Jesús López-Cobos - Wagner for Orchestra (1994)
BAND/ARTIST: Jesús López-Cobos, Cincinnati Symphony Orchestra
- Title: Wagner for Orchestra
- Year Of Release: 1994
- Label: Telarc
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 1:16:45
- Total Size: 333 MB
- WebSite: Album Preview
Tracklist:
1. Die Meistersinger von Nürnberg, WWV 96: Prelude to Act I (10:49)
2. Rienzi, WWV 49: Overture (11:46)
3. Faust Overture, WWV 59 (11:38)
4. he Flying Dutchman, WWV 63: Overture (10:38)
5. Tristan und Isolde, WWV 90: Prelude and Liebestod (17:27)
6. Tannhäuser, WWV 70: Overture (14:24)
1. Die Meistersinger von Nürnberg, WWV 96: Prelude to Act I (10:49)
2. Rienzi, WWV 49: Overture (11:46)
3. Faust Overture, WWV 59 (11:38)
4. he Flying Dutchman, WWV 63: Overture (10:38)
5. Tristan und Isolde, WWV 90: Prelude and Liebestod (17:27)
6. Tannhäuser, WWV 70: Overture (14:24)
Recorded with 20-bit technology and enhanced by Spatializer for added surround-sound ambiance, these highly-emotional works represent the core of Wagner’s music. Included on this CD are the Prelude to Act I of Die Meistersinger von Nurnberg; the Overtures to Rienzi, The Flying Dutchman, Tannhauser and Faust; and the Prelude and Liebestod of Tristan und Isolde.
With a harmonic structure that stretched Romantic music to its tonal limits and often hinted towards the dissolution of classical tonality, the overwhelming power of Wagner’s music had a considerable influence on nineteenth-century thought. Wagner believed in settings, action and music become so tightly joined that there was no separation between art forms…all were one.
Under the direction of Lopez-Cobos, the Cincinnati Symphony preserves the mystery and atmosphere of these pieces. The orchestra’s balanced string choirs, its horns and caressing solo woodwinds, deliver expert performancew of these overtures.
With a harmonic structure that stretched Romantic music to its tonal limits and often hinted towards the dissolution of classical tonality, the overwhelming power of Wagner’s music had a considerable influence on nineteenth-century thought. Wagner believed in settings, action and music become so tightly joined that there was no separation between art forms…all were one.
Under the direction of Lopez-Cobos, the Cincinnati Symphony preserves the mystery and atmosphere of these pieces. The orchestra’s balanced string choirs, its horns and caressing solo woodwinds, deliver expert performancew of these overtures.
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