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City of Birmingham Symphony Orchestra, Mark Elder - Shostakovich: Hypothetically Murdered, Four Romances, Fragments for Orchestra & Jazz Suite No. 1 (2005)

City of Birmingham Symphony Orchestra, Mark Elder - Shostakovich: Hypothetically Murdered, Four Romances, Fragments for Orchestra & Jazz Suite No. 1 (2005)
  • Title: Shostakovich: Hypothetically Murdered, Four Romances, Fragments for Orchestra & Jazz Suite No. 1
  • Year Of Release: 2005
  • Label: Signum Records
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 01:10:55
  • Total Size: 252 Mb
  • WebSite:
Tracklist:

Hypothetically Murdered, Orchestral Suite Op. 31A (Dimitri Chostakovitch)
1 Hypothetically Murdered (1931) Orchestral Suite Op. 31A: Act I (Part I) - Transition to the Field Hospital 01:01
2 Hypothetically Murdered (1931) Orchestral Suite Op. 31A: Act I (Part I) - Gallop 03:18
3 Hypothetically Murdered (1931) Orchestral Suite Op. 31A: Act I (Part I) - Transition to the Field 01:03
4 Hypothetically Murdered (1931) Orchestral Suite Op. 31A: Act I (Part I) - The Field (Landscape) 01:50
5 Hypothetically Murdered (1931) Orchestral Suite Op. 31A: Act II - Introduction 00:12
6 Hypothetically Murdered (1931) Orchestral Suite Op. 31A: Act II - Petrushka (Garmoshka) 01:12
7 Hypothetically Murdered (1931) Orchestral Suite Op. 31A: Act II - Storm 01:00
8 Hypothetically Murdered (1931) Orchestral Suite Op. 31A: Act II - The Arrival of the Lorry 00:17
9 Hypothetically Murdered (1931) Orchestral Suite Op. 31A: Act II - Dance 01:17
10 Hypothetically Murdered (1931) Orchestral Suite Op. 31A: Act II - Transition to the Kitchen (Jugglers and Waitresses) 01:33
11 Hypothetically Murdered (1931) Orchestral Suite Op. 31A: Act II - Waitresses 02:20
12 Hypothetically Murdered (1931) Orchestral Suite Op. 31A: Act III - Paradise I: The fight of the Cherubim 01:26
13 Hypothetically Murdered (1931) Orchestral Suite Op. 31A: Act III - Paradise I: The Flight of the Angels 01:26
14 Hypothetically Murdered (1931) Orchestral Suite Op. 31A: Act III - Adagio 02:29
15 Hypothetically Murdered (1931) Orchestral Suite Op. 31A: Act III - Bacchanalia of John of Knonstadt and Paraskeva Piatnitsa 01:41
16 Hypothetically Murdered (1931) Orchestral Suite Op. 31A: Act III - Waltz 03:32
17 Hypothetically Murdered (1931) Orchestral Suite Op. 31A: Act III - The Archangel Gabriel's Number 01:51
18 Hypothetically Murdered (1931) Orchestral Suite Op. 31A: Act I (Part II) - Polka 01:33
19 Hypothetically Murdered (1931) Orchestral Suite Op. 31A: Act I (Part II) - March 01:39
20 Hypothetically Murdered (1931) Orchestral Suite Op. 31A: Act I (Part II) - The River Bed 04:45
21 Hypothetically Murdered (1931) Orchestral Suite Op. 31A: Act I (Part II) - Finale: Dance of the Temporary Victors 03:51
Four Pushkin Romances, Op. 46 (Dimitri Chostakovitch)
22 Four Romances on Poems by Pushkin, Op. 46 for Bass and Chamber Orchestra (1937): I. Rebirth 02:13
23 Four Romances on Poems by Pushkin, Op. 46 for Bass and Chamber Orchestra (1937): II. Jealousy 01:32
24 Four Romances on Poems by Pushkin, Op. 46 for Bass and Chamber Orchestra (1937): III. Foreboding 02:50
25 Four Romances on Poems by Pushkin, Op. 46 for Bass and Chamber Orchestra (1937): IV. Stanzas 05:27
Five Fragments, Op. 42 (Dimitri Chostakovitch)
26 Five Fragments, Op. 42 (1935): I. Moderato 01:24
27 Five Fragments, Op. 42 (1935): II. Andante 01:17
28 Five Fragments, Op. 42 (1935): III. Largo 03:43
29 Five Fragments, Op. 42 (1935): IV. Moderato 02:36
30 Five Fragments, Op. 42 (1935): V. Allegretto 01:25
Jazz Suite No. 1 (Dimitri Chostakovitch)
31 Suite No. 1 for Jazz Band, Sans Op. E (1924): I. Waltz 02:45
32 Suite No. 1 for Jazz Band, Sans Op. E (1924): II. Polka 01:52
33 Suite No. 1 for Jazz Band, Sans Op. E (1924): III. Foxtrot (Blues) 04:35

Performers:
Dimitri Kharitonov (bass)
City of Birmingham Symphony Orchestra
Mark Elder

…'hypothetically murdered'… Shostakovich's long-lost score for a 1931 music-hall show… enjoys a timely resurrection. …you'll enjoy the first incarnation of romps recycled in Lady Macbeth of Mtsensk and the First Piano Concerto, as well as the discreet tinklings of the bar-room piano, the excellent, jazz-friendly CBSO soloists who also savour the solos of the jazz suite at the other end of the programme, and the authentic wail of the flexatone.




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