Stephane Grappelli - Plays Jerome Kern (1987)
BAND/ARTIST: Stephane Grappelli
- Title: Stephane Grappelli Plays Jerome Kern
- Year Of Release: 1987
- Label: GRP
- Genre: Jazz
- Quality: FLAC (tracks) | Mp3 / 320kbps
- Total Time: 56:51
- Total Size: 286 MB | 130 MB
- WebSite: Album Preview
Tracklist
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01. Smoke Gets In Your Eyes 7:22
02. The Way You Look Tonight 5:01
03. Can't Help Lovin' Dat Man 6:02
04. A Fine Romance 4:11
05. Yesterdays 5:37
06. Ol' Man River 6:45
07. All The Things You Are 3:59
08. Pick Yourself Up 4:50
09. Why Do I Love You 5:03
10. I Won't Dance 4:55
11. Long Ago and Far Away 3:06
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01. Smoke Gets In Your Eyes 7:22
02. The Way You Look Tonight 5:01
03. Can't Help Lovin' Dat Man 6:02
04. A Fine Romance 4:11
05. Yesterdays 5:37
06. Ol' Man River 6:45
07. All The Things You Are 3:59
08. Pick Yourself Up 4:50
09. Why Do I Love You 5:03
10. I Won't Dance 4:55
11. Long Ago and Far Away 3:06
Jazz violin great Stéphane Grappelli made several albums accompanied by strings, though this session from the late '80s (previously issued by GRP in 1987) is the most satisfying of them all. Grappelli, who is joined by his regular collaborators on guitars (Martin Taylor and Marc Fossett) and bassist Jack Sewing, along with a rotating cast of three drummers, focuses exclusively on the works of Jerome Kern (with orchestrations by Laurie Holloway, Daniel Freiberg, or Jorge Calandrelli) with Ettore Stratta conducting. "Long Ago (And Far Away)" swings softly awash in strings, featuring Taylor and Fossett (who sings in unison with his solos). The violinist captures the melancholy air of "Yesterdays" in an easygoing bossa nova setting, while the relaxed tempo of "All the Things You Are" brings its lyricism to the forefront, featuring thoughtful solos by Taylor and Grappelli. The violinist loved to play piano whenever he had the opportunity; in "Long Ago (And Far Away)" he plays the piano introduction and brief tag, in addition to soloing on his main instrument. This is one of the better jazz-with-strings projects, due in part to the tasty solos and thoughtful background scores accompanying the jazz instrumentalists.~Review by Ken Dryden
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