Schweizer Klaviertrio, Swiss Piano Trio - Robert & Clara Schumann: Piano Trios, Op. 17, 88 & 110 (2012) [Hi-Res]
![Schweizer Klaviertrio, Swiss Piano Trio - Robert & Clara Schumann: Piano Trios, Op. 17, 88 & 110 (2012) [Hi-Res]](https://www.dibpic.com/uploads/posts/2022-06/1656252516_schweizer-klaviertrio-robert-clara-schumann-piano-trios-op_-17-88-110-2012.jpg)
BAND/ARTIST: Schweizer Klaviertrio, Swiss Piano Trio
- Title: Robert & Clara Schumann: Piano Trios, Op. 17, 88 & 110
- Year Of Release: 2012
- Label: audite Musikproduktion
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 44.1kHz
- Total Time: 01:17:43
- Total Size: 319 / 709 mb
- WebSite: Album Preview
Tracklist
01. Piano Trio in G Minor, Op. 17: I. Allegro moderato
02. Piano Trio in G Minor, Op. 17: II. Scherzo. Tempo di menuetto
03. Piano Trio in G Minor, Op. 17: III. Andante
04. Piano Trio in G Minor, Op. 17: IV. Allegretto
05. Fantasiestücke, Op. 88: I. Romanze. Nicht schnell, mit innigem Ausdruck
06. Fantasiestücke, Op. 88: II. Humoreske. Lebhaft
07. Fantasiestücke, Op. 88: III. Duett. Langsam, und mit Ausdruck
08. Fantasiestücke, Op. 88: IV. Finale. Im Marsch-Tempo
09. Piano Trio No. 3 in G Minor, Op. 110: I. Bewegt, doch nicht zu rasch
10. Piano Trio No. 3 in G Minor, Op. 110: II. Ziemlich langsam
11. Piano Trio No. 3 in G Minor, Op. 110: III. Rasch
12. Piano Trio No. 3 in G Minor, Op. 110: IV. Kräftig, mit Humor
![Schweizer Klaviertrio, Swiss Piano Trio - Robert & Clara Schumann: Piano Trios, Op. 17, 88 & 110 (2012) [Hi-Res]](https://www.dibpic.com/uploads/posts/2022-06/1656252515_schweizer-klaviertrio-robert-clara-schumann-piano-trios-op_-17-88-110-2012-back.jpg)
Following the highly acclaimed SACD of Robert Schumann s first two Piano Trios, Opp. 63 and 80, Audite now release a new disc with the Swiss Piano Trio, comprising Schumann s Fantasiestücke, the third Piano Trio, alongside Clara Schumann s only Piano Trio Op. 17, which has been unjustly overshadowed by her husband s works. Juxtaposing these works reveals the differences, but principally the similarities, of the musical idioms of Mr and Mrs Schumann. Clara s trio, composed in 1846, is an outstanding romantic work able to hold its own in the company of her husband s or Mendelssohn s trios. Whilst her work achieved public success but fell victim to the composer s harsh self-criticism, the reverse was true of Schumann s final trio, written in Düsseldorf in 1851. The unjustified verdict that this work no longer possessed the originality and mental power of Schumann s earlier works but already revealed the composer s looming illness, was responsible for this masterpiece of chamber music literature remaining unrecognised for a long period of time.
01. Piano Trio in G Minor, Op. 17: I. Allegro moderato
02. Piano Trio in G Minor, Op. 17: II. Scherzo. Tempo di menuetto
03. Piano Trio in G Minor, Op. 17: III. Andante
04. Piano Trio in G Minor, Op. 17: IV. Allegretto
05. Fantasiestücke, Op. 88: I. Romanze. Nicht schnell, mit innigem Ausdruck
06. Fantasiestücke, Op. 88: II. Humoreske. Lebhaft
07. Fantasiestücke, Op. 88: III. Duett. Langsam, und mit Ausdruck
08. Fantasiestücke, Op. 88: IV. Finale. Im Marsch-Tempo
09. Piano Trio No. 3 in G Minor, Op. 110: I. Bewegt, doch nicht zu rasch
10. Piano Trio No. 3 in G Minor, Op. 110: II. Ziemlich langsam
11. Piano Trio No. 3 in G Minor, Op. 110: III. Rasch
12. Piano Trio No. 3 in G Minor, Op. 110: IV. Kräftig, mit Humor
Following the highly acclaimed SACD of Robert Schumann s first two Piano Trios, Opp. 63 and 80, Audite now release a new disc with the Swiss Piano Trio, comprising Schumann s Fantasiestücke, the third Piano Trio, alongside Clara Schumann s only Piano Trio Op. 17, which has been unjustly overshadowed by her husband s works. Juxtaposing these works reveals the differences, but principally the similarities, of the musical idioms of Mr and Mrs Schumann. Clara s trio, composed in 1846, is an outstanding romantic work able to hold its own in the company of her husband s or Mendelssohn s trios. Whilst her work achieved public success but fell victim to the composer s harsh self-criticism, the reverse was true of Schumann s final trio, written in Düsseldorf in 1851. The unjustified verdict that this work no longer possessed the originality and mental power of Schumann s earlier works but already revealed the composer s looming illness, was responsible for this masterpiece of chamber music literature remaining unrecognised for a long period of time.
Classical | FLAC / APE | HD & Vinyl
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