• logo

Sinfonia of London & John Wilson - Rodgers & Hammerstein's Oklahoma! (Complete original score) (2023) [Hi-Res]

Sinfonia of London & John Wilson - Rodgers & Hammerstein's Oklahoma! (Complete original score) (2023) [Hi-Res]
  • Title: Rodgers & Hammerstein's Oklahoma! (Complete original score)
  • Year Of Release: 2023
  • Label: Chandos
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
  • Total Time: 01:39:27
  • Total Size: 491 MB / 1.84 GB
  • WebSite:
Tracklist:

1. Rodgers: Oklahoma!: Overture (5:18)
2. Rodgers: Oklahoma!, Act 1: No. 1, Oh, What a Beautiful Mornin' (3:20)
3. Rodgers: Oklahoma!, Act 1: No. 2, Laurey's Entrance (0:27)
4. Rodgers: Oklahoma!, Act 1: No. 3, The Surrey with the Fringe on Top (6:04)
5. Rodgers: Oklahoma!, Act 1: No. 4, Kansas City (5:23)
6. Rodgers: Oklahoma!, Act 1: No. 5, The Surrey with the Fringe on Top (Reprise) (1:00)
7. Rodgers: Oklahoma!, Act 1: No. 6, I Cain't Say No! (3:11)
8. Rodgers: Oklahoma!, Act 1: No. 7, I Cain't Say No! (Encore) (0:57)
9. Rodgers: Oklahoma!, Act 1: No. 8, Entrance of Ensemble (0:59)
10. Rodgers: Oklahoma!, Act 1: No. 9, Many a New Day (3:07)
11. Rodgers: Oklahoma!, Act 1: No. 10, Many a New Day (Dance and Reprise) (3:49)
12. Rodgers: Oklahoma!, Act 1: No. 11, It's a Scandal! It's a Outrage! (3:25)
13. Rodgers: Oklahoma!, Act 1: No. 12, People Will Say We're in Love (5:56)
14. Rodgers: Oklahoma!, Act 1: No. 13, Change of Scene (2:27)
15. Rodgers: Oklahoma!, Act 1: No. 14, Pore Jud is Daid (5:07)
16. Rodgers: Oklahoma!, Act 1: No. 15, Lonely Room (2:41)
17. Rodgers: Oklahoma!, Act 1: No. 16, Change of Scene (1:46)
18. Rodgers: Oklahoma!, Act 1: No. 17a, Dream Sequence Melos (0:42)
19. Rodgers: Oklahoma!, Act 1: No. 17b, Dream Sequence Out of My Dreams (2:32)
20. Rodgers: Oklahoma!, Act 1: No. 17c, Dream Sequence Interlude to Ballet (0:16)
21. Rodgers: Oklahoma!, Act 1: No. 17d, Dream Sequence Dream Ballet (13:28)
22. Rodgers: Oklahoma!: No. 18, Entr'acte (2:35)
23. Rodgers: Oklahoma!, Act 2: No. 19, The Farmer and the Cowman (4:23)
24. Rodgers: Oklahoma!, Act 2: No. 20, Farmer Dance (2:10)
25. Rodgers: Oklahoma!, Act 2: No. 21, Change of Scene (0:30)
26. Rodgers: Oklahoma!, Act 2: No. 22, All er Nothin' (5:16)
27. Rodgers: Oklahoma!, Act 2: No. 23, Change of Scene (0:30)
28. Rodgers: Oklahoma!, Act 2: No. 24, People Will Say We're in Love (Reprise) (1:34)
29. Rodgers: Oklahoma!, Act 2: Nos. 25 & 26, Change of Scene (2:12)
30. Rodgers: Oklahoma!, Act 2: No. 27, Oklahoma (3:17)
31. Rodgers: Oklahoma!, Act 2: No. 28, Oklahoma (Encore) (1:08)
32. Rodgers: Oklahoma!, Act 2: No. 29, Finale Ultimo: Oh, What a Beautiful Mornin' / People Will Say We're in Love (1:53)
33. Rodgers: Oklahoma!: No. 30, Exit Music (2:21)

Rodgers and Hammerstein’s Oklahoma! was first performed in 1943, and was a significant turning point in the history of musical theatre. It was the first musical to put drama and plot to the fore, portrayed by rounded, believable characters. It swept aside traditions that had their roots in vaudeville – star turns, comic sketches, and endless lines of high-kicking chorus girls. Oklahoma! does feature dance, but in the hands of the choreographer, Agnes de Mille, this was idiomatic to the plot, and revolutionary in terms of the fifteen minute dream-sequence ballet at the close of Act I. The first collaboration between composer and writer, the show was a hit, running for more than five years on Broadway, and paving the way for their masterpieces to come. John Wilson’s long-held fascination for researching original musical theatre scores of this period and bringing them anew to modern audiences reaches a milestone with this world première recording of the original score in its entirety (no cuts) and in the original orchestrations for twenty-nine-piece orchestra made by Robert Russell Bennett for the original production. His outstanding cast features Nathaniel Hackmann, Sierra Boggess, Jamie Parker, Louise Dearman, Sandra Marvin, Rodney Earl Clarke, Nadim Naaman, and Leo Roberts, ably supported by the ‘Oklahoma!’ Ensemble – twenty-two artists drawn from London’s West End. Wilson comments: ‘I love the connective tissue of the piece, the scenechange music, the ballet, the songs that sometimes get cut, the underscoring. And when so many vastly different new versions are appearing on stage, it’s more important than ever that we have a document of the actual source material.’


As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
  • Unlimited high speed downloads
  • Download directly without waiting time
  • Unlimited parallel downloads
  • Support for download accelerators
  • No advertising
  • Resume broken downloads
  • User offline
  • platico
  •  wrote in 01:28
    • Like
    • 0
gracias...
  • User offline
  • mufty77
  •  wrote in 15:51
    • Like
    • 0
Many thanks for 24-96.