Agnes Pyka, Ensemble Des Équilibres - César Franck Complete Chamber Music (2023) [Hi-Res]
![Agnes Pyka, Ensemble Des Équilibres - César Franck Complete Chamber Music (2023) [Hi-Res]](https://www.dibpic.com/uploads/posts/2023-06/1687473258_folder.jpg)
BAND/ARTIST: Agnes Pyka, Ensemble Des Équilibres
- Title: César Franck Complete Chamber Music
- Year Of Release: 2023
- Label: Klarthe Records
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 44.1kHz +Booklet
- Total Time: 04:39:01
- Total Size: 1.4 / 2.6 gb
- WebSite: Album Preview
Tracklist
CD1
01. Quintette pour piano et cordes in F Minor, CFF 121: I. Molto moderato quasi lento - Allegro
02. Quintette pour piano et cordes in F Minor, CFF 121: II. Lento, con molto sentimento
03. Quintette pour piano et cordes in F Minor, CFF 121: III. Allegro non troppo, ma con fuoco
04. Grand Trio pour piano, violon et violoncelle in C Minor, CFF 108
05. Trio avec piano in B-Flat Major, Op. 1 No. 2, CFF 112 "Trio de salon": I. Allegro moderato
06. Trio avec piano in B-Flat Major, Op. 1 No. 2, CFF 112 "Trio de salon": II. Andantino
07. Trio avec piano in B-Flat Major, Op. 1 No. 2, CFF 112 "Trio de salon": III. Minuetto
08. Trio avec piano in B-Flat Major, Op. 1 No. 2, CFF 112 "Trio de salon": IV. Final. Allegro molto
CD2
01. Duo concertant sur des motifs de Gulistan de Dalayrac in B-Flat Major, CFF 117
02. Trio avec piano in F-Sharp Minor, Op. 1 No. 1, CFF 111: I. Andante con moto
03. Trio avec piano in F-Sharp Minor, Op. 1 No. 1, CFF 111: II. Allegro molto
04. Trio avec piano in F-Sharp Minor, Op. 1 No. 1, CFF 111: III. Final. Allegro maestoso
05. Trio avec piano in B Minor, Op. 1 No. 3, CFF 113: I. Allegro
06. Trio avec piano in B Minor, Op. 1 No. 3, CFF 113: II. Adagio
07. Trio avec piano in B Minor, Op. 1 No. 3, CFF 113: III. Final (Poco lento - Moderato ma molto energico - Il doppio piu lento - Tempo 1)
CD3
01. Melancolie in E Minor, CFF 122
02. Quatuor à cordes in D Major, CFF 124: I. Poco lento - Allegro
03. Quatuor à cordes in D Major, CFF 124: II. Scherzo - Vivace
04. Quatuor à cordes in D Major, CFF 124: III. Larghetto
05. Quatuor à cordes in D Major, CFF 124: IV. Final. Allegro molto
06. Andantino quietoso in E-Flat Major, Op. 6, CFF 115
CD4
01. Sonate pour piano et violon in A Major, CFF 123: I. Allegretto ben moderato
02. Sonate pour piano et violon in A Major, CFF 123: II. Allegro
03. Sonate pour piano et violon in A Major, CFF 123: III. Ben moderato - Recitative - Fantasia
04. Sonate pour piano et violon in A Major, CFF 123: IV. Allegretto poco mosso
05. Trio Concertant in B Minor, Op. 2 No. 4, CFF 114
06. Solo de piano avec accompagnement de quintette à cordes in E Major, CFF 116
![Agnes Pyka, Ensemble Des Équilibres - César Franck Complete Chamber Music (2023) [Hi-Res]](https://www.dibpic.com/uploads/posts/2023-06/1687473342_agnes-pyka-cesar-franck-complete-chamber-music-2023-back.jpg)
A little-known Franck
Legend has it that César Franck (1822-1890) did not really find himself until the 1870s. This would be to ignore a huge part of his career as a composer! Barely younger than his model and mentor Franz Liszt (1811-1886), whom he met in 1837, he began, like Liszt, to experiment with new musical forms at a very early age, and throughout his life he let his inspiration speak for itself without limit. His chamber music is, in this respect, one of the most fascinating markers of his artistic trajectory, the essence of which has yet to be rediscovered.
A prodigy in spite of himself?
Like Leopold Mozart, Nicolas-Joseph Franck - a failed musician and now an embittered bank clerk - set out to turn his two sons, César and Joseph, into musical prodigies. César enrolled at the age of 8 at the Liège Conservatory, where he quickly won his first prizes in solfege and piano and immediately began a career as a piano prodigy. In 1835, the family left Belgium for France and, in 1837, it was at the Paris Conservatoire that young César perfected his training. He quickly made a name for himself there, surprising all his teachers, even the very intransigent Cherubini - the director of the institution - with his exceptional qualities both at the piano and in theory. By one of those beautiful ironies of which history has the secret, it is at the organ that he disappointed his examiners, obtaining only a second prize. However, it was on the organ that he was to shine throughout his life, quickly becoming the titular organist of Notre-Dame-de-Lorette, then of Saint-Jean-Saint-François (today the Cathedral of the Holy Cross of the Armenians), before obtaining the coveted organ loft of Sainte-Clotilde. In 1871, the Conservatoire wanted to offer him the organ chair to replace his own teacher, François Benoist. It was for this reason that he applied for French nationality. Encouraged by this - somewhat belated - institutional recognition, he discovered a second youth and created some of his most famous works.
CD1
01. Quintette pour piano et cordes in F Minor, CFF 121: I. Molto moderato quasi lento - Allegro
02. Quintette pour piano et cordes in F Minor, CFF 121: II. Lento, con molto sentimento
03. Quintette pour piano et cordes in F Minor, CFF 121: III. Allegro non troppo, ma con fuoco
04. Grand Trio pour piano, violon et violoncelle in C Minor, CFF 108
05. Trio avec piano in B-Flat Major, Op. 1 No. 2, CFF 112 "Trio de salon": I. Allegro moderato
06. Trio avec piano in B-Flat Major, Op. 1 No. 2, CFF 112 "Trio de salon": II. Andantino
07. Trio avec piano in B-Flat Major, Op. 1 No. 2, CFF 112 "Trio de salon": III. Minuetto
08. Trio avec piano in B-Flat Major, Op. 1 No. 2, CFF 112 "Trio de salon": IV. Final. Allegro molto
CD2
01. Duo concertant sur des motifs de Gulistan de Dalayrac in B-Flat Major, CFF 117
02. Trio avec piano in F-Sharp Minor, Op. 1 No. 1, CFF 111: I. Andante con moto
03. Trio avec piano in F-Sharp Minor, Op. 1 No. 1, CFF 111: II. Allegro molto
04. Trio avec piano in F-Sharp Minor, Op. 1 No. 1, CFF 111: III. Final. Allegro maestoso
05. Trio avec piano in B Minor, Op. 1 No. 3, CFF 113: I. Allegro
06. Trio avec piano in B Minor, Op. 1 No. 3, CFF 113: II. Adagio
07. Trio avec piano in B Minor, Op. 1 No. 3, CFF 113: III. Final (Poco lento - Moderato ma molto energico - Il doppio piu lento - Tempo 1)
CD3
01. Melancolie in E Minor, CFF 122
02. Quatuor à cordes in D Major, CFF 124: I. Poco lento - Allegro
03. Quatuor à cordes in D Major, CFF 124: II. Scherzo - Vivace
04. Quatuor à cordes in D Major, CFF 124: III. Larghetto
05. Quatuor à cordes in D Major, CFF 124: IV. Final. Allegro molto
06. Andantino quietoso in E-Flat Major, Op. 6, CFF 115
CD4
01. Sonate pour piano et violon in A Major, CFF 123: I. Allegretto ben moderato
02. Sonate pour piano et violon in A Major, CFF 123: II. Allegro
03. Sonate pour piano et violon in A Major, CFF 123: III. Ben moderato - Recitative - Fantasia
04. Sonate pour piano et violon in A Major, CFF 123: IV. Allegretto poco mosso
05. Trio Concertant in B Minor, Op. 2 No. 4, CFF 114
06. Solo de piano avec accompagnement de quintette à cordes in E Major, CFF 116
A little-known Franck
Legend has it that César Franck (1822-1890) did not really find himself until the 1870s. This would be to ignore a huge part of his career as a composer! Barely younger than his model and mentor Franz Liszt (1811-1886), whom he met in 1837, he began, like Liszt, to experiment with new musical forms at a very early age, and throughout his life he let his inspiration speak for itself without limit. His chamber music is, in this respect, one of the most fascinating markers of his artistic trajectory, the essence of which has yet to be rediscovered.
A prodigy in spite of himself?
Like Leopold Mozart, Nicolas-Joseph Franck - a failed musician and now an embittered bank clerk - set out to turn his two sons, César and Joseph, into musical prodigies. César enrolled at the age of 8 at the Liège Conservatory, where he quickly won his first prizes in solfege and piano and immediately began a career as a piano prodigy. In 1835, the family left Belgium for France and, in 1837, it was at the Paris Conservatoire that young César perfected his training. He quickly made a name for himself there, surprising all his teachers, even the very intransigent Cherubini - the director of the institution - with his exceptional qualities both at the piano and in theory. By one of those beautiful ironies of which history has the secret, it is at the organ that he disappointed his examiners, obtaining only a second prize. However, it was on the organ that he was to shine throughout his life, quickly becoming the titular organist of Notre-Dame-de-Lorette, then of Saint-Jean-Saint-François (today the Cathedral of the Holy Cross of the Armenians), before obtaining the coveted organ loft of Sainte-Clotilde. In 1871, the Conservatoire wanted to offer him the organ chair to replace his own teacher, François Benoist. It was for this reason that he applied for French nationality. Encouraged by this - somewhat belated - institutional recognition, he discovered a second youth and created some of his most famous works.
Year 2023 | Classical | FLAC / APE | HD & Vinyl
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads