1. English Chamber Orchestra & Johannes Somary – Cantata No.80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: I. Chorus: Ein feste Burg ist unser Gott (06:39) 2. English Chamber Orchestra & Johannes Somary – Cantata No.80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: II. Aria with Chorale: Alles, was von Gott geboren (04:07) 3. English Chamber Orchestra & Johannes Somary – Cantata No.80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: III. Recitative: Erwäge doch, Kind Gottes (02:26) 4. English Chamber Orchestra & Johannes Somary – Cantata No.80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80:IV. Aria: Komm in mein Herzenshaus (04:02) 5. English Chamber Orchestra & Johannes Somary – Cantata No.80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: V. Chorale: Und wenn die Welt voll Teufel wär (04:20) 6. English Chamber Orchestra & Johannes Somary – Cantata No.80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: VI. Recitative: So stehe dann bei Christi blutgefärb (01:30) 7. English Chamber Orchestra & Johannes Somary – Cantata No.80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: VII. Duet: Wie selig sind doch die, die Gott im Mund (04:15) 8. English Chamber Orchestra & Johannes Somary – Cantata No.80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: VIII. Chorale: Das Wort sie sollen lassen stahn (01:53) 9. English Chamber Orchestra & Johannes Somary – Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: I. Chorus: Lobet Gott in seinen Reichen (05:06) 10. English Chamber Orchestra & Johannes Somary – Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: II. Evangelist: Der Herr Jesus hub seine Hände auf (00:37) 11. English Chamber Orchestra & Johannes Somary – Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: III. Recitative: Ach, Jesu, ist dein Abschied schon so nah? (01:19) 12. English Chamber Orchestra & Johannes Somary – Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: IV. Aria: Ach, bleibe doch, mein liebstes Leben (07:10) 13. English Chamber Orchestra & Johannes Somary – Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: V. Evangelist: Und ward aufgehoben zusehends (00:30) 14. English Chamber Orchestra & Johannes Somary – Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: VI. Chorale: Nun lieget alles unter dir (01:33) 15. English Chamber Orchestra & Johannes Somary – Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: VII. Evangelists: Und da sie ihm nachsahen gen Himmel fahren (01:18) 16. English Chamber Orchestra & Johannes Somary – Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: VIII. Recitative: Ach ja! so komme bald zurück (00:40) 17. English Chamber Orchestra & Johannes Somary – Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: IX. Evangelist: Sie aber beteten ihn an (00:48) 18. English Chamber Orchestra & Johannes Somary – Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: X. Aria: Jesu, deine Gnadenblicke (07:04) 19. English Chamber Orchestra & Johannes Somary – Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: XI. Chorale: Wenn soll es doch geschehen (04:47) 20. Orchestra of The Bach Guild, Choir of The Bach Guild & Felix Prohaska – Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: I. Sinfonia (04:18) 21. Orchestra of The Bach Guild, Choir of The Bach Guild & Felix Prohaska – Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: II. Adagio (04:55) 22. Orchestra of The Bach Guild, Choir of The Bach Guild & Felix Prohaska – Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: III. Duet and Chorus: Kommt, eilet und laufe (05:05) 23. Orchestra of The Bach Guild, Choir of The Bach Guild & Felix Prohaska – Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: IV. Recitative: O kalter Männer Sinn (01:15) 24. Orchestra of The Bach Guild, Choir of The Bach Guild & Felix Prohaska – Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: V. Aria: Seele, deine Spezereien (07:32) 25. Orchestra of The Bach Guild, Choir of The Bach Guild & Felix Prohaska – Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: VI. Recitative: Hier ist die Gruft (01:09) 26. Orchestra of The Bach Guild, Choir of The Bach Guild & Felix Prohaska – Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: VII. Aria: Sanfte soll mein Todeskummer (07:20) 27. Orchestra of The Bach Guild, Choir of The Bach Guild & Felix Prohaska – Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: VIII. Recitative: Indessen seufzen wir (01:00) 28. Orchestra of The Bach Guild, Choir of The Bach Guild & Felix Prohaska – Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: IX. Aria: Saget, saget mir geschwinde (04:40) 29. Orchestra of The Bach Guild, Choir of The Bach Guild & Felix Prohaska – Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: X. Recitative: Wir sind erfreut (00:47) 30. Orchestra of The Bach Guild, Choir of The Bach Guild & Felix Prohaska – Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: XI. Chorus: Preis und Dank (03:06) 31. Vienna State Opera Orchestra, Vienna State Opera Choir & Michael Gielen – Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: I. Chorale: Das neugeborne Kindelein (02:48) 32. Vienna State Opera Orchestra, Vienna State Opera Choir & Michael Gielen – Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: II. Aria: O Menschen, die ihr täglich sündigt (06:02) 33. Vienna State Opera Orchestra, Vienna State Opera Choir & Michael Gielen – Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: III. Recitative and Chorale: Die Engel, welche si (01:29) 34. Vienna State Opera Orchestra, Vienna State Opera Choir & Michael Gielen – Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: IX. Chorale and Duet: Ist Gott versöhnt (02:20) 35. Vienna State Opera Orchestra, Vienna State Opera Choir & Michael Gielen – Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: V. Recitative: Dies ist ein Tag, den selbst der H (01:26) 36. Vienna State Opera Orchestra, Vienna State Opera Choir & Michael Gielen – Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: VI. Chorale: Es bringt das rechte Jubeljahr (00:45) 37. Vienna State Opera Orchestra, Vienna State Opera Choir & Michael Gielen – Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: I. Chorale: Ich freue mich in dir (04:34) 38. Vienna State Opera Orchestra, Vienna State Opera Choir & Michael Gielen – Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: II. Aria: Getrost! es faßt ein heilger Leib (05:44) 39. Vienna State Opera Orchestra, Vienna State Opera Choir & Michael Gielen – Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: III. Recitativo: Ein Adam mag sich voller Schrecken (01:08) 40. Vienna State Opera Orchestra, Vienna State Opera Choir & Michael Gielen – Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: IV. Aria: Wie lieblich klingt es in den Ohren (09:23) 41. Vienna State Opera Orchestra, Vienna State Opera Choir & Michael Gielen – Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: V. Recitative: Wohlan, des Todes Furcht und Schmerz (01:07) 42. Vienna State Opera Orchestra, Vienna State Opera Choir & Michael Gielen – Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: VI. Chorale: Wohlan, so will ich mich (01:15) 43. Vienna State Opera Orchestra, Vienna State Opera Choir & Michael Gielen – Cantata No. 12: Weinen, Klagen, Sorgen, Zagen (3rd Day of Easter), BWV12: I. Sinfonia (03:08) 44. Vienna State Opera Orchestra, Vienna State Opera Choir & Michael Gielen – Cantata No. 12: Weinen, Klagen, Sorgen, Zagen (3rd Day of Easter), BWV12: II. Chorus: Weinen, Klagen, Sorgen, Zagen (08:31) 45. Vienna State Opera Orchestra, Vienna State Opera Choir & Michael Gielen – Cantata No. 12: Weinen, Klagen, Sorgen, Zagen (3rd Day of Easter), BWV12: III. Recitative: Wir müssen durch viel Trübsal (00:40) 46. Vienna State Opera Orchestra, Vienna State Opera Choir & Michael Gielen – Cantata No. 12: Weinen, Klagen, Sorgen, Zagen (3rd Day of Easter), BWV12: IV. Aria: Kreuz und Krone sind verbunden (08:00) 47. Vienna State Opera Orchestra, Vienna State Opera Choir & Michael Gielen – Cantata No. 12: Weinen, Klagen, Sorgen, Zagen (3rd Day of Easter), BWV12: V. Aria: Ich folge Christo nach (02:24) 48. Vienna State Opera Orchestra, Vienna State Opera Choir & Michael Gielen – Cantata No. 12: Weinen, Klagen, Sorgen, Zagen (3rd Day of Easter), BWV12: VI. Aria and Chorale: Sei getreu, alle Pein (04:11) 49. Vienna State Opera Orchestra, Vienna State Opera Choir & Michael Gielen – Cantata No. 12: Weinen, Klagen, Sorgen, Zagen (3rd Day of Easter), BWV12: VII. Chorale: Was Gott tut, das ist wohlgetan (01:12) 50. Vienna State Opera Orchestra, Vienna State Opera Choir & Michael Gielen – Cantata No. 29: Wir danken dir Gott, wir danken dir (Inauguration of Town Council), BWV29: I. Sinfonia in D (03:47) 51. Vienna State Opera Orchestra, Vienna State Opera Choir & Michael Gielen – Cantata No. 29: Wir danken dir Gott, wir danken dir (Inauguration of Town Council), BWV29: II. Chorale: Wir danken dir, Gott (02:44) 52. Vienna State Opera Orchestra, Vienna State Opera Choir & Michael Gielen – Cantata No. 29: Wir danken dir Gott, wir danken dir (Inauguration of Town Council), BWV29: III. Aria: Halleluja, Stärk und Macht (06:48) 53. Vienna State Opera Orchestra, Vienna State Opera Choir & Michael Gielen – Cantata No. 29: Wir danken dir Gott, wir danken dir (Inauguration of Town Council), BWV29: IV. Recitative: Gottlob! es geht uns wo (00:58) 54. Vienna State Opera Orchestra, Vienna State Opera Choir & Michael Gielen – Cantata No. 29: Wir danken dir Gott, wir danken dir (Inauguration of Town Council), BWV29: V. Aria: Gedenk an uns mit deiner Liebe (05:27) 55. Vienna State Opera Orchestra, Vienna State Opera Choir & Michael Gielen – Cantata No. 29: Wir danken dir Gott, wir danken dir (Inauguration of Town Council), BWV29: VI. Recitativeand Chorus: Vergiß es fer (00:34) 56. Vienna State Opera Orchestra, Vienna State Opera Choir & Michael Gielen – Cantata No. 29: Wir danken dir Gott, wir danken dir (Inauguration of Town Council), BWV29: VII. Aria: Halleluja, Stärk un Macht (02:10) 57. Vienna State Opera Orchestra, Vienna State Opera Choir & Michael Gielen – Cantata No. 29: Wir danken dir Gott, wir danken dir (Inauguration of Town Council), BWV29: VIII. Chorus: Sei Lob und Preis mit Ehr (02:25) 58. Vienna State Opera Orchestra, Vienna State Opera Choir & Felix Prohaska – Magnificat in D, BWV243: I. Magnificat anima mea (03:10) 59. Vienna State Opera Orchestra, Vienna State Opera Choir & Felix Prohaska – Magnificat in D, BWV243: II. Et exsultavit spiritus meus (02:29) 60. Vienna State Opera Orchestra, Vienna State Opera Choir & Felix Prohaska – Magnificat in D, BWV243: III. Quia respexit humilitatem (02:51) 61. Vienna State Opera Orchestra, Vienna State Opera Choir & Felix Prohaska – Magnificat in D, BWV243: IV. Omnes generationes (01:34) 62. Vienna State Opera Orchestra, Vienna State Opera Choir & Felix Prohaska – Magnificat in D, BWV243: V. Quia fecit mihi magna (02:15) 63. Vienna State Opera Orchestra, Vienna State Opera Choir & Felix Prohaska – Magnificat in D, BWV243: VI. Et misericordia (03:51) 64. Vienna State Opera Orchestra, Vienna State Opera Choir & Felix Prohaska – Magnificat in D, BWV243: VII. Fecit potentiam (02:07) 65. Vienna State Opera Orchestra, Vienna State Opera Choir & Felix Prohaska – Magnificat in D, BWV243: VIII. Deposuit potentes (02:25) 66. Vienna State Opera Orchestra, Vienna State Opera Choir & Felix Prohaska – Magnificat in D, BWV243: IX. Esurientes implevit bonis (02:53) 67. Vienna State Opera Orchestra, Vienna State Opera Choir & Felix Prohaska – Magnificat in D, BWV243: X. Suscepit Israel (02:18) 68. Vienna State Opera Orchestra, Vienna State Opera Choir & Felix Prohaska – Magnificat in D, BWV243: XI. Sicut locutus est (01:24) 69. Vienna State Opera Orchestra, Vienna State Opera Choir & Felix Prohaska – Magnificat in D, BWV243: XII. Gloria Patri (02:11) 70. Vienna State Opera Orchestra, Vienna State Opera Choir, Kurt Equiluz, Laurence Dutoit & Felix Prohaska – Cantata No. 140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: I. Chorus: Wachet auf, ruft uns die Stimme (07:16) 71. Vienna State Opera Orchestra, Vienna State Opera Choir, Kurt Equiluz, Laurence Dutoit & Felix Prohaska – Cantata No. 140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: II. Recitative: Er kommt, er kommt, der Bräu (01:13) 72. Vienna State Opera Orchestra, Vienna State Opera Choir, Kurt Equiluz, Laurence Dutoit & Felix Prohaska – Cantata No. 140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: III. Duet: Wenn kömmst du, mein Heil (06:05) 73. Vienna State Opera Orchestra, Vienna State Opera Choir, Kurt Equiluz, Laurence Dutoit & Felix Prohaska – Cantata No. 140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: IV. Chorus: Zion hört die Wächter singen ('S (04:40) 74. Vienna State Opera Orchestra, Vienna State Opera Choir, Kurt Equiluz, Laurence Dutoit & Felix Prohaska – Cantata No. 140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: V. Recitative: So geh herein zu mir (01:49) 75. Vienna State Opera Orchestra, Vienna State Opera Choir, Kurt Equiluz, Laurence Dutoit & Felix Prohaska – Cantata No. 140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: VI. Duet: Mein Freund ist mein! (04:14) 76. Vienna State Opera Orchestra, Vienna State Opera Choir, Kurt Equiluz, Laurence Dutoit & Felix Prohaska – Cantata No. 140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: VII. Chorale: Gloria sei dir gesungen (01:56) 77. Vienna State Opera Orchestra , Vienna State Opera Choir, Kurt Equiluz, Laurence Dutoit & Felix Prohaska – Cantata No. 4: Christ lag in Todesbanden (Easter Sunday), BWV4: I. Sinfonia in E (01:07) 78. Vienna State Opera Orchestra , Vienna State Opera Choir, Kurt Equiluz, Laurence Dutoit & Felix Prohaska – Cantata No. 4: Christ lag in Todesbanden (Easter Sunday), BWV4: II. Chorus: Christ lag in Todesbanden (04:37) 79. Vienna State Opera Orchestra , Vienna State Opera Choir, Kurt Equiluz, Laurence Dutoit & Felix Prohaska – Cantata No. 4: Christ lag in Todesbanden (Easter Sunday), BWV4: II. Chorus: Christ lag in Todesbanden (03:51) 80. Vienna State Opera Orchestra , Vienna State Opera Choir, Kurt Equiluz, Laurence Dutoit & Felix Prohaska – Cantata No. 4: Christ lag in Todesbanden (Easter Sunday), BWV4: IV. Aria: Jesus Christus, Gottes Sohn (02:04) 81. Vienna State Opera Orchestra , Vienna State Opera Choir, Kurt Equiluz, Laurence Dutoit & Felix Prohaska – Cantata No. 4: Christ lag in Todesbanden (Easter Sunday), BWV4: V. Chorus: Es war ein wunderlicher Krieg (02:34) 82. Vienna State Opera Orchestra , Vienna State Opera Choir, Kurt Equiluz, Laurence Dutoit & Felix Prohaska – Cantata No. 4: Christ lag in Todesbanden (Easter Sunday), BWV4: VI. Aria: Hier ist das rechte Osterlamm (03:48) 83. Vienna State Opera Orchestra , Vienna State Opera Choir, Kurt Equiluz, Laurence Dutoit & Felix Prohaska – Cantata No. 4: Christ lag in Todesbanden (Easter Sunday), BWV4: VII. Duet: So feiern wir das hohe Fest (01:56) 84. Vienna State Opera Orchestra , Vienna State Opera Choir, Kurt Equiluz, Laurence Dutoit & Felix Prohaska – Cantata No. 4: Christ lag in Todesbanden (Easter Sunday), BWV4: VIII. Chorus: Wir essen und leben wohl (01:18) 85. Orchestra of The Bach Guild, Choir of The Bach Guild & Felix Prohaska – Cantata No.202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: I. Aria: Weichet nur, betrubte Schatten (06:12) 86. Orchestra of The Bach Guild, Choir of The Bach Guild & Felix Prohaska – Cantata No.202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: II. Recitative: Die Welt wird wieder neu (00:32) 87. Orchestra of The Bach Guild, Choir of The Bach Guild & Felix Prohaska – Cantata No.202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: III. Aria: Phoebus eilt mit schnellen Pferden (04:00) 88. Orchestra of The Bach Guild, Choir of The Bach Guild & Felix Prohaska – Cantata No.202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: IV. Recitative: Drum sucht auch Amor sein Vergnugen (00:46) 89. Orchestra of The Bach Guild, Choir of The Bach Guild & Felix Prohaska – Cantata No.202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: V. Aria: Wenn die Fruhlingslufte streichen (02:49) 90. Orchestra of The Bach Guild, Choir of The Bach Guild & Felix Prohaska – Cantata No.202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: VI. Recitative: Und dieses ist das Glucke (00:53) 91. Orchestra of The Bach Guild, Choir of The Bach Guild & Felix Prohaska – Cantata No.202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: VII. Aria: Sich uben im Lieben, in Scherzen sich herzen (04:34) 92. Orchestra of The Bach Guild, Choir of The Bach Guild & Felix Prohaska – Cantata No.202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: VIII. Recitative: So wei das Band der keuschen Liebe (00:30) 93. Orchestra of The Bach Guild, Choir of The Bach Guild & Felix Prohaska – Cantata No.202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: IX. Gavotte: Sehet in Zufriedenheit tausend helle Wohlfa (01:54) 94. Orchestra of The Bach Guild, Choir of The Bach Guild & Anton Heiller – Cantata No.209: Non sa che sia dolore (Italian Cantata), BWV209: I. Sinfonia in B-minor (07:03) 95. Orchestra of The Bach Guild, Choir of The Bach Guild & Anton Heiller – Cantata No.209: Non sa che sia dolore (Italian Cantata), BWV209: II. Recitative: Non sa che sia dolore (01:26) 96. Orchestra of The Bach Guild, Choir of The Bach Guild & Anton Heiller – Cantata No.209: Non sa che sia dolore (Italian Cantata), BWV209: III. Aria: Parti pur, e con dolore (09:55) 97. Orchestra of The Bach Guild, Choir of The Bach Guild & Anton Heiller – Cantata No.209: Non sa che sia dolore (Italian Cantata), BWV209: IV. Recitative: Tuo saver al tempo e l'eta contrasta (00:39) 98. Orchestra of The Bach Guild, Choir of The Bach Guild & Anton Heiller – Cantata No.209: Non sa che sia dolore (Italian Cantata), BWV209: V. Aria: Ricetti gramezza e pavento (06:13) 99. Orchestra of The Bach Guild, Choir of The Bach Guild & Anton Heiller – Cantata No.51: Jauchzet Gott in allen Landen! (Trinity), BWV51: I. Aria (Soprano): Jauchzet Gott in allen Landen! (05:10) 100. Orchestra of The Bach Guild, Choir of The Bach Guild & Anton Heiller – Cantata No.51: Jauchzet Gott in allen Landen! (Trinity), BWV51: II. Recitative (Soprano): Wir beten zu dem Tempel an (02:56) 101. Orchestra of The Bach Guild, Choir of The Bach Guild & Anton Heiller – Cantata No.51: Jauchzet Gott in allen Landen! (Trinity), BWV51: III. Aria (Soprano): Höchster, mache deine Güte (05:11) 102. Orchestra of The Bach Guild, Choir of The Bach Guild & Anton Heiller – Cantata No.51: Jauchzet Gott in allen Landen! (Trinity), BWV51: IV. Chorale and Aria (Soprano): Sei Lob und Preis mit Ehren; Allel (06:13) 103. Vienna State Opera Orchestra, Vienna State Opera Choir & Felix Prohaska – Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: I. Chorus: Wachet! betet! betet! wachet! (04:30) 104. Vienna State Opera Orchestra, Vienna State Opera Choir & Felix Prohaska – Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: II. Recitative: Erschrecket, ihr verstockte (01:40) 105. Vienna State Opera Orchestra, Vienna State Opera Choir & Felix Prohaska – Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: III. Aria: Wenn kömmt der Tag (04:32) 106. Vienna State Opera Orchestra, Vienna State Opera Choir & Felix Prohaska – Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: IV. Recitative: Auch bei dem himmlischen Ve (00:51) 107. Vienna State Opera Orchestra, Vienna State Opera Choir & Felix Prohaska – Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: V. Aria: Laßt der Spötter Zungen schmähen (03:03) 108. Vienna State Opera Orchestra, Vienna State Opera Choir & Felix Prohaska – Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: VI. Recitative: Jedoch bei dem unartigen Ge (00:42) 109. Vienna State Opera Orchestra, Vienna State Opera Choir & Felix Prohaska – Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: VII. Chorale: Freu dich sehr, o meine Seele (02:09) 110. Vienna State Opera Orchestra, Vienna State Opera Choir & Felix Prohaska – Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: VIII. Aria: Hebt euer Haupt empor (03:44) 111. Vienna State Opera Orchestra, Vienna State Opera Choir & Felix Prohaska – Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: IX. Recitative: Ach, soll nicht dieser groß (02:17) 112. Vienna State Opera Orchestra, Vienna State Opera Choir & Felix Prohaska – Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: X. Aria: Seligster Erquickungstag (03:21) 113. Vienna State Opera Orchestra, Vienna State Opera Choir & Felix Prohaska – Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: XI. Chorale: Nicht nach Welt, nach Himmel n (01:21)
The Bach Guild has created another mega-playlist, the world’s largest single volume of Bach cantatas ever released digitally. To honor the spirit that led to the creation of America’s first and most influential early music label, we’re happy to present nearly 6 hours of Bach cantatas.
There is not a theme here in this playlist – some recordings, like the Christmas cantatas BWV 122 and 133 are presented here for historic reasons – they have been unreleased since the LP era, and they represent two of the dozens of cantatas that had their first recordings via The Bach Guild. Many of these cantatas have seen release in one of the two Big Bach Sets that we released in 2012 and 2013.
The indispensible and fun in a “get a life” kind of way web site, www.bach-cantatas.com lists recordings of the cantatas in the chronological order of their recording date. And a quick perusal shows that the Bach Guild did indeed lead the way in recording Bach’s cantatas. In fact, the completist element that led to the formation of the Guild never was seen through, but the idea was picked up in spirit in the early 1970s with Bach Guild alumni Nikolaus Harnoncourt and Gustav Leonhardt leading the way. I was surprised to find out how much momentum the idea had gathered by the late 1970s, and now, frankly, a complete catalog of Bach’s cantatas isn’t that rare. It’s not as ubiquitous as Beethoven’s symphonies, or Mahler’s symphonies, but for a commitment of 60 plus hours of music, the fact that there are over ten complete cycles all finished in the last 30 years is amazing.
What you’ll hear in this collection is “big boned Bach”. Despite the Bach Guild’s place at the tip of the early music spear, only one of their cantata recordings utilizes early/historic instruments. (yes, it was the first, and it is included in our Gustav Leonhardt tribute box, as it features Harnoncourt, Leonhardt and Alfred Deller).
Anyone who has listened to a cantata recording recently, and then spins these will find themselves a bit shocked. These Bach Guild recordings are full-throated, no holds barred affairs that shouts Bach out to the rafters. Can I get an amen, sung by a very large choir?
Even the most recent recordings from the 1970s, conducted by Johannes Somary and the English Chamber Orchestra with a fine group of English soloists, are, by comparison with today’s interpretations, Technicolor spectacles, musical Ben-Hurs that come to praise God by singing as loud as they can.
If these recordings were sent to critics you’d expect a variation of Paul Simon’s Kodachrome response: “Everything looks worse in black and white.” And these recordings, to many, will sound black and white. Old, several in mono, and after about ten seconds, the mind’s eye conjurs up the sight of scores of fairly large Viennese women singing Bach with a faint touch of Wagner, or Mahler.
But Kodachrome gives us the nice, bright colors, the greens of summer. And so we get the lighter, more nimble textures of our current performance practice with newer recordings. But the discerning listener will find in these Bach Guild recordings an abundance of passion and a thorough love of the works that started The Bach Guild on its 65 year journey.