Amati Ensemble String Quartet, Gil Sharon, Sonja van Beek, Ron Ephrat, Floris Mijnders - Paganini: String Quartets (2012)
BAND/ARTIST: Amati Ensemble String Quartet, Gil Sharon, Sonja van Beek, Ron Ephrat, Floris Mijnders
- Title: Paganini: String Quartets
- Year Of Release: 2012
- Label: Brilliant Classics
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 00:58:03
- Total Size: 279 mb
- WebSite: Album Preview
Tracklist
01. String Quartet No. 1 in D Minor, Op. 1a: I. Allegro maestoso
02. String Quartet No. 1 in D Minor, Op. 1a: II. Minuetto. Allegretto
03. String Quartet No. 1 in D Minor, Op. 1a: III. Adagio
04. String Quartet No. 1 in D Minor, Op. 1a: IV. Rondeau. Allegretto con brio
05. String Quartet No. 2 in E-Flat Major, Op. 1a: I. Maturato
06. String Quartet No. 2 in E-Flat Major, Op. 1a: II. Minuett. Allegretto
07. String Quartet No. 2 in E-Flat Major, Op. 1a: III. Adagio
08. String Quartet No. 2 in E-Flat Major, Op. 1a: IV. Finale. Prestissimo
09. String Quartet No. 3 in A Minor, Op. 1a: I. Largo - Allegro
10. String Quartet No. 3 in A Minor, Op. 1a: II. Minuetto. Andantino
11. String Quartet No. 3 in A Minor, Op. 1a: III. Andante con variazioni
12. String Quartet No. 3 in A Minor, Op. 1a: IV. Finale. Presto
Sharing the same opus number as the famous set of 24 Caprices for solo violin, these three wonderful quartets enjoyed considerable popularity during Paganini’s own lifetime. Composed 1815–18, they were dedicated to the King of Sardinia and the Duke of Naples, Vittorio Emanuele I.
That Paganini often performed these works himself explains why they differ somewhat from quartets by his contemporaries: the first violin is effectively a soloist, giving the composer the opportunity to display his virtuosic brilliance against a background of support from the other players. In lieu of writing markings and instructions in the parts, therefore, it is left to the performers, especially the first violinist, to improvise decorative passages – a freedom Paganini would have enjoyed and encouraged.
The style of the music is pre-Romantic, and the overall feel is one of Haydn and Mozart’s world – only simplified. Well constructed and balanced with a hint of the romantic exuberance found in the composer’s concertos and caprices, these delightful works contain some beautiful melodic writing and comprise a fantastic disc which illustrates another facet of Paganini’s genius.
01. String Quartet No. 1 in D Minor, Op. 1a: I. Allegro maestoso
02. String Quartet No. 1 in D Minor, Op. 1a: II. Minuetto. Allegretto
03. String Quartet No. 1 in D Minor, Op. 1a: III. Adagio
04. String Quartet No. 1 in D Minor, Op. 1a: IV. Rondeau. Allegretto con brio
05. String Quartet No. 2 in E-Flat Major, Op. 1a: I. Maturato
06. String Quartet No. 2 in E-Flat Major, Op. 1a: II. Minuett. Allegretto
07. String Quartet No. 2 in E-Flat Major, Op. 1a: III. Adagio
08. String Quartet No. 2 in E-Flat Major, Op. 1a: IV. Finale. Prestissimo
09. String Quartet No. 3 in A Minor, Op. 1a: I. Largo - Allegro
10. String Quartet No. 3 in A Minor, Op. 1a: II. Minuetto. Andantino
11. String Quartet No. 3 in A Minor, Op. 1a: III. Andante con variazioni
12. String Quartet No. 3 in A Minor, Op. 1a: IV. Finale. Presto
Sharing the same opus number as the famous set of 24 Caprices for solo violin, these three wonderful quartets enjoyed considerable popularity during Paganini’s own lifetime. Composed 1815–18, they were dedicated to the King of Sardinia and the Duke of Naples, Vittorio Emanuele I.
That Paganini often performed these works himself explains why they differ somewhat from quartets by his contemporaries: the first violin is effectively a soloist, giving the composer the opportunity to display his virtuosic brilliance against a background of support from the other players. In lieu of writing markings and instructions in the parts, therefore, it is left to the performers, especially the first violinist, to improvise decorative passages – a freedom Paganini would have enjoyed and encouraged.
The style of the music is pre-Romantic, and the overall feel is one of Haydn and Mozart’s world – only simplified. Well constructed and balanced with a hint of the romantic exuberance found in the composer’s concertos and caprices, these delightful works contain some beautiful melodic writing and comprise a fantastic disc which illustrates another facet of Paganini’s genius.
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