Christina Ariagno, Massimo Marin, Manuel Zigante - Tailleferre: Chamber Music and Piano Music (2008)
BAND/ARTIST: Christina Ariagno, Massimo Marin, Manuel Zigante
- Title: Tailleferre: Chamber Music and Piano Music
- Year Of Release: 2008
- Label: Brilliant Classics
- Genre: Classical Piano
- Quality: flac lossless (tracks)
- Total Time: 02:12:26
- Total Size: 462 mb
- WebSite: Album Preview
Tracklist
CD1
01. Impromptu
02. Romance
03. Pas trop vite
04. Pastorale in D Major
05. Hommage à Debussy
06. Très vite
07. Pastorale in A-Flat Major
08. Sicilienne
09. Pastorale in C Major
10. Fleurs de France: I. Jasmin de Provence
11. Fleurs de France: II. Coquelicot de Guyenne
12. Fleurs de France: III. Rose d'Anjou
13. Fleurs de France: IV. Tournesol du Languedoc
14. Fleurs de France: V. Anthémis du Roussillon
15. Fleurs de France: VI. Lavandin de Haute-Provence
16. Fleurs de France: VII. Volubilis du Béarn
17. Fleurs de France: VIII. Bleuet de Picardie
18. Chiens
19. Pastorale inca
20. Au pavillon d'Alsace
21. Bretagne
22. Larghetto
23. Valse lente
24. Fugue du parapluie
25. Partita pour Piano: I. Perpetuum mobile. Allegretto
26. Partita pour Piano: II. Notturno. Andantino
27. Partita pour Piano: III. Allegramente. Allegro
CD2
01. Trio pour Piano, Violon et Violoncelle: I. Allegro animato
02. Trio pour Piano, Violon et Violoncelle: II. Allegro vivace
03. Trio pour Piano, Violon et Violoncelle: III. Moderato
04. Trio pour Piano, Violon et Violoncelle: IV. Très animé
05. Berceuse pour Violon et Piano
06. Sonate No. 1 pour Violon et Piano: I. Modéré sans lenteur
07. Sonate No. 1 pour Violon et Piano: II. Scherzo
08. Sonate No. 1 pour Violon et Piano: III. Assez Lent
09. Sonate No. 1 pour Violon et Piano: IV. Final. Très vite
10. Adagio pour Violon et Piano
11. Pastorale pour Violon et Piano
12. Sonate No. 2 pour Violon et Piano: I. Allegro non troppo
13. Sonate No. 2 pour Violon et Piano: II. Adagietto
14. Sonate No. 2 pour Violon et Piano: III. Final. Allegro
15. Sonatine pour Violon et Piano: I. Moderato
16. Sonatine pour Violon et Piano: II. Andantino
17. Sonatine pour Violon et Piano: III. Allegro, gaiement
Germaine Tailleferre (1892–1983) was born near Paris, the youngest of five children. She showed a remarkable talent at an early age for improvising at the piano. Although her lower middle class parents wanted her to seek paid employment, she succeeded in her goal of studying at the Conservatoire. There she decided to devote herself to composition, and soon came to attention of Erik Satie.
She became a member of the group of young composers called ‘Le group des Six’. Under the guidance of Satie, the young Poulenc, Milhaud, Honegger, Auric, Durey and Tailleferre gave concerts of their compositions. She went on to study with Koechlin, became a friend of Ravel, and her music was performed by artists such as Cortot, Thibaud, and Rubinstein. She moved between New York and Paris, socialising in the same circles as Chaplin and the new stars of Hollywood.
This release covers her compositional career from the early period of 1912-20 where she shows clear influences of Faure and Debussy, through to the 1930-50 period when her mature voice as a composer was truly established. The sonatina of 1973 is a remarkably fresh work, justifying Milhaud’s comment ‘Germaine Tailleferre’s music is always twenty years old’.
CD1
01. Impromptu
02. Romance
03. Pas trop vite
04. Pastorale in D Major
05. Hommage à Debussy
06. Très vite
07. Pastorale in A-Flat Major
08. Sicilienne
09. Pastorale in C Major
10. Fleurs de France: I. Jasmin de Provence
11. Fleurs de France: II. Coquelicot de Guyenne
12. Fleurs de France: III. Rose d'Anjou
13. Fleurs de France: IV. Tournesol du Languedoc
14. Fleurs de France: V. Anthémis du Roussillon
15. Fleurs de France: VI. Lavandin de Haute-Provence
16. Fleurs de France: VII. Volubilis du Béarn
17. Fleurs de France: VIII. Bleuet de Picardie
18. Chiens
19. Pastorale inca
20. Au pavillon d'Alsace
21. Bretagne
22. Larghetto
23. Valse lente
24. Fugue du parapluie
25. Partita pour Piano: I. Perpetuum mobile. Allegretto
26. Partita pour Piano: II. Notturno. Andantino
27. Partita pour Piano: III. Allegramente. Allegro
CD2
01. Trio pour Piano, Violon et Violoncelle: I. Allegro animato
02. Trio pour Piano, Violon et Violoncelle: II. Allegro vivace
03. Trio pour Piano, Violon et Violoncelle: III. Moderato
04. Trio pour Piano, Violon et Violoncelle: IV. Très animé
05. Berceuse pour Violon et Piano
06. Sonate No. 1 pour Violon et Piano: I. Modéré sans lenteur
07. Sonate No. 1 pour Violon et Piano: II. Scherzo
08. Sonate No. 1 pour Violon et Piano: III. Assez Lent
09. Sonate No. 1 pour Violon et Piano: IV. Final. Très vite
10. Adagio pour Violon et Piano
11. Pastorale pour Violon et Piano
12. Sonate No. 2 pour Violon et Piano: I. Allegro non troppo
13. Sonate No. 2 pour Violon et Piano: II. Adagietto
14. Sonate No. 2 pour Violon et Piano: III. Final. Allegro
15. Sonatine pour Violon et Piano: I. Moderato
16. Sonatine pour Violon et Piano: II. Andantino
17. Sonatine pour Violon et Piano: III. Allegro, gaiement
Germaine Tailleferre (1892–1983) was born near Paris, the youngest of five children. She showed a remarkable talent at an early age for improvising at the piano. Although her lower middle class parents wanted her to seek paid employment, she succeeded in her goal of studying at the Conservatoire. There she decided to devote herself to composition, and soon came to attention of Erik Satie.
She became a member of the group of young composers called ‘Le group des Six’. Under the guidance of Satie, the young Poulenc, Milhaud, Honegger, Auric, Durey and Tailleferre gave concerts of their compositions. She went on to study with Koechlin, became a friend of Ravel, and her music was performed by artists such as Cortot, Thibaud, and Rubinstein. She moved between New York and Paris, socialising in the same circles as Chaplin and the new stars of Hollywood.
This release covers her compositional career from the early period of 1912-20 where she shows clear influences of Faure and Debussy, through to the 1930-50 period when her mature voice as a composer was truly established. The sonatina of 1973 is a remarkably fresh work, justifying Milhaud’s comment ‘Germaine Tailleferre’s music is always twenty years old’.
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