Can Çakmur - Schubert + Schoenberg (2023) [Hi-Res]
BAND/ARTIST: Can Çakmur
- Title: Schubert + Schoenberg
- Year Of Release: 2023
- Label: BIS
- Genre: Classical Piano
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:19:38
- Total Size: 254 mb / 1.01 gb
- WebSite: Album Preview
Tracklist
01. Piano Sonata in A minor, Op. 164, D 537 I. Allegro ma non troppo *16 bit only
02. Piano Sonata in A minor, Op. 164, D 537 II. Allegretto quasi andantino
03. Piano Sonata in A minor, Op. 164, D 537 III. Allegro vivace
04. Drei Klavierstucke, Op. 11 I. Massige Viertel
05. Drei Klavierstucke, Op. 11II. Massige Achtel
06. Drei Klavierstucke, Op. 11III. Bewegte Achtel
07. Piano Sonata in A major, D 959 I. Allegro
08. Piano Sonata in A major, D 959 II. Andantino
09. Piano Sonata in A major, D 959 III. Scherzo
10. Piano Sonata in A major, D 959 IV. Rondo
Three years after recording Franz Schubert’s Schwanengesang (arranged by Liszt), pianist Can Çakmur launches a new series called Schubert+. Describing the Viennese composer as “a constant companion” in his life, Çakmur’s aim here is to juxtapose his complete major piano solo compositions with works by other composers that were inspired by his music, thus providing the opportunity to see these works in a new light. While making up a near complete anthology of Schubert’s completed major piano music, each disc is also intended as a self-sufficient recital.
In this first instalment, two sonatas by Schubert, respectively D 537 and D 959, are juxtaposed with Arnold Schoenberg’s Three Pieces op. 11. The reason for this combination is that, firstly, the same theme is shared but treated differently in Schubert’s sonatas, and secondly, Schubert and Schoenberg seemingly sharing the same conception where the natural flow and direction of the music appear consciously deconstructed. With different means and a hundred years apart, both Schubert and Schoenberg, the former with his aversion to formal boundaries, the latter with his efforts against the natural tendencies of Western harmony, managed to strengthen the subjective expression of their music.
01. Piano Sonata in A minor, Op. 164, D 537 I. Allegro ma non troppo *16 bit only
02. Piano Sonata in A minor, Op. 164, D 537 II. Allegretto quasi andantino
03. Piano Sonata in A minor, Op. 164, D 537 III. Allegro vivace
04. Drei Klavierstucke, Op. 11 I. Massige Viertel
05. Drei Klavierstucke, Op. 11II. Massige Achtel
06. Drei Klavierstucke, Op. 11III. Bewegte Achtel
07. Piano Sonata in A major, D 959 I. Allegro
08. Piano Sonata in A major, D 959 II. Andantino
09. Piano Sonata in A major, D 959 III. Scherzo
10. Piano Sonata in A major, D 959 IV. Rondo
Three years after recording Franz Schubert’s Schwanengesang (arranged by Liszt), pianist Can Çakmur launches a new series called Schubert+. Describing the Viennese composer as “a constant companion” in his life, Çakmur’s aim here is to juxtapose his complete major piano solo compositions with works by other composers that were inspired by his music, thus providing the opportunity to see these works in a new light. While making up a near complete anthology of Schubert’s completed major piano music, each disc is also intended as a self-sufficient recital.
In this first instalment, two sonatas by Schubert, respectively D 537 and D 959, are juxtaposed with Arnold Schoenberg’s Three Pieces op. 11. The reason for this combination is that, firstly, the same theme is shared but treated differently in Schubert’s sonatas, and secondly, Schubert and Schoenberg seemingly sharing the same conception where the natural flow and direction of the music appear consciously deconstructed. With different means and a hundred years apart, both Schubert and Schoenberg, the former with his aversion to formal boundaries, the latter with his efforts against the natural tendencies of Western harmony, managed to strengthen the subjective expression of their music.
Year 2023 | Classical | FLAC / APE | HD & Vinyl
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