Marc Pantillon, Christophe, Pantillon, Johannes Flieder - Samuel Ducommun: Musique de chambre (2023) [Hi-Res]
![Marc Pantillon, Christophe, Pantillon, Johannes Flieder - Samuel Ducommun: Musique de chambre (2023) [Hi-Res]](https://www.dibpic.com/uploads/posts/2023-09/1694695674_folder.jpg)
BAND/ARTIST: Marc Pantillon, Christophe, Pantillon, Johannes Flieder
- Title: Samuel Ducommun: Musique de chambre
- Year Of Release: 2023
- Label: Claves Records
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 192.0kHz +Booklet
- Total Time: 01:02:12
- Total Size: 264 mb / 1.89 gb
- WebSite: Album Preview
Tracklist
01. Quatuor pour flûtes: I. Capriccio
02. Quatuor pour flûtes: II. Adagio
03. Quatuor pour flûtes: III. Rondo
04. Quatuor pour flûtes: IV. Quasi marcia
05. Sonatine pour violon et piano: I. Preludio. Moderato
06. Sonatine pour violon et piano: II. Allegro scherzando
07. Quatre Pièces brèves pour violoncelle et piano: I. Prélude grave. Poco sostenuto
08. Quatre Pièces brèves pour violoncelle et piano: II. Fughetta: Allegretto
09. Quatre Pièces brèves pour violoncelle et piano: III. Elégie sur le nom de PABLO CASALS. Poco lento
10. Quatre Pièces brèves pour violoncelle et piano: IV. Rondo. Vif
11. Divertimento pour flûte, violon, alto, violoncelle et piano: I. Intrada
12. Divertimento pour flûte, violon, alto, violoncelle et piano: II. Allegretto scherzando
13. Divertimento pour flûte, violon, alto, violoncelle et piano: III. Pastorale
14. Divertimento pour flûte, violon, alto, violoncelle et piano: IV. Final
![Marc Pantillon, Christophe, Pantillon, Johannes Flieder - Samuel Ducommun: Musique de chambre (2023) [Hi-Res]](https://www.dibpic.com/uploads/posts/2023-09/1694695638_marc-pantillon-christophe-samuel-ducommun-musique-de-chambre-2023-back.jpg)
Both a singer as well as an inveterate music lover, the public prosecutor for the State of Neuchâtel Pierre Aubert also happens to be the author of one of the rare portraits of Samuel Ducommun (with perhaps the monography published at Infolio in 2014 by the undersigned...). It begins with this compelling assertion about this man’s relation to posterity: “Faulkner once said: It is my ambition to be, as a private individual, abolished and voided from history, leaving it markless, no refuse save the printed books (Joseph Leo Blotner, 1978, Selected letters of William Faulkner). Yet, a biography of more than a thousand pages was written about him. Samuel Ducommun appears to have been even more reserved than Faulkner. He never spoke about himself, didn’t have any personal ambition, not even to disappear from history, and even the destiny of his work, before and after his death, didn’t interest him”. Towards the end of his life he will state: “For a composer, the very fact of having accomplished his work, solving problems, managing to progress, seems to me the ultimate reward. The joy of a public performance of one’s creations is an added pleasure, but it isn’t imperative.” This form of extreme abnegation is Samuel Ducommun’s own business. And it must be respected. However, it needn’t prevent other people from paying close attention to his work: after all hadn’t Ducommun spent a good part of his life drawing his pupils’ attention (in his singing, organ tutoring and theory classes) to the innumerable treasures to be found in the history of music ? Perhaps, had he feared the disadvantage of comparisons... If such was the case, he was proved wrong. His inventory is made up of more than a hundred pieces of music of all types (with the exception of opera). It shows a steadfast vision, prompted just as much by his masters, as by his firm attachment to the Protestant cult. This powerful inner inspiration renders his art at once identifiable...
01. Quatuor pour flûtes: I. Capriccio
02. Quatuor pour flûtes: II. Adagio
03. Quatuor pour flûtes: III. Rondo
04. Quatuor pour flûtes: IV. Quasi marcia
05. Sonatine pour violon et piano: I. Preludio. Moderato
06. Sonatine pour violon et piano: II. Allegro scherzando
07. Quatre Pièces brèves pour violoncelle et piano: I. Prélude grave. Poco sostenuto
08. Quatre Pièces brèves pour violoncelle et piano: II. Fughetta: Allegretto
09. Quatre Pièces brèves pour violoncelle et piano: III. Elégie sur le nom de PABLO CASALS. Poco lento
10. Quatre Pièces brèves pour violoncelle et piano: IV. Rondo. Vif
11. Divertimento pour flûte, violon, alto, violoncelle et piano: I. Intrada
12. Divertimento pour flûte, violon, alto, violoncelle et piano: II. Allegretto scherzando
13. Divertimento pour flûte, violon, alto, violoncelle et piano: III. Pastorale
14. Divertimento pour flûte, violon, alto, violoncelle et piano: IV. Final
Both a singer as well as an inveterate music lover, the public prosecutor for the State of Neuchâtel Pierre Aubert also happens to be the author of one of the rare portraits of Samuel Ducommun (with perhaps the monography published at Infolio in 2014 by the undersigned...). It begins with this compelling assertion about this man’s relation to posterity: “Faulkner once said: It is my ambition to be, as a private individual, abolished and voided from history, leaving it markless, no refuse save the printed books (Joseph Leo Blotner, 1978, Selected letters of William Faulkner). Yet, a biography of more than a thousand pages was written about him. Samuel Ducommun appears to have been even more reserved than Faulkner. He never spoke about himself, didn’t have any personal ambition, not even to disappear from history, and even the destiny of his work, before and after his death, didn’t interest him”. Towards the end of his life he will state: “For a composer, the very fact of having accomplished his work, solving problems, managing to progress, seems to me the ultimate reward. The joy of a public performance of one’s creations is an added pleasure, but it isn’t imperative.” This form of extreme abnegation is Samuel Ducommun’s own business. And it must be respected. However, it needn’t prevent other people from paying close attention to his work: after all hadn’t Ducommun spent a good part of his life drawing his pupils’ attention (in his singing, organ tutoring and theory classes) to the innumerable treasures to be found in the history of music ? Perhaps, had he feared the disadvantage of comparisons... If such was the case, he was proved wrong. His inventory is made up of more than a hundred pieces of music of all types (with the exception of opera). It shows a steadfast vision, prompted just as much by his masters, as by his firm attachment to the Protestant cult. This powerful inner inspiration renders his art at once identifiable...
Year 2023 | Classical | FLAC / APE | HD & Vinyl
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