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Capilla Musical de la Iglesia Nacional Espanola de Roma & Alessandro Quarta - Soto De Langa: 20 Laude Spirituali (2022) [Hi-Res]

Capilla Musical de la Iglesia Nacional Espanola de Roma & Alessandro Quarta - Soto De Langa: 20 Laude Spirituali (2022) [Hi-Res]
  • Title: Soto De Langa: 20 Laude Spirituali
  • Year Of Release: 2022
  • Label: Brilliant Classics
  • Genre: Classical
  • Quality: FLAC (tracks + booklet) [48kHz/24bit]
  • Total Time: 53:19
  • Total Size: 560 / 263 MB
  • WebSite:
Tracklist:

1. Capilla Musical de la Iglesia Nacional Espanola de Roma – Ringratianti, o giesù buono (Il terzo libro delle laudi spirituali, 1588) (01:58)
2. Capilla Musical de la Iglesia Nacional Espanola de Roma – Nell'apparir del sempiterno sole (Il secondo libro delle laudi spirituali, 1583) (02:49)
3. Capilla Musical de la Iglesia Nacional Espanola de Roma – Dammi un bel cor, signore (Il terzo libro delle laudi spirituali, 1588) (03:07)
4. Capilla Musical de la Iglesia Nacional Espanola de Roma – Che fai, alma? (Il quinto libro delle laudi spirituali, 1598) (03:20)
5. Capilla Musical de la Iglesia Nacional Espanola de Roma – Anima mia dolente (Il secondo libro delle laudi spirituali, 1583) (03:22)
6. Capilla Musical de la Iglesia Nacional Espanola de Roma – Gioia & amore (Il quinto libro delle laudi spirituali, 1598) (01:49)
7. Capilla Musical de la Iglesia Nacional Espanola de Roma – La regina celi (Tempio armonico della Beatissima Vergine, 1599) (02:09)
8. Capilla Musical de la Iglesia Nacional Espanola de Roma – Alma dexa la tierra (Il terzo libro delle laudi spirituali, 1588) (03:05)
9. Capilla Musical de la Iglesia Nacional Espanola de Roma – Signor ti benedico (Il primo libro delle laude spirituali, 1583) (02:44)
10. Capilla Musical de la Iglesia Nacional Espanola de Roma – Vergine poverella (Il quinto libro delle laudi spirituali, 1598) (02:36)
11. Capilla Musical de la Iglesia Nacional Espanola de Roma – No ves mi dios (Il terzo libro delle laudi spirituali, 1588) (01:45)
12. Capilla Musical de la Iglesia Nacional Espanola de Roma – D'amoroso dolor (Il quinto libro delle laudi spirituali, 1598) (03:34)
13. Capilla Musical de la Iglesia Nacional Espanola de Roma – Si tus penas no pruebo (Il secondo libro delle laudi spirituali, 1583) (01:40)
14. Capilla Musical de la Iglesia Nacional Espanola de Roma – Quando vedrò (Il primo libro delle laudi spirituali, 1583) (03:26)
15. Capilla Musical de la Iglesia Nacional Espanola de Roma – Discepolo & maestro. Io vorrei mutar vita (Il secondo libro delle laudi spirituali, 1583) (03:14)
16. Capilla Musical de la Iglesia Nacional Espanola de Roma – Niño que hoy nacido has (Il quinto libro delle laudi spirituali, 1598) (03:06)
17. Capilla Musical de la Iglesia Nacional Espanola de Roma – Fieri lacci, e catene (Il quinto libro delle laudi spirituali, 1598) (02:18)
18. Capilla Musical de la Iglesia Nacional Espanola de Roma – Quand'io ripenso (Il terzo libro delle laudi spirituali, 1588) (03:06)
19. Capilla Musical de la Iglesia Nacional Espanola de Roma – O dolcezza (Il quarto libro delle laudi spirituali, 1591) (02:23)
20. Capilla Musical de la Iglesia Nacional Espanola de Roma – Per ché m'inviti pur (Il secondo libro delle laudi spirituali, 1583) (01:39)

World-premiere recordings of sacred songs and popular hymns from late 16th-century Rome, reviving the work of a forgotten Spanish composer within the rich tradition of laude spirituali.

The lauda spirituale is a song of praise designed for congregational singing which arose in medieval Italy, cast in the local language rather than the liturgical language of Latin. St Francis of Assisi and Jacopone di Todi are the most famous authors of texts which were set as laude spiritual by now-anonymous monk-musicians.

Born in the Duero region of Spain in 1534, Francisco Soto De Langa began his musical training as a treble at the Cathedral of Burgo de Osma before travelling to Rome, where he joined the Sistine Chapel Choir in June 1562: Soto was the first castrato to join its ranks. He would go on to sing with the Choir for 49 years – until 1611 – for the last five of which he served as maestro di cappella.

In Rome, he soon encountered St Philip Neri, founder of the Oratorian church. It was for Neri that Soto composed and arranged the laude spirituali on this album. By this point, the tradition of vernacular hymn singing had evolved from unaccompanied, unison singing to be elaborated with harmony, simple polyphony and instrumental accompaniment. Soto the composer did not write in the refined polyphonic style of Palestrina, his colleague at the Sistine Chapel: these songs and hymns are still fundamentally popular and accessible in character.

To mark the 400th anniversary of Soto’s death in Rome in 1619, the Spanish Church in Rome conceived and realised this project to record a collection of his many surviving hymns, in both Spanish and Italian. The singers are supported by a rich continuo ensemble of violin, theorbos, harp, viola da gamba, percussion and organ, lending colour and variety to the textures. The booklet to this enlightening new release includes an introduction to the history of laude spirituale, the career of Francisco Soto De Langa, and sung texts.


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