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Bugallo-Williams Piano Duo - Igor Stravinsky: Petrushka (2018)

Bugallo-Williams Piano Duo - Igor Stravinsky: Petrushka (2018)
  • Title: Igor Stravinsky: Petrushka
  • Year Of Release: 2018
  • Label: Wergo
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 68:56 min
  • Total Size: 210 MB
  • WebSite:
Bugallo-Williams Piano Duo - Igor Stravinsky: Petrushka (2018)

Tracklist:

01. Petrushka. Burlesque in Four Scenes. Arr. for Piano, Four Hands: 1. Scene: The Shrovetide Fair
02. Petrushka. Burlesque in Four Scenes. Arr. for Piano, Four Hands: I. Scene: The Magic Trick
03. Petrushka. Burlesque in Four Scenes. Arr. for Piano, Four Hands: I. Scene: Russian Dance
04. Petrushka. Burlesque in Four Scenes. Arr. for Piano, Four Hands: II. Scene: Petrushka’s Room
05. Petrushka. Burlesque in Four Scenes. Arr. for Piano, Four Hands: III. Scene: The Moor’s Room
06. Petrushka. Burlesque in Four Scenes. Arr. for Piano, Four Hands: III. Scene: Dance of the Ballerina
07. Petrushka. Burlesque in Four Scenes. Arr. for Piano, Four Hands: III. Scene: Waltz "Appearance of Petrushka"
08. Petrushka. Burlesque in Four Scenes. Arr. for Piano, Four Hands: IV. Scene: The Shrovetide Fair (Toward Evening)
09. Petrushka. Burlesque in Four Scenes. Arr. for Piano, Four Hands: IV. Scene: Dance of the Nursemaids
10. Petrushka. Burlesque in Four Scenes. Arr. for Piano, Four Hands: IV. Scene: The Peasant and the Bear
11. Petrushka. Burlesque in Four Scenes. Arr. for Piano, Four Hands: IV. Scene: The Jovial Merchant with Two Gypsy Girls
12. Petrushka. Burlesque in Four Scenes. Arr. for Piano, Four Hands: IV. Scene: Dance of the Coachmen and Grooms
13. Petrushka. Burlesque in Four Scenes. Arr. for Piano, Four Hands: IV. Scene: The Mummers – The Fight: The Moor and Petrushka – Deat
14. Concertino for String Quartet. Arr. for Piano, Four Hands
15. Agon Ballet for Twelve Dancers. Arr. for Two Pianos: Pas-de-Quatre
16. Agon Ballet for Twelve Dancers. Arr. for Two Pianos: Double Pas-de-Quatre
17. Agon Ballet for Twelve Dancers. Arr. for Two Pianos: Triple Pas-de-Quatre
18. Agon Ballet for Twelve Dancers. Arr. for Two Pianos: Prélude
19. Agon Ballet for Twelve Dancers. Arr. for Two Pianos: First Pas-de-Trois: Saraband Step
20. Agon Ballet for Twelve Dancers. Arr. for Two Pianos: Gailliarde
21. Agon Ballet for Twelve Dancers. Arr. for Two Pianos: Coda
22. Agon Ballet for Twelve Dancers. Arr. for Two Pianos: Interlude
23. Agon Ballet for Twelve Dancers. Arr. for Two Pianos: Second Pas-de-Trois: Bransle Simple
24. Agon Ballet for Twelve Dancers. Arr. for Two Pianos: Bransle Gay
25. Agon Ballet for Twelve Dancers. Arr. for Two Pianos: Bransle Double
26. Agon Ballet for Twelve Dancers. Arr. for Two Pianos: Interlude 2
27. Agon Ballet for Twelve Dancers. Arr. for Two Pianos: Pas-de-Deux
28. Agon Ballet for Twelve Dancers. Arr. for Two Pianos: Coda 2
29. Agon Ballet for Twelve Dancers. Arr. for Two Pianos: Four Duos
30. Agon Ballet for Twelve Dancers. Arr. for Two Pianos: Four Trios
31. Agon Ballet for Twelve Dancers. Arr. for Two Pianos: Coda 3
32. Scherzo à la Russe. Arr. for Two Pianos

The young Stravinsky became acquainted with large parts of the Western music repertoire through piano arrangements. That might have been one reason for his later compositional practice to arrange major works for piano duet or for two pianos as well. With the new album "Petrushka", the Bugallo-Williams Piano Duo has achieved it's intention to present a complete collection of Igor Stravinsky's published piano arrangements. The present recording contains two ballets which show Stravinsky's compositional development within the genre: the almost film-like burlesque "Petrushka" (1910/11) as well as the abstract late work "Agon" (1953/57) which puts the ancient Greek concept of competition into a contradictory musical setting. In addition, it contains two arrangements of concert pieces: "Concertino" for string quartet (1920) lives on the alternation between homogeneous instrumental passages and soloistic crossed accents. The orchestral "Scherzo a la Russe" (1944) as 'jazz commercial' testifies to Stravinsky's adaptation to his life in America as well as to his love of the Russian types of form at the turn of the century. In their recording, Helena Bugallo and Amy Williams present the special charms of Igor Stravinsky's music in 'black and white': The piano arrangements reflect the sheer brilliance of his oeuvre in a concentrated form.


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  • olga1001
  •  wrote in 07:59
    • Like
    • 1
Bigger back cover is on amazon.de

https://m.media-amazon.com/images/I/81MKlatJK2L._SL1500_.jpg

Thank you for Vol. 2 ^.^
Complete :)