Jesús Sánchez, Manuel Minguillón Nieto, Delitiae Musicae - Adios mi amor: Duets for Vihuelas (2012)
BAND/ARTIST: Jesús Sánchez, Manuel Minguillón Nieto, Delitiae Musicae
- Title: Adios mi amor: Duets for Vihuelas
- Year Of Release: 2012
- Label: Brilliant Classics
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:03:32
- Total Size: 276 mb
- WebSite: Album Preview
Tracklist
01. Si tus penas no pruebo
02. Niño Dios d'amor herido
03. Adiós mi amor
04. Huyd, huyd, o çiegos amadores
05. Todos aman
06. Gaillarde
07. Romanesca. O Guardame las vacas
08. Conte clare
09. O magnum mysterium
10. Assiste parata
11. Tastar de corde
12. Caldibi castigliano
13. Calata ala spagnola
14. Calata ala spagnola ditto terzetti
15. Mille regretz
16. Mille regretz. La cancion del emperador
17. Et in spiritum sanctum
18. Fantasia de Lopez
19. Diez diferencias de folias
20. Tiento
21. Recercata
22. Folías en primer tono
23. Música para discantar sobre un punto
24. Sobre el tenor del conde claros
25. Diferencias de çaravanda
Music performed on two vihuelas (guitar-like instruments from Spain) was commonplace during the Renaissance. Combining contrasting instruments was not yet the fashion, so instruments of the same family with similar sonorities were often paired in polyphonic duets – one instrument providing the harmonic support, the other giving the melody and embellishment.
To recreate these 16th century performance practices and draw attention to an important part of Spanish Renaissance music, Delitiae Musicae, a duo specialising in vihuela performance, have created a programme of original vihuela duets and their own arrangements of solo music. In line with Renaissance performance practices, improvisation using ostinati is featured in many of the pieces, and a number of intabulations (arrangements) of sacred works are included.
The programme features the major vihuela composers of the 16th century, along with Spain’s most important Renaissance composers, including Tomás Luis de Victoria, Enríquez de Valderrábano, Guillaume de Morlaye, Francisco Guerrero and Josquin des Prez. The focus is on Spanish music or music that displays a Spanish influence, to, in the words of the performers, ‘evoke the sound and image of two courtesan vihuelists performing in a 16th century palace’.
01. Si tus penas no pruebo
02. Niño Dios d'amor herido
03. Adiós mi amor
04. Huyd, huyd, o çiegos amadores
05. Todos aman
06. Gaillarde
07. Romanesca. O Guardame las vacas
08. Conte clare
09. O magnum mysterium
10. Assiste parata
11. Tastar de corde
12. Caldibi castigliano
13. Calata ala spagnola
14. Calata ala spagnola ditto terzetti
15. Mille regretz
16. Mille regretz. La cancion del emperador
17. Et in spiritum sanctum
18. Fantasia de Lopez
19. Diez diferencias de folias
20. Tiento
21. Recercata
22. Folías en primer tono
23. Música para discantar sobre un punto
24. Sobre el tenor del conde claros
25. Diferencias de çaravanda
Music performed on two vihuelas (guitar-like instruments from Spain) was commonplace during the Renaissance. Combining contrasting instruments was not yet the fashion, so instruments of the same family with similar sonorities were often paired in polyphonic duets – one instrument providing the harmonic support, the other giving the melody and embellishment.
To recreate these 16th century performance practices and draw attention to an important part of Spanish Renaissance music, Delitiae Musicae, a duo specialising in vihuela performance, have created a programme of original vihuela duets and their own arrangements of solo music. In line with Renaissance performance practices, improvisation using ostinati is featured in many of the pieces, and a number of intabulations (arrangements) of sacred works are included.
The programme features the major vihuela composers of the 16th century, along with Spain’s most important Renaissance composers, including Tomás Luis de Victoria, Enríquez de Valderrábano, Guillaume de Morlaye, Francisco Guerrero and Josquin des Prez. The focus is on Spanish music or music that displays a Spanish influence, to, in the words of the performers, ‘evoke the sound and image of two courtesan vihuelists performing in a 16th century palace’.
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads