Jean-Charles Ablitzer - Michael Praetorius: Pro Organico (2007) CD-Rip
BAND/ARTIST: Jean-Charles Ablitzer
- Title: Michael Praetorius: Pro Organico
- Year Of Release: 2007
- Label: Alpha
- Genre: Classical
- Quality: APE (image+.cue,log,scans)
- Total Time: 59:01
- Total Size: 302 Mb
- WebSite: Album Preview
Tracklist:
01. Hymnus in festo trinitatis (O lux beata trinitatis)
02. Hymnus in festo nativitatis Christi (A solis ortus cardine)
03. Hymnus in festo nativitatis Christi (Summo Parenti gloria)
04. Choralfantasia (Wir gläuben all an einen Gott)
05. Hymnus in adventu domini (Alvus tumescit virginis)
06. Nun lob mein Seel den Herren (Prima variatio/secunda variatio)
07. Choralfantasia (Christ unser Herr zum Jordan kam)
08. Hymnus in festo trinitatis (Te mane laudum carmine)
09. Hymnus in festo resurrectionis (Vita Sanctorum)
10. Choralfantasia (Ein feste Burg ist unser Gott)
Performers:
Jean-Charles Ablitzer, orgue Hans Scherer de Tangermünde (1624)
01. Hymnus in festo trinitatis (O lux beata trinitatis)
02. Hymnus in festo nativitatis Christi (A solis ortus cardine)
03. Hymnus in festo nativitatis Christi (Summo Parenti gloria)
04. Choralfantasia (Wir gläuben all an einen Gott)
05. Hymnus in adventu domini (Alvus tumescit virginis)
06. Nun lob mein Seel den Herren (Prima variatio/secunda variatio)
07. Choralfantasia (Christ unser Herr zum Jordan kam)
08. Hymnus in festo trinitatis (Te mane laudum carmine)
09. Hymnus in festo resurrectionis (Vita Sanctorum)
10. Choralfantasia (Ein feste Burg ist unser Gott)
Performers:
Jean-Charles Ablitzer, orgue Hans Scherer de Tangermünde (1624)
The works of Michael Praetorius (1571-1621), an outstanding composer and great innovator, have mainly come to the contemporary public's attention thanks to his collection of dances under the name of Terpsichore and to his theoretical writings.
Jean-Charles Ablitzer here gives us the first recording of 10 organ pieces selected from his Musae Soniae, fantasies on Lutherian melodies) and from his Hymnodia Sonia (Latin hymns). This interpretation, already acclaimed by a 'Choc' from the Monde de la Musique, reveals Praetorius as an inspired and gentle colourist, whose musical idiom will left a deep imprint on the first generation of baroque composers.The musicological rigour and the great sensitivity of the interpreter is further expressed by the choice of the historic organ of the church of St. Stephan in Tangermünde. Not only is it a contemporary of the composer, but an identical model by the same maker is extensively described in Praetorius' Syntagma Musicum.
Jean-Charles Ablitzer here gives us the first recording of 10 organ pieces selected from his Musae Soniae, fantasies on Lutherian melodies) and from his Hymnodia Sonia (Latin hymns). This interpretation, already acclaimed by a 'Choc' from the Monde de la Musique, reveals Praetorius as an inspired and gentle colourist, whose musical idiom will left a deep imprint on the first generation of baroque composers.The musicological rigour and the great sensitivity of the interpreter is further expressed by the choice of the historic organ of the church of St. Stephan in Tangermünde. Not only is it a contemporary of the composer, but an identical model by the same maker is extensively described in Praetorius' Syntagma Musicum.
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