ball For The Benefit Of Governesses
23 A Pure Soul

Performers:
Peter Gluboky (bass)
Natalia Rassudova (piano)

A fascinating programme of song cycles for bass and piano by the great Soviet composer Dmitri Shostakovich.

Although the title “Romances” suggest idyllic meandering melodies, Shostakovich constructs several layers of emotions as expressed by the poetry, from innocent beauty to irony and deep despair.

Performed with profound understanding by Russian forces.

Famed today as one of the 20th century’s great symphonists, and the composer of one of the greatest cycles of string quartets, the songs of Shostakovich have been somewhat overshadowed. However he was a prolific composer of songs, setting not only Russian texts but poems by British and Japanese poets. His songs spanned his entire creative life from his op4 of 1922 to the op146 cycle of 1975 included on this disc.

The earliest songs here date from 1936, and show how the young composer has abandoned his highly energetic and satirical style in favour of a more profound and lyrical one, which he would develop and perfect in works such as the 5th Symphony of 1937.




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