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Lucy Shelton, Cleveland Chamber Symphony, Virko Baley, Karen Bentley Pollick, Timothy Hoft - Virko Baley: Music for Emily Dickinson (2023) [Hi-Res]

Lucy Shelton, Cleveland Chamber Symphony, Virko Baley, Karen Bentley Pollick, Timothy Hoft - Virko Baley: Music for Emily Dickinson (2023) [Hi-Res]
  • Title: Virko Baley: Music for Emily Dickinson
  • Year Of Release: 2023
  • Label: Toccata Classics
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 44.1kHz / flac 24bits - 48.0kHz +booklet
  • Total Time: 01:14:52
  • Total Size: 343 / 684 / 730 mb
  • WebSite:
Tracklist

01. Uniforms of Snow: No. 1, Intrada - Song Without Words
02. Uniforms of Snow: No. 2, Love Can Do All but Raise the Dead
03. Uniforms of Snow: No. 3, Oh Honey of an Hour
04. Uniforms of Snow: No. 4, I Held a Jewel in My Fingers
05. Uniforms of Snow: No. 5, Interlude I
06. Uniforms of Snow: No. 6, There Is a Solitude of Space
07. Uniforms of Snow: No. 7, Out of Sight? What of That?
08. Uniforms of Snow: No. 8, Hope Is the Thing with Feathers
09. Uniforms of Snow: No. 9, There Is a Pain, So Utter
10. Uniforms of Snow: No. 10, Interlude II "Tren"
11. Uniforms of Snow: No. 11, Epilogue "Little Cousins"
12. 10 Songs Without Words: No. 1, Love Can Do All but Raise the Dead
13. 10 Songs Without Words: No. 2, Oh, Honey of an Hour
14. 10 Songs Without Words: No. 3, There Is a Solitude of Space
15. 10 Songs Without Words: No. 4, L'allegro
16. 10 Songs Without Words: No. 5, There Is a Languor
17. 10 Songs Without Words: No. 6, Out of Sight? What of That?
18. 10 Songs Without Words: No. 7, Der Abschied
19. 10 Songs Without Words: No. 8, It Struck Me Every Day
20. 10 Songs Without Words: No. 9, There Is a Pain - So Utter
21. 10 Songs Without Words: No. 10, A Poem of Aleks

Lucy Shelton, Cleveland Chamber Symphony, Virko Baley, Karen Bentley Pollick, Timothy Hoft - Virko Baley: Music for Emily Dickinson (2023) [Hi-Res]


Virko Baley was born in Ukraine in 1938 and came to the USA as a refugee in 1949, eventually making his home in Las Vegas. He has long been fascinated by the poetry of Emily Dickinson, as can be heard in the two moving works recorded here – one an orchestral song-cycle setting her texts, the other a suite for violin and piano inspired by those settings. They display an acute ear for orchestral colour, a fondness for dramatic gesture and a strong sense of lyricism, occasionally inflected by distant echoes of Baley’s eastern European origins, the richness of the song-cycle placing him downstream from Mahler and Berg and the restraint of the Songs without Words occasionally evoking Arvo Pärt.



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