Aris Alexander Blettenberg - Hommage à Beethoven (2023) [Hi-Res]
![Aris Alexander Blettenberg - Hommage à Beethoven (2023) [Hi-Res]](https://www.dibpic.com/uploads/posts/2023-05/1683802531_dcw3cvwzru16b_600.jpg)
BAND/ARTIST: Aris Alexander Blettenberg
- Title: Hommage à Beethoven
- Year Of Release: 2023
- Label: CAvi-music
- Genre: Classical
- Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
- Total Time: 52:13
- Total Size: 133 / 898 MB
- WebSite: Album Preview
Tracklist:
1. Liszt: Symphony No. 7 in A Major, S. 464/7 (After Beethoven, Op. 92) - II. Allegretto (9:19)
2. Schumann: Etudes in Variation Form on a Theme by Beethoven, WoO 31 (15:39)
3. Beethoven: Piano Sonata No. 28 in A Major, Op. 101 - I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo (4:09)
4. Beethoven: Piano Sonata No. 28 in A Major, Op. 101 - II. Lebhaft, marschmäßig. Vivace alla marcia (6:11)
5. Beethoven: Piano Sonata No. 28 in A Major, Op. 101 - III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto (2:40)
6. Beethoven: Piano Sonata No. 28 in A Major, Op. 101 - IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro (7:23)
7. Beethoven: An die Hoffnung, Op. 94 (Arr. Blettenberg for Piano) (6:54)
1. Liszt: Symphony No. 7 in A Major, S. 464/7 (After Beethoven, Op. 92) - II. Allegretto (9:19)
2. Schumann: Etudes in Variation Form on a Theme by Beethoven, WoO 31 (15:39)
3. Beethoven: Piano Sonata No. 28 in A Major, Op. 101 - I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo (4:09)
4. Beethoven: Piano Sonata No. 28 in A Major, Op. 101 - II. Lebhaft, marschmäßig. Vivace alla marcia (6:11)
5. Beethoven: Piano Sonata No. 28 in A Major, Op. 101 - III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto (2:40)
6. Beethoven: Piano Sonata No. 28 in A Major, Op. 101 - IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro (7:23)
7. Beethoven: An die Hoffnung, Op. 94 (Arr. Blettenberg for Piano) (6:54)
The debut CD from the young German Pianist Aris Alexander Blettenberg.
The programme begins and ends with transcriptions of works by Beethoven.
The first piece is the Allegretto (2nd movement) from Beethoven's 7th Symphony in the arrangement by Franz Liszt, and the programme ends with a solo piano version of Beethoven's song An die Hoffnung, created especially for this CD.
The two pieces form a framework of sonorities and emotions that set the basic mood for this musical journey.
The Allegretto serves as a prologue: it looks ahead, indicating the direction we shall be taking.
At the other end of the programme, the song transcription serves as an epilogue: it looks back, taking stock of all that has occurred.
On the one hand, there is a somber mood that runs through the entire programme: we find it in the Allegretto's passages in minor, in the Schumann variations, in the third movement of the Beethoven sonata, and in the recitativo-like passages of An die Hoffnung.
These are complemented by episodes of light: the A-Major sections of the Allegretto, the first, second, and fourth movements of the sonata, and, ultimately, the hopeful, optimistic sonorities we find in the song transcription with the final cry: "O, Hope!" (Aris Alexander Blettenberg)
The programme begins and ends with transcriptions of works by Beethoven.
The first piece is the Allegretto (2nd movement) from Beethoven's 7th Symphony in the arrangement by Franz Liszt, and the programme ends with a solo piano version of Beethoven's song An die Hoffnung, created especially for this CD.
The two pieces form a framework of sonorities and emotions that set the basic mood for this musical journey.
The Allegretto serves as a prologue: it looks ahead, indicating the direction we shall be taking.
At the other end of the programme, the song transcription serves as an epilogue: it looks back, taking stock of all that has occurred.
On the one hand, there is a somber mood that runs through the entire programme: we find it in the Allegretto's passages in minor, in the Schumann variations, in the third movement of the Beethoven sonata, and in the recitativo-like passages of An die Hoffnung.
These are complemented by episodes of light: the A-Major sections of the Allegretto, the first, second, and fourth movements of the sonata, and, ultimately, the hopeful, optimistic sonorities we find in the song transcription with the final cry: "O, Hope!" (Aris Alexander Blettenberg)
Year 2023 | Classical | FLAC / APE | HD & Vinyl
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads