Michele Campanella - Liszt: Studies and transcriptions [6CD] (2011)
![Michele Campanella - Liszt: Studies and transcriptions [6CD] (2011)](https://www.dibpic.com/uploads/posts/2023-07/1689938794_michele-campanella-liszt-studies-and-transcriptions-2011.jpg)
BAND/ARTIST: Michele Campanella
- Title: Liszt: Studies and transcriptions
- Year Of Release: 2011
- Label: Brilliant Classics
- Genre: Classical Piano
- Quality: flac lossless (tracks) +Booklet
- Total Time: 06:06:07
- Total Size: 1.01 gb
- WebSite: Album Preview
Tracklist
01. Études d'exécution transcendante, S. 139: Preludio
02. Études d'exécution transcendante, S. 139: (Molto vivace)
03. Études d'exécution transcendante, S. 139: Paysage
04. Études d'exécution transcendante, S. 139: Mazeppa
05. Études d'exécution transcendante, S. 139: Feux Follets
06. Études d'exécution transcendante, S. 139: Vision
07. Études d'exécution transcendante, S. 139: Eroica
08. Études d'exécution transcendante, S. 139: Wilde Jagd
09. Études d'exécution transcendante, S. 139: Ricordanza
10. Études d'exécution transcendante, S. 139: (Allegro agitato molto)
11. Études d'exécution transcendante, S. 139: Harmonies du Soir
12. Études d'exécution transcendante, S. 139: Chasse-neige
13. Phantasiestück, S. 439 on Themes from Rienzi
14. Tannhäuser, Act I: O, du mein holder Abendstern, S. 444
15. Tannhäuser, Act III: Entry of the Guests, S. 445, No. 1
16. Walhall, S. 449, on Themes from "Der Ring der Nibelungen"
17. Lieder aus der Musik von Eduard Lassen zu Hebbels Nibelungen: Hagen und Kriemhild
18. Lieder aus der Musik von Eduard Lassen zu Hebbels Nibelungen: Bechlarn
19. Der fliegende Holländer: Ballade, S. 441
20. Der fliegende Holländer: Spinnerlied, S. 440
21. Lohengrin: Elsas Brautzug zum Münster, S. 445 No. 2
22. Lohengrin: Elsas Traum, S. 446, No. 2
23. Lohengrin: Lohengrins verweis an Elsa, S. 446 No. 3
24. Lohengrin: Festspiel und Brautlied, S. 446 No. 1
25. Die Meistersinger von Nürnberg: Am stillen Herd, S. 448
26. Isoldes Liebestod, S.447, Piano Transcription after Wagner's "Tristan und Isolde"
27. Parsifal: Feierlicher Marsch zum heiligen Graal, S. 450
28. Symphony No. 6 in F Major, Op. 68 'Pastorale' from S. 464: I. Allegro ma non troppo
29. Symphony No. 6 in F Major, Op. 68 'Pastorale' from S. 464: II. Andante molto moto
30. Symphony No. 6 in F Major, Op. 68 'Pastorale' from S. 464: III. Allegro
31. Symphony No. 6 in F Major, Op. 68 'Pastorale' from S. 464: IV. Allegro - V. Allegretto
32. Ernani: Paraphrase de concert, S. 431a (or S. 432)
33. Jérusalem: Salve Maria, S. 431
34. Il trovatore: Miserere, S. 433
35. Rigoletto: Paraphrase de concert, S. 434
36. Don Carlo: Coro di festa e Marcia funebre, S. 435
37. Messa di Requiem: Agnus dei, S. 437
38. Réminiscences de Simone Boccanegra, S.438 after Verdi's Opera
39. Aida: Danza sacra e duetto finale, S. 436
40. Concert Paraphrase, S. 410, on the Wedding March and Dance of the Elves from a Midsummer Night's Dream
41. Les adieux, S. 409: Rêverie on a Theme from Roméo et Juliette
42. La Sonnambula: Grande Fantaisie de Concert, S. 627
43. Les Sabéennes, S. 408: Berceuse from La Reine de Saba
44. Faust: Valse, S. 407
45. Transcription Brillante, S. 456 of the Valse d'Adèle for the Left Hand
46. Réminiscences de Don Juan, S. 418
![Michele Campanella - Liszt: Studies and transcriptions [6CD] (2011)](https://www.dibpic.com/uploads/posts/2023-07/1689938854_michele-campanella-liszt-studies-and-transcriptions-2011-back.jpg)
This box of hitherto unissued recordings will be a must for any pianophile. Michele Campanella is already known to such connoisseurs as a Liszt player of the highest distinction, who has played the composer’s music for many decades now. These recordings were made in Italy in the last 10 years, and reveal him as an ever more acute interpreter of this often elusive music.
Most obviously demanding, of course, are the 12 Transcendental Studies, that ultimate synthesis of literary-inspired creative fire and technical wizardry. Two discs of Wagner transcriptions venture from the familiar and relatively straightforward (Isoldes Liebestod) to the transformative recreations, entirely worthy of the originals, wrought by Liszt on themes from Lohengrin and Parsifal.Then on a disc of Liszt is the well-known Rigoletto paraphrase but also transcriptions of music from Gerusalem and Simon Boccanegra. Altogether we encounter the protean genius of Liszt at his most flexible, responding to the appetite of his day for both operatic pot-pourris and for clouds of piano dreams.
01. Études d'exécution transcendante, S. 139: Preludio
02. Études d'exécution transcendante, S. 139: (Molto vivace)
03. Études d'exécution transcendante, S. 139: Paysage
04. Études d'exécution transcendante, S. 139: Mazeppa
05. Études d'exécution transcendante, S. 139: Feux Follets
06. Études d'exécution transcendante, S. 139: Vision
07. Études d'exécution transcendante, S. 139: Eroica
08. Études d'exécution transcendante, S. 139: Wilde Jagd
09. Études d'exécution transcendante, S. 139: Ricordanza
10. Études d'exécution transcendante, S. 139: (Allegro agitato molto)
11. Études d'exécution transcendante, S. 139: Harmonies du Soir
12. Études d'exécution transcendante, S. 139: Chasse-neige
13. Phantasiestück, S. 439 on Themes from Rienzi
14. Tannhäuser, Act I: O, du mein holder Abendstern, S. 444
15. Tannhäuser, Act III: Entry of the Guests, S. 445, No. 1
16. Walhall, S. 449, on Themes from "Der Ring der Nibelungen"
17. Lieder aus der Musik von Eduard Lassen zu Hebbels Nibelungen: Hagen und Kriemhild
18. Lieder aus der Musik von Eduard Lassen zu Hebbels Nibelungen: Bechlarn
19. Der fliegende Holländer: Ballade, S. 441
20. Der fliegende Holländer: Spinnerlied, S. 440
21. Lohengrin: Elsas Brautzug zum Münster, S. 445 No. 2
22. Lohengrin: Elsas Traum, S. 446, No. 2
23. Lohengrin: Lohengrins verweis an Elsa, S. 446 No. 3
24. Lohengrin: Festspiel und Brautlied, S. 446 No. 1
25. Die Meistersinger von Nürnberg: Am stillen Herd, S. 448
26. Isoldes Liebestod, S.447, Piano Transcription after Wagner's "Tristan und Isolde"
27. Parsifal: Feierlicher Marsch zum heiligen Graal, S. 450
28. Symphony No. 6 in F Major, Op. 68 'Pastorale' from S. 464: I. Allegro ma non troppo
29. Symphony No. 6 in F Major, Op. 68 'Pastorale' from S. 464: II. Andante molto moto
30. Symphony No. 6 in F Major, Op. 68 'Pastorale' from S. 464: III. Allegro
31. Symphony No. 6 in F Major, Op. 68 'Pastorale' from S. 464: IV. Allegro - V. Allegretto
32. Ernani: Paraphrase de concert, S. 431a (or S. 432)
33. Jérusalem: Salve Maria, S. 431
34. Il trovatore: Miserere, S. 433
35. Rigoletto: Paraphrase de concert, S. 434
36. Don Carlo: Coro di festa e Marcia funebre, S. 435
37. Messa di Requiem: Agnus dei, S. 437
38. Réminiscences de Simone Boccanegra, S.438 after Verdi's Opera
39. Aida: Danza sacra e duetto finale, S. 436
40. Concert Paraphrase, S. 410, on the Wedding March and Dance of the Elves from a Midsummer Night's Dream
41. Les adieux, S. 409: Rêverie on a Theme from Roméo et Juliette
42. La Sonnambula: Grande Fantaisie de Concert, S. 627
43. Les Sabéennes, S. 408: Berceuse from La Reine de Saba
44. Faust: Valse, S. 407
45. Transcription Brillante, S. 456 of the Valse d'Adèle for the Left Hand
46. Réminiscences de Don Juan, S. 418
This box of hitherto unissued recordings will be a must for any pianophile. Michele Campanella is already known to such connoisseurs as a Liszt player of the highest distinction, who has played the composer’s music for many decades now. These recordings were made in Italy in the last 10 years, and reveal him as an ever more acute interpreter of this often elusive music.
Most obviously demanding, of course, are the 12 Transcendental Studies, that ultimate synthesis of literary-inspired creative fire and technical wizardry. Two discs of Wagner transcriptions venture from the familiar and relatively straightforward (Isoldes Liebestod) to the transformative recreations, entirely worthy of the originals, wrought by Liszt on themes from Lohengrin and Parsifal.Then on a disc of Liszt is the well-known Rigoletto paraphrase but also transcriptions of music from Gerusalem and Simon Boccanegra. Altogether we encounter the protean genius of Liszt at his most flexible, responding to the appetite of his day for both operatic pot-pourris and for clouds of piano dreams.
Classical | Discography | FLAC / APE
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