• logo

Janette Sue Fishell - Eben: Velvet Revolution Complete Organ Music Vol. 1 (2022) [Hi-Res]

Janette Sue Fishell - Eben: Velvet Revolution Complete Organ Music Vol. 1 (2022) [Hi-Res]
  • Title: Eben: Velvet Revolution Complete Organ Music Vol. 1
  • Year Of Release: 2022
  • Label: Brilliant Classics
  • Genre: Classical
  • Quality: FLAC (tracks) [96kHz/24bit]
  • Total Time: 3:22:18
  • Total Size: 3.04 GB / 680 MB
  • WebSite:
Tracklist:

1. A Voice Crying in the Wilderness - Works of the Young Composer Musica Dominicalis: I. Fantasia I (07:39)
2. A Voice Crying in the Wilderness - Works of the Young Composer Musica Dominicalis: II. Fantasia II (09:20)
3. A Voice Crying in the Wilderness - Works of the Young Composer Musica Dominicalis: III. Moto Ostinato (05:46)
4. A Voice Crying in the Wilderness - Works of the Young Composer Musica Dominicalis: IV. Finale (12:01)
5. Laudes for Organ: I. Largo - Con moto - Largo (06:27)
6. Laudes for Organ: II. Lento - Allegro solenne - Poco più Mosso (04:14)
7. Laudes for Organ: III. Fantastico - Agitato - Più Mosso (06:04)
8. Laudes for Organ: IV. Gravemente - Allegro - Vivace Fermo (07:51)
9. Fantasia Corale I: I. "O Grosser Gott". Allegro risoluto - Più moderato - Largemente (06:21)
10. Fantasia Corale II: II. "Svatý Václav". Agitato Appassionato (05:49)
11. The Devil is in the Details - Faust for Organ: I. Prolog (04:44)
12. The Devil is in the Details - Faust for Organ: II. Mysterium (07:40)
13. Lied des Leiermannes (01:48)
14. Osterchöre (06:55)
15. Studentenlieder (04:06)
16. Gretchen (06:36)
17. Requiem (06:06)
18. Walpurgisnacht (08:30)
19. Epilog (05:26)
20. Versetti: I. Ad offertorium super "pueri Hebraeorum" (04:37)
21. Versetti: II. Ad Communionem super "adoro Te" (05:37)
22. Job for Organ: I. Destiny (04:25)
23. Job for Organ: II. Narration. The Book of Job, Chapter 1, verses 1-3, 6-21 (04:08)
24. Job for Organ: III. Faith (04:29)
25. Job for Organ: IV. Narration. The Book of Job, Chapter 2, verses 1-10 (02:02)
26. Job for Organ: V. Acceptance of Suffering (06:13)
27. Job for Organ: VI. Narration. The Book of Job, Chapter 3, verses 1-2, 11-13, 20-23 (01:09)
28. Job for Organ: VII. Longing for Death (06:01)
29. Job for Organ: VIII. Narration. The Book of Job, Chapter 7, verses 16-21 (01:29)
30. Job for Organ: IX. Despair and Resignation (05:40)
31. Job for Organ: X. Narration. The Book of Job, Chapter 38, verses 1-12, 33, 35 (02:01)
32. Job for Organ: XI. Mystery of Creation (05:30)
33. Job for Organ: XII. Narration. The Book of Job, Chapter 4, verses 1-6 (01:04)
34. Job for Organ: XIII. Penitence and Realisation (07:52)
35. Job for Organ: XIV. Narration. The Book of Job, Chapter 42, verses 10, 12-13, 15-17 (01:01)
36. Job for Organ: XV. God's Reward (08:09)
37. Kleine Choralpartita on "O Jesu, all mein Leben bist Du" (07:10)

• The start of an exciting new series: the complete organ works by Petr Eben!

• Petr Eben (1929 – 2007) was born in Žamberk, northeastern Bohemia. The son of two teachers, he studied music from an early age, becoming “conscripted” as organist when the men from his town were away at war. Eben was raised in his mother’s Catholic faith but because of his father’s Jewish heritage he was captured and imprisoned by the Nazis in Buchenwald, remaining there for the duration of the war. After the war he was admitted to the Prague Academy for Music, and there he studied piano with František Rauch and composition with Pavel Bořkovec. A rising star, he refused to join the Czech Communist Party and continued openly attending church, thus forfeiting many career advancements before 1989. After the Communist government crumbled, however, he was given several important appointments and awards, among them presidency of the Prague Spring Festival (1989). In 1991, Eben was awarded the title of Knight of the French Ministry of Culture, Arts and Letters, evidence of his manifold international contributions to the art of music and cause of artistic freedom.

• Over more than half a century Eben produced music in diverse genres. He wrote numerous vocal, choral, symphonic, piano, and chamber works, but it was organ music which remained his greatest love and in which he was most prolific.

• Stylistically, Eben was uncompromising when others were willing to write politically correct music. Not that Eben's works are especially difficult or inaccessible; most listeners would find his expressive language no further advanced than that of Britten or Messiaen, two composers who may well have influenced him. Eben was considered a master at improvisation on the organ and his music has been widely performed and recorded since about 1980, with his popularity still apparently on the rise.

• Janette Fishell is Professor of Organ and Chair of the Organ Department at the Jacobs School of Music, Indiana University, where she teaches Applied Organ and Organ Pedagogy. She maintains an international concert career, with regular concert tours in Europe, the United Kingdom and Asia as well as the United States. A lecturer, teacher, adjudicator, recording artist, author, and church musician of international standing, she is widely recognized as a leading authority on the organ music of Petr Eben. Her insights into his musical style and performance practice grew from many meetings, collaborations, coachings, and correspondences, establishing a friendship lasting from 1984 until his death in 2007.


As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
  • Unlimited high speed downloads
  • Download directly without waiting time
  • Unlimited parallel downloads
  • Support for download accelerators
  • No advertising
  • Resume broken downloads