Musica Amphion, Pieter-Jan Belder - Corelli: Concerti Grossi Op.6 (2012)
BAND/ARTIST: Musica Amphion, Pieter-Jan Belder
- Title: Corelli: Concerti Grossi Op.6
- Year Of Release: 2012
- Label: Brilliant Classics
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 02:25:39
- Total Size: 798 mb
- WebSite: Album Preview
Tracklist
01. Concerto No. 1 in D: I. Largo - Allegro
02. Concerto No. 1 in D: II. Largo - Allegro
03. Concerto No. 1 in D: III. Largo
04. Concerto No. 1 in D: IV. Allegro
05. Concerto No. 1 in D: V. Allegro
06. Concerto No. 2 in F: I. Vivace - Allegro
07. Concerto No. 2 in F: II. Largo - Andante
08. Concerto No. 2 in F: III. Allegro
09. Concerto No. 2 in F: IV. Grave - Andante Largo
10. Concerto No. 2 in F: V. Allegro
11. Concerto No. 3 in C Minor: I. Largo
12. Concerto No. 3 in C Minor: II. Allegro
13. Concerto No. 3 in C Minor: III. Grave
14. Concerto No. 3 in C Minor: IV. Vivace
15. Concerto No. 3 in C Minor: V. Allegro
16. Concerto No. 4 in D: I. Adagio - Allegro
17. Concerto No. 4 in D: II. Adagio
18. Concerto No. 4 in D: III. Vivace
19. Concerto No. 4 in D: IV. Allegro
20. Concerto No. 5 in B-Flat: I. Adagio - Allegro
21. Concerto No. 5 in B-Flat: II. Adagio
22. Concerto No. 5 in B-Flat: III. Allegro
23. Concerto No. 5 in B-Flat: IV. Largo
24. Concerto No. 5 in B-Flat: V. Allegro
25. Concerto No. 6 in F: I. Adagio
26. Concerto No. 6 in F: II. Allegro
27. Concerto No. 6 in F: III. Largo
28. Concerto No. 6 in F: IV. Vivace
29. Concerto No. 6 in F: V. Allegro
30. Concerto No. 7 in D: I. Vivace - Allegro
31. Concerto No. 7 in D: II. Allegro
32. Concerto No. 7 in D: III. Andante Largo
33. Concerto No. 7 in D: IV. Allegro
34. Concerto No. 7 in D: V. Vivace
35. Concerto No. 8 in G Minor, Fatto per la Notte di Natale (Christmas Concerto): I. Vivace
36. Concerto No. 8 in G Minor, Fatto per la Notte di Natale (Christmas Concerto): II. Grave. Arcate, Sostenuto E Come Stà
37. Concerto No. 8 in G Minor, Fatto per la Notte di Natale (Christmas Concerto): III. Allegro
38. Concerto No. 8 in G Minor, Fatto per la Notte di Natale (Christmas Concerto): IV. Adagio - Allegro - Adagio
39. Concerto No. 8 in G Minor, Fatto per la Notte di Natale (Christmas Concerto): V. Vivace
40. Concerto No. 8 in G Minor, Fatto per la Notte di Natale (Christmas Concerto): VI. Allegro
41. Concerto No. 8 in G Minor, Fatto per la Notte di Natale (Christmas Concerto): VII. Pastorale: Largo
42. Concerto No. 9 in F: I. Preludio: Largo
43. Concerto No. 9 in F: II. Allemanda: Allegro
44. Concerto No. 9 in F: III. Corrente: Vivace
45. Concerto No. 9 in F: IV. Gavotta: Allegro
46. Concerto No. 9 in F: V. Adagio
47. Concerto No. 9 in F: VI. Minuetto: Vivace
48. Concerto No. 10 in C: I. Preludio: Andante Largo
49. Concerto No. 10 in C: II. Allemanda: Allegro
50. Concerto No. 10 in C: III. Adagio
51. Concerto No. 10 in C: IV. Corrente: Vivace
52. Concerto No. 10 in C: V. Allegro
53. Concerto No. 10 in C: VI. Minuetto: Vivace
54. Concerto No. 11 in B-Flat: I. Preludio: Andante Largo
55. Concerto No. 11 in B-Flat: II. Allemanda: Allegro
56. Concerto No. 11 in B-Flat: III. Adagio - Andante Largo
57. Concerto No. 11 in B-Flat: IV. Sarabanda: Largo
58. Concerto No. 11 in B-Flat: V. Giga: Vivace
59. Concerto No. 12 in F: I. Preludio: Adagio
60. Concerto No. 12 in F: II. Allegro
61. Concerto No. 12 in F: III. Adagio
62. Concerto No. 12 in F: IV. Sarabanda: Vivace
63. Concerto No. 12 in F: V. Giga: Allegro
64. Sinfonia to the oratorio Santa Beatrice d'Este, WoO 1: I. Grave
65. Sinfonia to the oratorio Santa Beatrice d'Este, WoO 1: II. Allegro
66. Sinfonia to the oratorio Santa Beatrice d'Este, WoO 1: III. Adagio
67. Sinfonia to the oratorio Santa Beatrice d'Este, WoO 1: IV. Largo Assai
68. Sinfonia to the oratorio Santa Beatrice d'Este, WoO 1: V. Vivace
69. Sonata a quattro, WoO 2: I. Adagio - Andante Largo
70. Sonata a quattro, WoO 2: II. Allegro
71. Sonata a quattro, WoO 2: III. Grave
72. Sonata a quattro, WoO 2: IV. Presto
73. Sonata a quattro, WoO 2: V. Vivace
Arcangelo Corelli (1653–1713) was nothing less than a musical pioneer, a champion of the violin’s potential as a solo instrument and an immense influence on the composers who followed him, J.S. Bach and Handel included. As a virtuoso violinist, he wielded an unprecedented level of skill; as a composer, he was enormously popular throughout Europe.
Although the Italian composer’s legacy has been somewhat overshadowed in modern times, the 12 Concerti Grossi that comprise this recording are thoroughly worthy of rediscovery, and earned Corelli the description of ‘father of the concerto grosso’. Indeed, he was one of the first composers to use the term, and established many of the genre’s recognisable features. The mixture of concerti da chiesa (church concertos, which alternate slow and fast tempi) and concerti da camera (chamber concertos, similar to the dance suite) demonstrates the imagination, innovation and versatility that his fellow composers so admired.
Although the vast popularity that Corelli enjoyed in his lifetime may have declined over the centuries, the influence of his 12 Concerti Grossi is undeniable, and can be felt in later concertos by composers like Geminiani and Vivaldi, not to mention Handel’s majestic Concerti Grossi Op.6. Drawn from Brilliant Classics’ criticallyacclaimed edition of Corelli’s complete works, there is much for listeners to discover and enjoy in these recordings, which feature outstanding readings by a leading period-instrument ensemble, Musica Amphion, led from the harpsichord by Pieter-Jan Belder.
01. Concerto No. 1 in D: I. Largo - Allegro
02. Concerto No. 1 in D: II. Largo - Allegro
03. Concerto No. 1 in D: III. Largo
04. Concerto No. 1 in D: IV. Allegro
05. Concerto No. 1 in D: V. Allegro
06. Concerto No. 2 in F: I. Vivace - Allegro
07. Concerto No. 2 in F: II. Largo - Andante
08. Concerto No. 2 in F: III. Allegro
09. Concerto No. 2 in F: IV. Grave - Andante Largo
10. Concerto No. 2 in F: V. Allegro
11. Concerto No. 3 in C Minor: I. Largo
12. Concerto No. 3 in C Minor: II. Allegro
13. Concerto No. 3 in C Minor: III. Grave
14. Concerto No. 3 in C Minor: IV. Vivace
15. Concerto No. 3 in C Minor: V. Allegro
16. Concerto No. 4 in D: I. Adagio - Allegro
17. Concerto No. 4 in D: II. Adagio
18. Concerto No. 4 in D: III. Vivace
19. Concerto No. 4 in D: IV. Allegro
20. Concerto No. 5 in B-Flat: I. Adagio - Allegro
21. Concerto No. 5 in B-Flat: II. Adagio
22. Concerto No. 5 in B-Flat: III. Allegro
23. Concerto No. 5 in B-Flat: IV. Largo
24. Concerto No. 5 in B-Flat: V. Allegro
25. Concerto No. 6 in F: I. Adagio
26. Concerto No. 6 in F: II. Allegro
27. Concerto No. 6 in F: III. Largo
28. Concerto No. 6 in F: IV. Vivace
29. Concerto No. 6 in F: V. Allegro
30. Concerto No. 7 in D: I. Vivace - Allegro
31. Concerto No. 7 in D: II. Allegro
32. Concerto No. 7 in D: III. Andante Largo
33. Concerto No. 7 in D: IV. Allegro
34. Concerto No. 7 in D: V. Vivace
35. Concerto No. 8 in G Minor, Fatto per la Notte di Natale (Christmas Concerto): I. Vivace
36. Concerto No. 8 in G Minor, Fatto per la Notte di Natale (Christmas Concerto): II. Grave. Arcate, Sostenuto E Come Stà
37. Concerto No. 8 in G Minor, Fatto per la Notte di Natale (Christmas Concerto): III. Allegro
38. Concerto No. 8 in G Minor, Fatto per la Notte di Natale (Christmas Concerto): IV. Adagio - Allegro - Adagio
39. Concerto No. 8 in G Minor, Fatto per la Notte di Natale (Christmas Concerto): V. Vivace
40. Concerto No. 8 in G Minor, Fatto per la Notte di Natale (Christmas Concerto): VI. Allegro
41. Concerto No. 8 in G Minor, Fatto per la Notte di Natale (Christmas Concerto): VII. Pastorale: Largo
42. Concerto No. 9 in F: I. Preludio: Largo
43. Concerto No. 9 in F: II. Allemanda: Allegro
44. Concerto No. 9 in F: III. Corrente: Vivace
45. Concerto No. 9 in F: IV. Gavotta: Allegro
46. Concerto No. 9 in F: V. Adagio
47. Concerto No. 9 in F: VI. Minuetto: Vivace
48. Concerto No. 10 in C: I. Preludio: Andante Largo
49. Concerto No. 10 in C: II. Allemanda: Allegro
50. Concerto No. 10 in C: III. Adagio
51. Concerto No. 10 in C: IV. Corrente: Vivace
52. Concerto No. 10 in C: V. Allegro
53. Concerto No. 10 in C: VI. Minuetto: Vivace
54. Concerto No. 11 in B-Flat: I. Preludio: Andante Largo
55. Concerto No. 11 in B-Flat: II. Allemanda: Allegro
56. Concerto No. 11 in B-Flat: III. Adagio - Andante Largo
57. Concerto No. 11 in B-Flat: IV. Sarabanda: Largo
58. Concerto No. 11 in B-Flat: V. Giga: Vivace
59. Concerto No. 12 in F: I. Preludio: Adagio
60. Concerto No. 12 in F: II. Allegro
61. Concerto No. 12 in F: III. Adagio
62. Concerto No. 12 in F: IV. Sarabanda: Vivace
63. Concerto No. 12 in F: V. Giga: Allegro
64. Sinfonia to the oratorio Santa Beatrice d'Este, WoO 1: I. Grave
65. Sinfonia to the oratorio Santa Beatrice d'Este, WoO 1: II. Allegro
66. Sinfonia to the oratorio Santa Beatrice d'Este, WoO 1: III. Adagio
67. Sinfonia to the oratorio Santa Beatrice d'Este, WoO 1: IV. Largo Assai
68. Sinfonia to the oratorio Santa Beatrice d'Este, WoO 1: V. Vivace
69. Sonata a quattro, WoO 2: I. Adagio - Andante Largo
70. Sonata a quattro, WoO 2: II. Allegro
71. Sonata a quattro, WoO 2: III. Grave
72. Sonata a quattro, WoO 2: IV. Presto
73. Sonata a quattro, WoO 2: V. Vivace
Arcangelo Corelli (1653–1713) was nothing less than a musical pioneer, a champion of the violin’s potential as a solo instrument and an immense influence on the composers who followed him, J.S. Bach and Handel included. As a virtuoso violinist, he wielded an unprecedented level of skill; as a composer, he was enormously popular throughout Europe.
Although the Italian composer’s legacy has been somewhat overshadowed in modern times, the 12 Concerti Grossi that comprise this recording are thoroughly worthy of rediscovery, and earned Corelli the description of ‘father of the concerto grosso’. Indeed, he was one of the first composers to use the term, and established many of the genre’s recognisable features. The mixture of concerti da chiesa (church concertos, which alternate slow and fast tempi) and concerti da camera (chamber concertos, similar to the dance suite) demonstrates the imagination, innovation and versatility that his fellow composers so admired.
Although the vast popularity that Corelli enjoyed in his lifetime may have declined over the centuries, the influence of his 12 Concerti Grossi is undeniable, and can be felt in later concertos by composers like Geminiani and Vivaldi, not to mention Handel’s majestic Concerti Grossi Op.6. Drawn from Brilliant Classics’ criticallyacclaimed edition of Corelli’s complete works, there is much for listeners to discover and enjoy in these recordings, which feature outstanding readings by a leading period-instrument ensemble, Musica Amphion, led from the harpsichord by Pieter-Jan Belder.
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