New London Consort and Philip Pickett - Ars subtilior (1998)
BAND/ARTIST: New London Consort, Philip Pickett
- Title: Ars subtilior
- Year Of Release: 1998
- Label: Linn Records
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 1:08:27
- Total Size: 333 MB
- WebSite: Album Preview
Tracklist:
1. Alarme, Alarme (01:52)
2. He, tres doulz roussignol (02:40)
3. Or sus, vous dormes trop (04:42)
4. Par maintes foys (03:06)
5. Quan je voy le duc (02:16)
6. La douce chiere (02:26)
7. La dolce sere (03:03)
8. Le greygnour bien (04:35)
9. Helas! pitie envers moy dort si fort (04:50)
10. En remirant vo douce pourtraiture (09:11)
11. Amis tout dous (02:56)
12. Ma douce amour (04:18)
13. Lorques Arthus (09:44)
14. Je prins conget (02:02)
15. Laissies ester vostres chans de liesse (03:16)
16. Je ne requier de ma dame (07:24)
1. Alarme, Alarme (01:52)
2. He, tres doulz roussignol (02:40)
3. Or sus, vous dormes trop (04:42)
4. Par maintes foys (03:06)
5. Quan je voy le duc (02:16)
6. La douce chiere (02:26)
7. La dolce sere (03:03)
8. Le greygnour bien (04:35)
9. Helas! pitie envers moy dort si fort (04:50)
10. En remirant vo douce pourtraiture (09:11)
11. Amis tout dous (02:56)
12. Ma douce amour (04:18)
13. Lorques Arthus (09:44)
14. Je prins conget (02:02)
15. Laissies ester vostres chans de liesse (03:16)
16. Je ne requier de ma dame (07:24)
A collection of 14th century pieces which makes excellent use of Catherine Bott's heavenly voice.
Ars Subtilor (The more subtle art) is a collection of 16 pieces from the 14th century that show the development of music in the interregnum between Machaut and Dufay. Matteus de Perusio's Le Greygnour Bien (The Greatest Good) on track eight shows the developing features of the music: conflicting time signatures, complex syncopation and unusual subdivisions of the beat. Philip Pickett and his New London Consort, with Catherine Bott's vocal line, recreate the sound beautifully.
Ars Subtilor (The more subtle art) is a collection of 16 pieces from the 14th century that show the development of music in the interregnum between Machaut and Dufay. Matteus de Perusio's Le Greygnour Bien (The Greatest Good) on track eight shows the developing features of the music: conflicting time signatures, complex syncopation and unusual subdivisions of the beat. Philip Pickett and his New London Consort, with Catherine Bott's vocal line, recreate the sound beautifully.
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