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The Spirit of Gambo - August Kühnel: Viola da Gamba Sonatas (2008)

The Spirit of Gambo - August Kühnel: Viola da Gamba Sonatas (2008)

BAND/ARTIST: The Spirit of Gambo

  • Title: August Kühnel: Viola da Gamba Sonatas
  • Year Of Release: 2008
  • Label: Brilliant Classics
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 01:03:50
  • Total Size: 371 Mb
  • WebSite:
Tracklist:

1. Sonate 1 Prelude in F Major 00:02:21
2. Sonate 1 Aria 1 in F Major 00:02:41
3. Sonate 1 Aria 2 in F Major 00:02:54
4. Sonate 2 Prelude in d Minor 00:01:31
5. Sonate 7 Prelude in G Major 00:03:06
6. Sonate 7 Aria 1 in G Major 00:02:03
7. Sonate 7 Aria 2 in G Major 00:04:10
8. Sonate 10 Aria in g Minor 00:09:55
9. Sonate 13 Prelude in a Minor 00:01:26
10. Sonate 8 Prelude in A Major 00:04:22
11. Sonate 8 Aria in a Minor 00:07:35
12. Sonate 12 Prelude in e Minor 00.:01:47
13. Sonate 2 Prelude in e Minor 00:01:32
14. Sonate 2 Aria 1 in e Minor 00:04:26
15. Sonate 2 Aria: Allegro in e Minor 00:03:17
16. Sonate 5 Sonatina in c Minor 00.:04:45
17. Sonate 5 Entrata in c Minor 00:00:45
18. Sonate 5 Aria in c Minor 00:00:58
19. Sonate 5 Gavotta in c Minor 00:00:46
20. Sonate 5 Sarabande in c Minor 00:01:52
21. Sonate 5 Giga in c Minor 00:01:03
22. Sonate 5 Retirata in c Minor 00:00:356

Performers:
The Spirit of Gambo

Here's a collection of viol pieces from a composer who remained little exposed even during the revival of viol music in the 1990s. August Kühnel, born in Mecklenburg, studied in Paris and then worked and performed around northern and central Germany, where Italian fashions ruled in the late seventeenth century. The program here is drawn from a collection of 14 pieces published either in 1701 (if you believe the track list) or in 1698 (if you believe the booklet notes by second gambist Ivanka Neeleman). The tracklist is a bit confusing; all the sonatas, even those marked "viola da gamba solo," are accompanied by one of a variety of continuo formations, with a harpsichord, lute, organ, and a continuo gamba all on hand. That adds unusual diversity to the sounds of the music, and the pieces are formally diverse as well. Some have just one movement; some have two or three; the Sonata No. 5 for two violas da gamba that concludes the program is a seven-movement suite. Neeleman calls that an "Italian-style duo," but actually it's the closest to a French suite even though all the dances are given Italian names. Neeleman is right to call Kühnel a forerunner of Bach, for French dance rhythms, Italian virtuoso and melodic writing, and German polyphony are artfully blended in the music. The track titles, mostly prelude or aria, give little clue as to what you're about to hear; the last movement of the Sonata No. 1 for two violas da gamba (track 3), though marked aria, is a pure sarabande. The result, in the capable hands of an ensemble of Wieland Kuijken students led by gambist Freek Borstlap, is a collection of music that seems to veer from the interiority of the French gamba masters to the light spirit of Telemann, with all the shades in between represented. The sound, from a cavernous, empty church in the city of Haarlem, is a negative here, but on balance this is a recording that will fill a gap for many Baroque collections and offers enjoyable listening for anyone enamored of the viola da gamba.




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