Eckhard Manz - Orgelpunkt: Rieger Organ, St. Martin, Kassel (2021)
BAND/ARTIST: Eckhard Manz
- Title: Orgelpunkt: Rieger Organ, St. Martin, Kassel
- Year Of Release: 2021
- Label: Musikproduktion Dabringhaus und Grimm (MDG)
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 01:16:26
- Total Size: 217 mb
- WebSite: Album Preview
Tracklist
01. 18 Leipziger Choräle for Organ, BWV 651: Komm, Heilger Geist
02. Der Wind nur drueber wehet
03. Messe de la Pentecôte for Organ: No. 1, Entrée
04. Nun bitten wir den Heilgen Geist
05. Messe de la Pentecôte for Organ: No. 2, Offertoire
06. Hymnus Veni creator spiritus for Organ: Versus II
07. Messe de la Pentecôte for Organ: No. 3, Consécration
08. Hymnus Veni creator Spiritus for Organ: Dialogues sur les Grands Jeux
09. Messe de la Pentecôte for Organ: No. 4, Communion
10. Tiento sobre el Cum Sancto Spiritu
11. Messe de la Pentecôte for Organ: No. 5, Sortie
12. Zweisam II
13. SOS
14. Unbestimmbares Bild
15. Settled Vagabund
16. Ultreia et Suseia
17. 18 Leipziger Choräle, BWV 667: Komm, Gott, Schöpfer, Heiliger
This instrument revolutionizes organ building. The main organ in the church of St. Martin in Kassel, consecrated in 2017, already boasts numerous innovations; now the experimental organ, completed in 2021, turns the laws of organ building that have applied for centuries on their head. With a technically highly innovative trick, the traditional Rieger company has succeeded in having the wind flowing into the organ pipe controlled by the touch of the key, stop slide and bellows system. The new sound cosmos of swelling and dying tones that opens up inspires young composers to experiment, documented for the first time on a brand-new Super Audio album that presents both instruments as a convincing unit in overwhelming spatiality. The main organ in St. Martin's is also visually an eye-catcher: the facade is spread across the entire width of the nave, with tufts of artificial hair in front of its labia moving with every breath of wind. With two stops tuned in the middle tone, even the oldest organ music can be heard authentically, while a quarter-tone manual invites composers and audiences alike to embark on a journey of tonal discovery. St. Martin has been known for its innovative spirit for centuries, and Johann Sebastian Bach was drawn to Kassel in 1732 to examine the organ. Bach is both the beginning and the end of Manz's program, which is extraordinary in every respect, with Messiaën's Pentecost Mass at its center. Works by Cabezón, Praetorius, Böhm and de Grigny represent the Renaissance and Baroque, while pieces from Caspar Johannes Walter's composition class represent contemporary, youthful music. Otfried Büsing uses the entire spectrum, from delicately disappearing tones to the mighty quarter-tone cluster: a gigantic rush of sound!
01. 18 Leipziger Choräle for Organ, BWV 651: Komm, Heilger Geist
02. Der Wind nur drueber wehet
03. Messe de la Pentecôte for Organ: No. 1, Entrée
04. Nun bitten wir den Heilgen Geist
05. Messe de la Pentecôte for Organ: No. 2, Offertoire
06. Hymnus Veni creator spiritus for Organ: Versus II
07. Messe de la Pentecôte for Organ: No. 3, Consécration
08. Hymnus Veni creator Spiritus for Organ: Dialogues sur les Grands Jeux
09. Messe de la Pentecôte for Organ: No. 4, Communion
10. Tiento sobre el Cum Sancto Spiritu
11. Messe de la Pentecôte for Organ: No. 5, Sortie
12. Zweisam II
13. SOS
14. Unbestimmbares Bild
15. Settled Vagabund
16. Ultreia et Suseia
17. 18 Leipziger Choräle, BWV 667: Komm, Gott, Schöpfer, Heiliger
This instrument revolutionizes organ building. The main organ in the church of St. Martin in Kassel, consecrated in 2017, already boasts numerous innovations; now the experimental organ, completed in 2021, turns the laws of organ building that have applied for centuries on their head. With a technically highly innovative trick, the traditional Rieger company has succeeded in having the wind flowing into the organ pipe controlled by the touch of the key, stop slide and bellows system. The new sound cosmos of swelling and dying tones that opens up inspires young composers to experiment, documented for the first time on a brand-new Super Audio album that presents both instruments as a convincing unit in overwhelming spatiality. The main organ in St. Martin's is also visually an eye-catcher: the facade is spread across the entire width of the nave, with tufts of artificial hair in front of its labia moving with every breath of wind. With two stops tuned in the middle tone, even the oldest organ music can be heard authentically, while a quarter-tone manual invites composers and audiences alike to embark on a journey of tonal discovery. St. Martin has been known for its innovative spirit for centuries, and Johann Sebastian Bach was drawn to Kassel in 1732 to examine the organ. Bach is both the beginning and the end of Manz's program, which is extraordinary in every respect, with Messiaën's Pentecost Mass at its center. Works by Cabezón, Praetorius, Böhm and de Grigny represent the Renaissance and Baroque, while pieces from Caspar Johannes Walter's composition class represent contemporary, youthful music. Otfried Büsing uses the entire spectrum, from delicately disappearing tones to the mighty quarter-tone cluster: a gigantic rush of sound!
Year 2021 | Classical | FLAC / APE
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