Orchestra del Maggio Musicale Fiorentino, Daniele Gatti, Coro del Maggio Musicale Fiorentino, AJ Glueckert, Alex Esposito - Pizzetti: Per l'Edipo re di Sofocle - Stravinsky: Oedipus rex, K047 (Live) (2023) [Hi-Res]
![Orchestra del Maggio Musicale Fiorentino, Daniele Gatti, Coro del Maggio Musicale Fiorentino, AJ Glueckert, Alex Esposito - Pizzetti: Per l'Edipo re di Sofocle - Stravinsky: Oedipus rex, K047 (Live) (2023) [Hi-Res]](https://www.dibpic.com/uploads/posts/2023-07/1689862746_daniele-gatti-pizzetti-per-ledipo-re-di-sofocle-stravinsky-oedipus-rex-k047-2023.jpg)
BAND/ARTIST: Orchestra del Maggio Musicale Fiorentino, Daniele Gatti, Coro del Maggio Musicale Fiorentino, AJ Glueckert, Alex Esposito, Adolfo Corrado, Massimo Popolizio, Ekaterina Semenchuk
- Title: Stravinsky: Oedipus rex, K047 (Live)
- Year Of Release: 2023
- Label: Dynamic
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 48.0kHz +Booklet
- Total Time: 01:15:23
- Total Size: 385 / 728 mb
- WebSite: Album Preview
Tracklist
01. Per l'Edipo re di Sofocle: I. Largo (Live)
02. Per l'Edipo re di Sofocle: II. Con impeto, ma non troppo mosso (Live)
03. Per l'Edipo re di Sofocle: III. Con molta espressione di dolore (Live)
04. Oedipus rex, K047: Prologue (Live)
05. Oedipus rex, K047, Act I: Kaedit nos pestis (Live)
06. Oedipus rex, K047, Act I: Liberi, vos liberabo (Live)
07. Oedipus rex, K047, Act I: Ecco Creonte (Live)
08. Oedipus rex, K047, Act I: Respondit deus (Live)
09. Oedipus rex, K047, Act I: Non reperias vetus scelus (Live)
10. Oedipus rex, K047, Act I: Edipo interroga la fonte della verità (Live)
11. Oedipus rex, K047, Act I: Delie, expectamus (Live)
12. Oedipus rex, K047, Act I: Dicere non possum, dicere non licet (Live)
13. Oedipus rex, K047, Act I: Invidia fortunam odit (Live)
14. Oedipus rex, K047, Act I: Gloria, gloria, gloria! (Live)
15. Oedipus rex, K047, Act II: La disputa dei principi (Live)
16. Oedipus rex, K047, Act II: Nonn' erubescite, reges (Live)
17. Oedipus rex, K047, Act II: Pavesco subito, Jocasta (Live)
18. Oedipus rex, K047, Act II: Il testimone dell'omicidio (Live)
19. Oedipus rex, K047, Act II: Adest omniscius pastor (Live)
20. Oedipus rex, K047, Act II: Oportebat tacere (Live)
21. Oedipus rex, K047, Act II: Nonne monstrum rescituri (Live)
22. Oedipus rex, K047, Act II: In monte reppertus est (Live)
23. Oedipus rex, K047, Act II: E ora ascolterete il famoso monologo (Live)
24. Oedipus rex, K047, Act II: Divum Jocastae caput mortuum! (Live)
25. Oedipus rex, K047, Act II: Ecce! Regem Oedipoda (Live)
Both Pizzetti and Stravinsky were drawn to the subject of Oedipus Rex, but in very different contexts. The 24-year-old Pizzetti was commissioned to write Three Orchestral Preludes for use in a theatrical production. He wrote with an austere sense of orchestral colour, devoid of impressionism that favours the vaguely archaic, with modal inflections. Stravinsky’s opera-oratorio was written in his neo-Classical style, with a central role for narrator. In a stark, stylised and formal setting, the use of Latin, and Stravinsky’s instruction for the leading characters to wear masks, add timeless, impersonal elements to a work that culminates in catharsis.
01. Per l'Edipo re di Sofocle: I. Largo (Live)
02. Per l'Edipo re di Sofocle: II. Con impeto, ma non troppo mosso (Live)
03. Per l'Edipo re di Sofocle: III. Con molta espressione di dolore (Live)
04. Oedipus rex, K047: Prologue (Live)
05. Oedipus rex, K047, Act I: Kaedit nos pestis (Live)
06. Oedipus rex, K047, Act I: Liberi, vos liberabo (Live)
07. Oedipus rex, K047, Act I: Ecco Creonte (Live)
08. Oedipus rex, K047, Act I: Respondit deus (Live)
09. Oedipus rex, K047, Act I: Non reperias vetus scelus (Live)
10. Oedipus rex, K047, Act I: Edipo interroga la fonte della verità (Live)
11. Oedipus rex, K047, Act I: Delie, expectamus (Live)
12. Oedipus rex, K047, Act I: Dicere non possum, dicere non licet (Live)
13. Oedipus rex, K047, Act I: Invidia fortunam odit (Live)
14. Oedipus rex, K047, Act I: Gloria, gloria, gloria! (Live)
15. Oedipus rex, K047, Act II: La disputa dei principi (Live)
16. Oedipus rex, K047, Act II: Nonn' erubescite, reges (Live)
17. Oedipus rex, K047, Act II: Pavesco subito, Jocasta (Live)
18. Oedipus rex, K047, Act II: Il testimone dell'omicidio (Live)
19. Oedipus rex, K047, Act II: Adest omniscius pastor (Live)
20. Oedipus rex, K047, Act II: Oportebat tacere (Live)
21. Oedipus rex, K047, Act II: Nonne monstrum rescituri (Live)
22. Oedipus rex, K047, Act II: In monte reppertus est (Live)
23. Oedipus rex, K047, Act II: E ora ascolterete il famoso monologo (Live)
24. Oedipus rex, K047, Act II: Divum Jocastae caput mortuum! (Live)
25. Oedipus rex, K047, Act II: Ecce! Regem Oedipoda (Live)
Both Pizzetti and Stravinsky were drawn to the subject of Oedipus Rex, but in very different contexts. The 24-year-old Pizzetti was commissioned to write Three Orchestral Preludes for use in a theatrical production. He wrote with an austere sense of orchestral colour, devoid of impressionism that favours the vaguely archaic, with modal inflections. Stravinsky’s opera-oratorio was written in his neo-Classical style, with a central role for narrator. In a stark, stylised and formal setting, the use of Latin, and Stravinsky’s instruction for the leading characters to wear masks, add timeless, impersonal elements to a work that culminates in catharsis.
Year 2023 | Classical | FLAC / APE | HD & Vinyl
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