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Stefan Vladar, Clemens Hagen - Schumann: Werke für Violoncello & Klavier (2010)

Stefan Vladar, Clemens Hagen - Schumann: Werke für Violoncello & Klavier (2010)
  • Title: Schumann: Werke für Violoncello & Klavier
  • Year Of Release: 2010
  • Label: Preiser Records
  • Genre: Classical
  • Quality: FLAC (tracks) / MP3 320 Kbps
  • Total Time: 01:00:26
  • Total Size: 208 / 154 mb
  • WebSite:
Tracklist:

1. Adagio und Allegro op. 70 08:43
2. Fantasiestücke op. 73: Zart und mit Ausdruck 03:36
3. Fantasiestücke op. 73: Lebhaft, leicht 03:07
4. Fantasiestücke op. 73: Rasch und mit Feuer 04:01
5. Drei Romanzen op. 94: NIcht schnell 04:07
6. Drei Romanzen op. 94: Einfach, innig 04:06
7. Drei Romanzen op. 94: Nicht schnell. 04:12
8. Fünf Stücke im Volkston op. 102: Mit Humor 02:37
9. Fünf Stücke im Volkston op. 102: Langsam 03:14
10. Fünf Stücke im Volkston op. 102: Nicht schnell, mit viel Ton zu spielen 03:43
11. Fünf Stücke im Volkston op. 102: Nicht zu rasch 02:11
12. Fünf Stücke im Volkston op. 102: Stark und markiert 2:58
13. Stille Tränen 03:01
14. Du bist wie eine Blume 01:34
15. Requiem 03:51
16. Aus den hebräischen Gesängen 05:25

Performers:
Stefan Vladar (piano)
Clemens Hagen (cello)

Though Schumann only scored one composition originally intended for the cello and piano (Fünf Stücke im Volkston, Op. 102), cellists happily take advantage of the composer's penchant for publishing alternate versions of his works for different instruments. As a result, the Op. 70 Adagio & Allegro, Op. 73 Fantasiestücke, and Op. 94 Drei Romanzen have all become standard cello repertoire. Taking the lead from Beethoven's set of cello sonatas, Schumann recognized the vast expressive abilities that the cello possessed as well as the instrument's broad range. The works on this Preiser Records album therefore focus on expression over technical prowess. Cellist Clemens Hagen and violinist Stefan Vladar put forth a solid but largely bland performance of these typically sweeping works. Hagen's playing is technically unimpeachable: intonation, articulation, precise shifts are almost flawless. What's missing is a bit more contrast in tempo from movement to movement, changes in dynamics, and a more varied assortment of tone colors to prevent each track from sounding no different than the last. Preiser's recorded sound is also rather quiet and subdued, which further mutes any of the contrasts Hagen may have been trying to insert in the studio.




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  • olga1001
  •  wrote in 10:49
    • Like
    • 2
Back cover is on amazon.in but sequence is a little wrong

https://m.media-amazon.com/images/I/81XYbpnhnYL._SL1241_.jpg