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Silva Manfrè - Murschhauser: Prototypon Longo-Breve Organicum (2023) [Hi-Res]

Silva Manfrè - Murschhauser: Prototypon Longo-Breve Organicum (2023) [Hi-Res]

BAND/ARTIST: Silva Manfrè

  • Title: Murschhauser: Prototypon Longo-Breve Organicum
  • Year Of Release: 2023
  • Label: Brilliant Classics
  • Genre: Classical
  • Quality: FLAC (tracks + booklet) [96kHz/24bit]
  • Total Time: 1:21:03
  • Total Size: 1.49 GB / 383 MB
  • WebSite:
Tracklist:

1. Prototypon longo-breve organicum, IFM 6, pars prima: I. Intonatio primi toni (00:38)
2. Prototypon longo-breve organicum, IFM 6, pars prima: II. Praeambulum primi toni (01:35)
3. Prototypon longo-breve organicum, IFM 6, pars prima: III. Fuga prima primi toni (00:54)
4. Prototypon longo-breve organicum, IFM 6, pars prima: IV. Fuga secunda primi toni (00:57)
5. Prototypon longo-breve organicum, IFM 6, pars prima: V. Fuga finalis primi toni (01:32)
6. Prototypon longo-breve organicum, IFM 6, pars prima: VI. Praeambulum primi toni (02:42)
7. Prototypon longo-breve organicum, IFM 6, pars prima: VII. Praeambulum secundi toni (01:23)
8. Prototypon longo-breve organicum, IFM 6, pars prima: VIII. Fuga secundi toni (01:38)
9. Prototypon longo-breve organicum, IFM 6, pars prima: IX. Praeambulum aliud secundi toni (02:02)
10. Prototypon longo-breve organicum, IFM 6, pars prima: X. Fuga alia secundi toni (01:08)
11. Prototypon longo-breve organicum, IFM 6, pars prima: XI. Fuga secundi toni (01:07)
12. Prototypon longo-breve organicum, IFM 6, pars prima: XII. Arpeggiata overo toccata secundi toni (01:51)
13. Prototypon longo-breve organicum, IFM 6, pars prima: XIII. Praeambulum tertii toni (01:59)
14. Prototypon longo-breve organicum, IFM 6, pars prima: XIV. Fuga tertii toni (01:35)
15. Prototypon longo-breve organicum, IFM 6, pars prima: XV. Fuga brevissima tertii toni (00:27)
16. Prototypon longo-breve organicum, IFM 6, pars prima: XVI. Praeambulum tertii toni (01:36)
17. Prototypon longo-breve organicum, IFM 6, pars prima: XVII. Praeambulum brevissimum tertii toni (00:21)
18. Prototypon longo-breve organicum, IFM 6, pars prima: XVIII. Fuga tertii toni (01:23)
19. Prototypon longo-breve organicum, IFM 6, pars prima: XIX. Finale septimi toni (02:45)
20. Prototypon longo-breve organicum, IFM 6, pars prima: XX. Fuga prima septimi toni (02:04)
21. Prototypon longo-breve organicum, IFM 6, pars prima: XXI. Praeambulum septimi toni (01:45)
22. Prototypon longo-breve organicum, IFM 6, pars prima: XXII. Fuga secunda septimi toni (03:20)
23. Prototypon longo-breve organicum, IFM 6, pars secunda: I. Intonatio octavi toni cum, pedali ad libitum (00:49)
24. Prototypon longo-breve organicum, IFM 6, pars secunda: II. Praeambulum octavi toni (01:39)
25. Prototypon longo-breve organicum, IFM 6, pars secunda: III. Fuga prima octavi toni (01:52)
26. Prototypon longo-breve organicum, IFM 6, pars secunda: IV. Fuga secunda octavi toni (01:55)
27. Prototypon longo-breve organicum, IFM 6, pars secunda: V. Toccata arpeggiata octavi toni (03:15)
28. Prototypon longo-breve organicum, IFM 6, pars secunda: VI. Praeambulum decimi toni (01:07)
29. Prototypon longo-breve organicum, IFM 6, pars secunda: VII. Fuga decimi toni (02:30)
30. Prototypon longo-breve organicum, IFM 6, pars secunda: VIII. Praeambulum decimi toni cum pedali ad libitum (00:56)
31. Prototypon longo-breve organicum, IFM 6, pars secunda: IX. Fuga decimi toni (03:34)
32. Prototypon longo-breve organicum, IFM 6, pars secunda: X. Finale decimi toni cum pedali ad libitum (01:28)
33. Prototypon longo-breve organicum, IFM 6, pars secunda: XI. Toccata undecimi toni pro pedali (02:17)
34. Prototypon longo-breve organicum, IFM 6, pars secunda: XII. Fuga brevis undecimi toni (00:39)
35. Prototypon longo-breve organicum, IFM 6, pars secunda: XIII. Fuga sive canzon prima undecimi toni (02:33)
36. Prototypon longo-breve organicum, IFM 6, pars secunda: XIV. Fuga sive canzon secunda undecimi toni (02:25)
37. Prototypon longo-breve organicum, IFM 6, pars secunda: XV. Praeambulum undecimi toni (01:16)
38. Prototypon longo-breve organicum, IFM 6, pars secunda: XVI. Toccata arpeggiata brevis undecimi toni (02:26)
39. Prototypon longo-breve organicum, IFM 6, pars secunda: XVII. Praeambulum duodecimi toni (01:21)
40. Prototypon longo-breve organicum, IFM 6, pars secunda: XVIII. Fuga prima duodecimi toni (01:04)
41. Prototypon longo-breve organicum, IFM 6, pars secunda: XIX. Fuga secunda duodecimi toni (02:13)
42. Prototypon longo-breve organicum, IFM 6, pars secunda: XX. Fuga tertia duodecimi toni (01:52)
43. Prototypon longo-breve organicum, IFM 6, pars secunda: XXI. Fuga quarta duodecimi toni (01:37)
44. Prototypon longo-breve organicum, IFM 6, pars secunda: XXII. Toccata duodecimi toni cum pedali ad libitum (03:03)
45. Prototypon longo-breve organicum, IFM 6, pars secunda: XXIII. Toccata duodecimi toni (01:35)
46. Prototypon longo-breve organicum, IFM 6, pars secunda: XXIV. Toccata duodecimi toni (02:30)

• The German baroque composer Franz Xaver Anton Murschhauser (1663– 1738), was Kapellmeister at the Frauenkirche (today the cathedral) in Munich and was a student of Johann Caspar Kerll. He wrote several collections of organ music, among which his most important „Prototypon Longo-Breve Organicum“, written between 1703 and 1707. This two-part collection contains eight cycles of Intonations, Toccatas, Preludes, Canzoni and Finales in the eight most commonly used church modes. There are a total of 46 (mostly short) pieces that represent a very interesting and impressive document of southern German organ practice – roughly comparable to Johann Caspar Kerll's Modulatio Organica – the structure of which is still very useful for organists today. Compared to his earlier organ works the Prototypon features more extended and freely concertante pieces, and the technique here has also become more complex in the use of often daring contrapuntal stylistic devices. The intonations are composed of playing figures, broken chords or passages over an organ point, deliberately kept free of any imitative interplay. • Played on the historic 1662 Freundt/Richter Organ of the Stiftskirche Baumgartenberg, the specifications of which are included in the booklet. • Silva Manfrè studied organ and organ composition at the Conservatory of Music in Verona (Italy), at the University of Music and Performing Arts of Vienna (Austria) and Musicology at the Universities of Pavia and Vienna. Among her main interests are lesser known or rarely performed compositions of the Renaissance and the Baroque. Her previous recording of organ works by Ottavio Bariolla (96376) was enthusiastically received.


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