Josef Suk, Franz Konwitschny, Karel Ancerl - Beethoven & Dvorak: Violin Concertos (1962, 1960) [2019 SACD The Valued Collection Platinum]
![Josef Suk, Franz Konwitschny, Karel Ancerl - Beethoven & Dvorak: Violin Concertos (1962, 1960) [2019 SACD The Valued Collection Platinum]](https://www.dibpic.com/uploads/posts/2023-04/1682668791_folder.jpg)
BAND/ARTIST: Josef Suk, Franz Konwitschny, Karel Ancerl
- Title: Beethoven & Dvorak: Violin Concertos
- Year Of Release: 1962, 1960 [2019]
- Label: Tower Records [TWSA-1065]
- Genre: Classical
- Quality: DSD64 image (*.iso) | FLAC (24bit/88,2 kHz)
- Total Time: 01:17:46
- Total Size: 2,1 GB / 1,4 GB (+3%rec.)
- WebSite: Album Preview
Beethoven recorded in 1962, a valuable recording that young Suk co-starred with Konwitschny about three months before his death, and Ancerl, a crystal of overwhelming interpretation and technology that can be said to be the leading person. Dvorak recorded in 1960, both of which are the first Supraphone session recordings of Suk, with new and high-quality sound. An excellent recording board with the Czech Philharmonic in the golden age. For this reprint, a completely new mastering of a new direct DSD sound source from the original analog master tape in the home country. Reproduce the best sound quality in SACD. It is a permanent preservation board.
Josef Suk (1929-2011) was a great-grandson of Dvořák and was blessed with a composer with the same name as his grandfather. started working as a member of He has made many recordings of his native composers such as Dvořák and Janáček, and many recordings for Supraphon, including solos. In addition to this 1962 recording with Convituni, Beethoven left a session recording with Vault on the old EMI label in 1970. At that time, it became a hot topic that Suk recorded in the west, but the performance was quite different, and it can be said that the impression that it became somewhat noble is strong. On the other hand, in this co-star album with Convituni from 10 years ago, there is a strong feeling of being more active and putting their feelings into it, and many people will be impressed by the deep emotional expression. Dvořák is just like a fish out of water, and his performance is amazing as if he was born to play this song. Compared to the later stately Neumann version, there are many excellent points such as rhythm cuts, dynamism, and phrase switching, and it can be said to be one of the recordings that represent this song. There is no doubt that Suke is the leading person in this song, including later recordings. The Czech Philharmonic, who plays the back, also enlivens the young Suk, and the responsiveness that instantly responds to the solo is wonderful. Ancerl's wonderful free conducting should also be noted.
*As it is a machine translation, the result may not provide an accurate description.
Please use it only as a reference.
Tracks:
1. Ludwig van Beethoven: Violin Concerto in D major, Op.61
2. Antonin Dvorak: Violin Concerto in A minor, Op.53, B.96/108
Personnel:
・Jozef Souk (Violin)
・Czech Philharmonic Orchestra
・Franz Konwitschny(conductor) (1)
・Karel Ančerl, conductor (2)
![Josef Suk, Franz Konwitschny, Karel Ancerl - Beethoven & Dvorak: Violin Concertos (1962, 1960) [2019 SACD The Valued Collection Platinum]](https://www.dibpic.com/uploads/posts/2023-04/1682668842_back.jpg)
Josef Suk (1929-2011) was a great-grandson of Dvořák and was blessed with a composer with the same name as his grandfather. started working as a member of He has made many recordings of his native composers such as Dvořák and Janáček, and many recordings for Supraphon, including solos. In addition to this 1962 recording with Convituni, Beethoven left a session recording with Vault on the old EMI label in 1970. At that time, it became a hot topic that Suk recorded in the west, but the performance was quite different, and it can be said that the impression that it became somewhat noble is strong. On the other hand, in this co-star album with Convituni from 10 years ago, there is a strong feeling of being more active and putting their feelings into it, and many people will be impressed by the deep emotional expression. Dvořák is just like a fish out of water, and his performance is amazing as if he was born to play this song. Compared to the later stately Neumann version, there are many excellent points such as rhythm cuts, dynamism, and phrase switching, and it can be said to be one of the recordings that represent this song. There is no doubt that Suke is the leading person in this song, including later recordings. The Czech Philharmonic, who plays the back, also enlivens the young Suk, and the responsiveness that instantly responds to the solo is wonderful. Ancerl's wonderful free conducting should also be noted.
*As it is a machine translation, the result may not provide an accurate description.
Please use it only as a reference.
Tracks:
1. Ludwig van Beethoven: Violin Concerto in D major, Op.61
2. Antonin Dvorak: Violin Concerto in A minor, Op.53, B.96/108
Personnel:
・Jozef Souk (Violin)
・Czech Philharmonic Orchestra
・Franz Konwitschny(conductor) (1)
・Karel Ančerl, conductor (2)
Year 2019 | Classical | FLAC / APE | HD & Vinyl
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