Giorgio Benati - Langlais: Organ Music, Vol. 1 (2023) Hi-Res
BAND/ARTIST: Giorgio Benati, Fausto Caporali
- Title: Langlais: Organ Music, Vol. 1
- Year Of Release: 2023
- Label: Brilliant Classics
- Genre: Classical
- Quality: FLAC 16/24 Bit (96 KHz / tracks+booklet)
- Total Time: 397:07 min
- Total Size: 1,3 / 6,2 GB
- WebSite: Album Preview
Tracklist:
001. Hommage à Frescobaldi: I. Prélude au kyrie
002. Hommage à Frescobaldi: II. Offertoire
003. Hommage à Frescobaldi: III. Elévation
004. Hommage à Frescobaldi: IV. Communion
005. Hommage à Frescobaldi: V. Fantaisie
006. Hommage à Frescobaldi: VI. Antienne
007. Hommage à Frescobaldi: VII. Thème et variations
008. Hommage à Frescobaldi: VIII. Épilogue
009. Suite brève: I. Grands jeux
010. Suite brève: II. Cantilène
011. Suite brève: III. Plainte
012. Suite brève: IV. Dialogue sur les mixtures
013. Talitha Koum: Salve regina
014. Talitha Koum: Regina caeli - No. 1 O Clemens
015. Talitha Koum: No. 2 O Pia
016. Talitha Koum: No. 3 O dulcis
017. Talitha Koum: Alme Pater :Messe X: Aux fêtes de la sainte - Vierge:: I. Kyrie
018. Talitha Koum: II. Gloria
019. Talitha Koum: III. Sanctus
020. Talitha Koum: IV. Agnus dei
021. Talitha Koum: 1.7.8 Alleluia
022. Petit prélude sur deux thèmes grégoriens
023. Prélude grégorien
024. Expressions: I
025. Expressions: II
026. Expressions: III
027. Expressions: IV
028. Expressions: V
029. Expressions: VI
030. Expressions: VII
031. Expressions: VIII
032. Expressions: IX
033. Expressions: X
034. Expressions: XI
035. Expressions: XII
036. Expressions: XIII
037. Expressions: XIV
038. Expressions: XV
039. 8 Preludes: I. Une voix
040. 8 Preludes: II. Duo
041. 8 Preludes: III. Trio
042. 8 Preludes: IV. 4 Voix
043. 8 Preludes: V. 5 Voix
044. 8 Preludes: VI. 6 Voix
045. 8 Preludes: VII. 7 Voix
046. 8 Preludes: VIII. 8 Voix Third fantasy for 2 Organists
047. 24 Pièces pour harmonium ou orgue, 1st Book: I. Prélude modal
048. 24 Pièces pour harmonium ou orgue, 1st Book: II. Hommage
049. 24 Pièces pour harmonium ou orgue, 1st Book: III. Arabesque
050. 24 Pièces pour harmonium ou orgue, 1st Book: IV. Fugue
051. 24 Pièces pour harmonium ou orgue, 1st Book: V. Paraphrase sur :salve regina:
052. 24 Pièces pour harmonium ou orgue, 1st Book: VI. Noël avec variations
053. 24 Pièces pour harmonium ou orgue, 1st Book: VII. Choral, avec variations
054. 24 Pièces pour harmonium ou orgue, 1st Book: VIII. Ricercare
055. 24 Pièces pour harmonium ou orgue, 1st Book: IX. Scherzetto
056. 24 Pièces pour harmonium ou orgue, 1st Book: X. Toccata
057. 24 Pièces pour harmonium ou orgue, 1st Book: XI. Prière pour les morts
058. 24 Pièces pour harmonium ou orgue, 1st Book: XII. Hommage à Fr. Landino
059. 24 Pièces pour harmonium ou orgue, 2nd Book: I. Homo quidam (Texte intégral)
060. 24 Pièces pour harmonium ou orgue, 2nd Book: II. Allegro
061. 24 Pièces pour harmonium ou orgue, 2nd Book: III. Prière
062. 24 Pièces pour harmonium ou orgue, 2nd Book: IV. Choral orné
063. 24 Pièces pour harmonium ou orgue, 2nd Book: V. Pour une sainte de légende (Ste tryphine de lanmeur)
064. 24 Pièces pour harmonium ou orgue, 2nd Book: VI. Fantaisie sur un thème Norvégien
065. 24 Pièces pour harmonium ou orgue, 2nd Book: VII. Prélude et fuguette
066. 24 Pièces pour harmonium ou orgue, 2nd Book: VIII. Fuguette
067. 24 Pièces pour harmonium ou orgue, 2nd Book: IX. Fantaisie
068. 24 Pièces pour harmonium ou orgue, 2nd Book: X. Chant élégiaque
069. 24 Pièces pour harmonium ou orgue, 2nd Book: XI. Point d'orgue
070. 24 Pièces pour harmonium ou orgue, 2nd Book: XII. Impromptu
071. Suite in simplicitate: I. Plein-jeu à la Française
072. Suite in simplicitate: II. Virgo Maria
073. Suite in simplicitate: III. Cum jubilo
074. 4 Préludes: I. Andante
075. 4 Préludes: II. Moderato
076. 4 Préludes: III. Allegro
077. 4 Préludes: IV. Moderato
078. 9 Pièces: I. Chant de peine (Song of Sorrow)
079. 9 Pièces: II. Chant de joie (Song of Joy)
080. 9 Pièces: III. Chant de paix (Song of Peace)
081. 9 Pièces: IV. Chant héroïque (Heroic Song)
082. 9 Pièces: V. Dans une douce joie (choral) [In quiet Joy]
083. 9 Pièces: VI. De profundis (choral) [Out of the Depths Have I Cried unto Thee]
084. 9 Pièces: VII. Mon âme cherche une fin paisible (choral) [My Soul longeth to Depart in Peace]
085. 9 Pièces: VIII. Prélude sur une antienne (Prelude on an Anthem)
086. 9 Pièces: IX. Rhapsodie grégorienne (Gregorian Rhapsody)
087. Deo gratias
088. Prélude dans le style ancien
089. Supplication
090. 12 Versets: I
091. 12 Versets: II
092. 12 Versets: III
093. 12 Versets: IV
094. 12 Versets: V
095. 12 Versets: VI
096. 12 Versets: VII
097. 12 Versets: VIII
098. 12 Versets: IX
099. 12 Versets: X
100. 12 Versets: XI
101. 12 Versets: XII
102. Organ Book: I. Prélude
103. Organ Book: II. Pastoral Song
104. Organ Book: III. Choral in E Minor
105. Organ Book: IV. Flutes
106. Organ Book: V. Musette
107. Organ Book: VI. Choral in F Major
108. Organ Book: VII. Scherzando
109. Organ Book: VIII. Andantino
110. Organ Book: IX. Epithalamium
111. Organ Book: X. Pasticcio
112. 12 Petites pièces pour orgue et harmonium: I. 1er Mode (finale in D Major)
113. 12 Petites pièces pour orgue et harmonium: II. 1er Mode (finale in E-Flat Major)
114. 12 Petites pièces pour orgue et harmonium: III. 2nd Mode (finale in A Major)
115. 12 Petites pièces pour orgue et harmonium: IV. 3e Mode (finale in E Major)
116. 12 Petites pièces pour orgue et harmonium: V. 4e Mode (finale in C-Sharp Major)
117. 12 Petites pièces pour orgue et harmonium: VI. 5e Mode (finale in F Major)
118. 12 Petites pièces pour orgue et harmonium: VII. 6e Mode (finale in E-Flat Major)
119. 12 Petites pièces pour orgue et harmonium: VIII. 7e Mode (finale in D Major)
120. 12 Petites pièces pour orgue et harmonium: IX. 7e Mode (finale in E-Flat Major)
121. 12 Petites pièces pour orgue et harmonium: X. 8e Mode (finale in E Major)
122. 2 Petites pieces dans le style médiéval: I
123. 2 Petites pieces dans le style médiéval: II
124. Adoration
125. Petites pièces: I. Trio
126. Petites pièces: II. Notes répétées
127. Petites pièces: III. Legato
128. Petites pièces: IV. Staccato
129. Petites pièces: V. Accords
130. Petites pièces: VI. Rythme
Blind from the age of two, a prodigiously gifted student, Jean Langlais (1907-91) produced an immense quantity of music. His organ works alone exceed in number those of of JS Bach. Many have hardly ever been performed. Perhaps not more than half a dozen works are regularly played or recorded today, which is what makes this new complete survey of his organ music – the first ever attempted on record – both unique and invaluable, as the authoritative document of a high point in the distinguished lineage of the French organ heritage.
That long line of illustrious French organist/composers and improvisers is exemplified by César Franck and Charles Tournemire, Langlais’s predecessors as titulaire of the magnificent Cavaillé-Coll organ at Saint-Clotilde in Paris. All three shared a desire for the poetic evocation of a deeper religious feeling; indeed this depth of religious expression, together with a certain improvisational quality, is an important characteristic of each one, along with the use of Gregorian, folkloric or secular themes.
Langlais goes even further than his predecessors and contemporaries in embracing all kinds of musical genre, from the organ mass to the full-scale organ symphony, taking in suites, preludes and fugues, noels, paraphrases, examination pieces, fantasies and religious programme music. This sheer variety of form alone makes him stand out among his French 20th-century composers for the organ.
Indeed his compositions from all periods are full of different elements, showing many contrasts of form, harmonic vocabulary, texture, rhythmic character and technical difficulty, from the relatively simple to complex virtuosity. Throughout his life, Langlais wrote in many different ways and, true to his ideal, still retained the ability to surprise.
The first volume of this projected complete survey ranges from his early set of 24 pieces written in the late 1930s and composed in all the major and minor keys, to the sublime economy of his Suite in Simplicitate from 1991. This major project has been undertaken jointly by the Italian organists Giorgio Benati and Fausto Caporali. Benati is a former student of Langlais, and Caporali has a string of successful French organ recordings to his credit. They have made these new recordings on Italian instruments, lending Langlais an ‘Italian accent’ while faithfully observing his expressive and registration markings in his scores. Booklet notes for each piece have been written by Giorgio Benati.
That long line of illustrious French organist/composers and improvisers is exemplified by César Franck and Charles Tournemire, Langlais’s predecessors as titulaire of the magnificent Cavaillé-Coll organ at Saint-Clotilde in Paris. All three shared a desire for the poetic evocation of a deeper religious feeling; indeed this depth of religious expression, together with a certain improvisational quality, is an important characteristic of each one, along with the use of Gregorian, folkloric or secular themes.
Langlais goes even further than his predecessors and contemporaries in embracing all kinds of musical genre, from the organ mass to the full-scale organ symphony, taking in suites, preludes and fugues, noels, paraphrases, examination pieces, fantasies and religious programme music. This sheer variety of form alone makes him stand out among his French 20th-century composers for the organ.
Indeed his compositions from all periods are full of different elements, showing many contrasts of form, harmonic vocabulary, texture, rhythmic character and technical difficulty, from the relatively simple to complex virtuosity. Throughout his life, Langlais wrote in many different ways and, true to his ideal, still retained the ability to surprise.
The first volume of this projected complete survey ranges from his early set of 24 pieces written in the late 1930s and composed in all the major and minor keys, to the sublime economy of his Suite in Simplicitate from 1991. This major project has been undertaken jointly by the Italian organists Giorgio Benati and Fausto Caporali. Benati is a former student of Langlais, and Caporali has a string of successful French organ recordings to his credit. They have made these new recordings on Italian instruments, lending Langlais an ‘Italian accent’ while faithfully observing his expressive and registration markings in his scores. Booklet notes for each piece have been written by Giorgio Benati.
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Year 2023 | Classical | FLAC / APE | HD & Vinyl
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