Frank Zappa - Strictly Commercial: The Best of Frank Zappa (1995) CD-Rip
BAND/ARTIST: Frank Zappa
- Title: Strictly Commercial: The Best of Frank Zappa
- Year Of Release: 1995
- Label: Rykodisc: RYCODISC RCD 40600
- Genre: Rock, Blues, Experimental, Jazz, Fusion, Classical, Pop
- Quality: FLAC (image+.cue,log,scans)
- Total Time: 01:17:11
- Total Size: 531 MB
- WebSite: Album Preview
Tracklist:
01. Peaches En Regalia (3:37) from Hot Rats, released 1969
02. Don't Eat The Yellow Snow (single version) (3:35) original version appears on Apostrophe ('), released 1974
03. Dancin' Fool (3:43) from Sheik Yerboti, released 1979
04. San Ber'dino (5:57) from One Size Fits All, released 1975
05. Dirty Love (2:58) from Over-nite Sensation, released 1973
06. My Guitar Wants To Kill Your Mama (3:32) from Weasels Ripped My Flesh, released 1970
07. Cosmik Debris (4:14) from Apostrophe ('), released 1974
08. Trouble Every Day (5:49) from Freak Out, released 1966
09. Disco Boy (5:09) from Zoot Allures, released 1976
10. Fine Girl! (3:30) from Tinsel Town Rebellion, released 1981
11. Sexual Harassment In The Workplace (3:43) from Guitar, released 1988
12. Let's Make The Water Turn Black (2:01) from We're Only In It For The Money, released 1968
13. I'm The Slime (3:35) from Over-nite Sensation, released 1973
14. Joe's Garage (single version) (4:09) original version appears on Joe's Garage, Act 1, released 1979
15. Tell Me You Love Me (2:33) from Sheik Yerboti, released 1979
16. Montana (single version) (4:48) original version appears on Over-nite Sensation, released 1973
17. Valley Girl (4:50) from Ship Arriving Too Late To Save A Drowning Witch, released 1982
18. Be In My Video (3:39) from Them Or Us, released 1984
19. Muffin Man (5:34) from Bongo Fury, released 1975
01. Peaches En Regalia (3:37) from Hot Rats, released 1969
02. Don't Eat The Yellow Snow (single version) (3:35) original version appears on Apostrophe ('), released 1974
03. Dancin' Fool (3:43) from Sheik Yerboti, released 1979
04. San Ber'dino (5:57) from One Size Fits All, released 1975
05. Dirty Love (2:58) from Over-nite Sensation, released 1973
06. My Guitar Wants To Kill Your Mama (3:32) from Weasels Ripped My Flesh, released 1970
07. Cosmik Debris (4:14) from Apostrophe ('), released 1974
08. Trouble Every Day (5:49) from Freak Out, released 1966
09. Disco Boy (5:09) from Zoot Allures, released 1976
10. Fine Girl! (3:30) from Tinsel Town Rebellion, released 1981
11. Sexual Harassment In The Workplace (3:43) from Guitar, released 1988
12. Let's Make The Water Turn Black (2:01) from We're Only In It For The Money, released 1968
13. I'm The Slime (3:35) from Over-nite Sensation, released 1973
14. Joe's Garage (single version) (4:09) original version appears on Joe's Garage, Act 1, released 1979
15. Tell Me You Love Me (2:33) from Sheik Yerboti, released 1979
16. Montana (single version) (4:48) original version appears on Over-nite Sensation, released 1973
17. Valley Girl (4:50) from Ship Arriving Too Late To Save A Drowning Witch, released 1982
18. Be In My Video (3:39) from Them Or Us, released 1984
19. Muffin Man (5:34) from Bongo Fury, released 1975
Frank Vincent Zappa (December 21, 1940 — December 4, 1993) was a legendary American composer, guitarist, singer, film director and satirist. He was the leader of the rock band The Mothers of Invention. Grammy Award winner.
During his 33-year musical career, Zappa proved to be one of the most prolific composers of his era, releasing more than sixty albums, almost all of which contain non-repeating compositions. In addition, he was a well-known electric guitarist, multi-instrumentalist, talented sound engineer and producer with encyclopedic knowledge of studio technologies, who independently produced almost all of his recordings made after his debut in 1966.
In Zappa's work, elements of all musical styles are applied with equal aplomb – modern and classical music, jazz, heavy metal and almost all recognizable forms. Over the past 16 years, the 42-year-old guitarist-composer-producer has created 35 albums – among which there are double ones – and a lot more material is waiting for information and publication. He gave pleasure to millions of people and gained legendary status thanks to a sharply honed (some would say offensive) sense of humor.
His fans are in awe of him. Although other people just don't like him, in many cases their opinions are not based on reactions to his music, but solely on rumors. (In a 1979 interview with Record Review Magazine, he said: "Most of them don't know what I do, but they know my name.")
In one case, the criticism went beyond simple displeasure: in 1971, during a performance in London, he was pushed off the stage by an angry listener - Frank Zappa received a compound leg fracture and a lot of bruises. Although he has a worldwide reputation (mainly due to stage antics, sharp social comments and lampoons on music, musicians and music consumers), his work has hardly caused any excitement in the world of pop music - but according to Frank, this is normal. Indeed, the fact that he acts outside the smoothed, tendentious format limitations of pop music (especially AM radio) has given him the freedom to compose and perform exactly what he wants, without having to change his direction abruptly depending on the changing whims of the public.
"I am interested in melodies, and this is one of the things that I think is missing in music today. Creating a melody is a specialized art form.I know a lot of people who can compose and write arrangements, but don't pay much attention to the place of the melody.
Writing a melody is a serious task. That's why people who can improvise well against the background of chord changes are so unique – because this task confronts them every second. When all you have is a harmonic skeleton, your task is to create your own melody against the background of this set of chords, and this is a very impressive achievement."
During his 33-year musical career, Zappa proved to be one of the most prolific composers of his era, releasing more than sixty albums, almost all of which contain non-repeating compositions. In addition, he was a well-known electric guitarist, multi-instrumentalist, talented sound engineer and producer with encyclopedic knowledge of studio technologies, who independently produced almost all of his recordings made after his debut in 1966.
In Zappa's work, elements of all musical styles are applied with equal aplomb – modern and classical music, jazz, heavy metal and almost all recognizable forms. Over the past 16 years, the 42-year-old guitarist-composer-producer has created 35 albums – among which there are double ones – and a lot more material is waiting for information and publication. He gave pleasure to millions of people and gained legendary status thanks to a sharply honed (some would say offensive) sense of humor.
His fans are in awe of him. Although other people just don't like him, in many cases their opinions are not based on reactions to his music, but solely on rumors. (In a 1979 interview with Record Review Magazine, he said: "Most of them don't know what I do, but they know my name.")
In one case, the criticism went beyond simple displeasure: in 1971, during a performance in London, he was pushed off the stage by an angry listener - Frank Zappa received a compound leg fracture and a lot of bruises. Although he has a worldwide reputation (mainly due to stage antics, sharp social comments and lampoons on music, musicians and music consumers), his work has hardly caused any excitement in the world of pop music - but according to Frank, this is normal. Indeed, the fact that he acts outside the smoothed, tendentious format limitations of pop music (especially AM radio) has given him the freedom to compose and perform exactly what he wants, without having to change his direction abruptly depending on the changing whims of the public.
"I am interested in melodies, and this is one of the things that I think is missing in music today. Creating a melody is a specialized art form.I know a lot of people who can compose and write arrangements, but don't pay much attention to the place of the melody.
Writing a melody is a serious task. That's why people who can improvise well against the background of chord changes are so unique – because this task confronts them every second. When all you have is a harmonic skeleton, your task is to create your own melody against the background of this set of chords, and this is a very impressive achievement."
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