Les Barocudas - Basta parlare ! (2023) [Hi-Res]
![Les Barocudas - Basta parlare ! (2023) [Hi-Res]](https://www.dibpic.com/uploads/posts/2023-04/1682024837_les-barocudas-basta-parlare-2023.jpg)
BAND/ARTIST: Les Barocudas
- Title: Basta parlare !
- Year Of Release: 2023
- Label: Les Disques ATMA Inc.
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 00:59:15
- Total Size: 343 mb / 1.13 gb
- WebSite: Album Preview
Tracklist
01. Castello Sonata Decima a 3 In D minor
02. Legrenzi Sonata a tre No. 1 In D Minor, “La Cornara”
03. Grillo Canzon Sestadecima a 4 In G
04. Merula Canzone No. 24 In C Major, La Valcharenga
05. Marini Sonata Quarta per il violino per sonar con due corde In A Minor
06. Nadeau-Tremblay Improvisation
07. Merula Canzone No. 18 In D, La Cavagliera
08. Marini Trio Sonata No. 45 In D Minor, La Monica
09. Rognoni Taeggio, Palestrina Diminutions After Vestiva i colli (madrigal by Giovanni Pierluigi da Palestrina)
10. Mondry Improvisation
11. Castello Sonata Duodecima a 3 In A Minor
12. Merula Canzon No. 19 In C Major, La Pusterla
13. Castello Sonata Quarta In D Minor
Following the success of their award-winning debut album, La Peste, Les Barocudas period ensemble returns with Basta parlare! (Enough said!), a program exploring the dynamic, experimental musical style that swept 17th century Italy -- in particular, works that showcase the violin and recorder. Joining Les Barocudas's trio, Marie-Nadeau Tremblay (violin), Tristan Best (viola da gamba), and Nathan Mondry (organ), are Vincent Lauzer, recorder; Antoine Malette-Ch?nier, baroque harp; Hank Knox, harpsichord; and Matthias Soly-Letarte, percussion. Basta parlare includes works by Italian baroque composers including Dario Castello, Giovanni Legrenzi, Tarquinio Merula, and Biagio Marini, among others, whose music was considered almost radical at the time. "When Vincent Lauzer and I thought of making an album together, we knew from the start that we wanted to focus on music from 17th-century Italy, our repertoire of choice," says Marie Nadeau-Tremblay. "No further discussion was needed: we had already reached an unspoken consensus. Lovers of 17th-century Italian music share an almost spiritual je ne sais quoi which brings them together-and sets them apart. We have a tacit understanding." "The 17th century was a period of exploration, invention, and research across all disciplines, including in music," says Nadeau-Tremblay. "Vocal music, which had long dominated the spotlight, began to make way for technically complex instrumental forms that better suited this new paradigm--a music centered around virtuosity and lyricism. Thus came the title of this album, Basta parlare! which means "enough said!" Marie Nadeau-Tremblay founded Les Barocudas while at McGill University. Eager to combine wit and creativity with their high-calibre performance skills, the ensemble brings a signature freshness to Baroque repertoire, which they present to sold-out concerts halls as well as online in the form of music videos. Since graduating in 2019 with a master's degree in early music, Marie Nadeau-Tremblay has established herself on the Canadian scene as an emerging young baroque violinist. In 2019, she landed an unprecedented four awards, including First Prize, at the Mathieu-Duguay Early Music Competition. Named Radio-Canada's 2021-2022 classical "Revelation" and winner of the 2022 "Discovery of the Year" Opus Prize, Nadeau-Tremblay also received the Choquette-Symcox Award from Jeunesses Musicales Canada Foundation in 2022. Her album La Peste (2020) earned Juno and Opus award nominations, and her highly acclaimed solo album Pr?ludes et solitudes (2021), won a 2023 Opus Prize for "Album of the Year."
01. Castello Sonata Decima a 3 In D minor
02. Legrenzi Sonata a tre No. 1 In D Minor, “La Cornara”
03. Grillo Canzon Sestadecima a 4 In G
04. Merula Canzone No. 24 In C Major, La Valcharenga
05. Marini Sonata Quarta per il violino per sonar con due corde In A Minor
06. Nadeau-Tremblay Improvisation
07. Merula Canzone No. 18 In D, La Cavagliera
08. Marini Trio Sonata No. 45 In D Minor, La Monica
09. Rognoni Taeggio, Palestrina Diminutions After Vestiva i colli (madrigal by Giovanni Pierluigi da Palestrina)
10. Mondry Improvisation
11. Castello Sonata Duodecima a 3 In A Minor
12. Merula Canzon No. 19 In C Major, La Pusterla
13. Castello Sonata Quarta In D Minor
Following the success of their award-winning debut album, La Peste, Les Barocudas period ensemble returns with Basta parlare! (Enough said!), a program exploring the dynamic, experimental musical style that swept 17th century Italy -- in particular, works that showcase the violin and recorder. Joining Les Barocudas's trio, Marie-Nadeau Tremblay (violin), Tristan Best (viola da gamba), and Nathan Mondry (organ), are Vincent Lauzer, recorder; Antoine Malette-Ch?nier, baroque harp; Hank Knox, harpsichord; and Matthias Soly-Letarte, percussion. Basta parlare includes works by Italian baroque composers including Dario Castello, Giovanni Legrenzi, Tarquinio Merula, and Biagio Marini, among others, whose music was considered almost radical at the time. "When Vincent Lauzer and I thought of making an album together, we knew from the start that we wanted to focus on music from 17th-century Italy, our repertoire of choice," says Marie Nadeau-Tremblay. "No further discussion was needed: we had already reached an unspoken consensus. Lovers of 17th-century Italian music share an almost spiritual je ne sais quoi which brings them together-and sets them apart. We have a tacit understanding." "The 17th century was a period of exploration, invention, and research across all disciplines, including in music," says Nadeau-Tremblay. "Vocal music, which had long dominated the spotlight, began to make way for technically complex instrumental forms that better suited this new paradigm--a music centered around virtuosity and lyricism. Thus came the title of this album, Basta parlare! which means "enough said!" Marie Nadeau-Tremblay founded Les Barocudas while at McGill University. Eager to combine wit and creativity with their high-calibre performance skills, the ensemble brings a signature freshness to Baroque repertoire, which they present to sold-out concerts halls as well as online in the form of music videos. Since graduating in 2019 with a master's degree in early music, Marie Nadeau-Tremblay has established herself on the Canadian scene as an emerging young baroque violinist. In 2019, she landed an unprecedented four awards, including First Prize, at the Mathieu-Duguay Early Music Competition. Named Radio-Canada's 2021-2022 classical "Revelation" and winner of the 2022 "Discovery of the Year" Opus Prize, Nadeau-Tremblay also received the Choquette-Symcox Award from Jeunesses Musicales Canada Foundation in 2022. Her album La Peste (2020) earned Juno and Opus award nominations, and her highly acclaimed solo album Pr?ludes et solitudes (2021), won a 2023 Opus Prize for "Album of the Year."
Year 2023 | Classical | FLAC / APE | HD & Vinyl
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads