John Mark Ainsley, Timothy Roberts, Paula Chateauneuf - John Blow: Songs and Keyboard Music (1993) CD-Rip
BAND/ARTIST: John Mark Ainsley, Timothy Roberts, Paula Chateauneuf
- Title: John Blow: Songs and Keyboard Music
- Year Of Release: 1993
- Label: Hyperion
- Genre: Classical
- Quality: FLAC (image+.cue,log,scans)
- Total Time: 72:58
- Total Size: 383 Mb
- WebSite: Album Preview
Tracklist:
John Blow (1649-1708)
01. No more, the dear, lovely nymph's no more (song with theorbo and organ)
02. Prelude in G Major (spinet)
03. The Self-banish'd (song with theorbo)
04. Lovely Selina, innocent and free (song with spinet and guitar)
05. Morlake Ground (spinet)
06. O turn not those fine eyes away (song with harpsichord)
07. Suite no. 1 in D minor (harpsichord)
08. Fairest work of happy Nature (song with theorbo)
09. Flavia grown old (song with harpsichord)
10. Ground in G minor (spinet)
11. Oh! That mine eyes would melt into a flood (sacred song with theorbo and organ)
12. Voluntary in G minor (organ)
13. O mighty God, who sit'st on high (penitential hymn with theorbo and organ)
14. Suite no. 3 in A minor (harpsichord)
15. Sabina has a thousand charms (song with spinet)
16. Of all the torments, all the cares (song with theorbo and harpsichord/organ)
17. Ground in C Major (harpsichord)
18. No, Lesbia, you ask in vain (song with theorbo and organ)
Performers:
John Mark Ainsley, tenor
Timothy Roberts, spinet, harpsichord, chamber organ
Paula Chateauneuf, theorbo, baroque guitar
John Blow (1649-1708)
01. No more, the dear, lovely nymph's no more (song with theorbo and organ)
02. Prelude in G Major (spinet)
03. The Self-banish'd (song with theorbo)
04. Lovely Selina, innocent and free (song with spinet and guitar)
05. Morlake Ground (spinet)
06. O turn not those fine eyes away (song with harpsichord)
07. Suite no. 1 in D minor (harpsichord)
08. Fairest work of happy Nature (song with theorbo)
09. Flavia grown old (song with harpsichord)
10. Ground in G minor (spinet)
11. Oh! That mine eyes would melt into a flood (sacred song with theorbo and organ)
12. Voluntary in G minor (organ)
13. O mighty God, who sit'st on high (penitential hymn with theorbo and organ)
14. Suite no. 3 in A minor (harpsichord)
15. Sabina has a thousand charms (song with spinet)
16. Of all the torments, all the cares (song with theorbo and harpsichord/organ)
17. Ground in C Major (harpsichord)
18. No, Lesbia, you ask in vain (song with theorbo and organ)
Performers:
John Mark Ainsley, tenor
Timothy Roberts, spinet, harpsichord, chamber organ
Paula Chateauneuf, theorbo, baroque guitar
Tenor John Mark Ainsley with Timothy Roberts on harpsichord, spinet & chamber organ and Paula Chateauneuf on theorbo and baroque guitar, in an award-winning recording of eighteen songs and keyboard works by John Blow (1649-1708).
John Mark Ainsley was born in Crewe and studied with Anthony Rolfe Johnson. His international concert engagements include appearances with the world’s leading orchestras and conductors, including the London, Chicago, Boston and San Francisco Symphony Orchestras, and the London, Berlin, Vienna and New York Philharmonic Orchestras, under Claudio Abbado, Sir Colin Davis, Charles Dutoit, Bernard Haitink, Sir Charles Mackerras, Kurt Masur, Sir Roger Norrington and Sir Simon Rattle. His notable engagements include Captain Vere (Billy Budd) at Glyndebourne and in Amsterdam; Skuratov (From the House of the Dead) at La Scala, Milan, under Salonen, the Deutsche Staatsoper Berlin under Rattle, and the Amsterdam, Vienna and Aix-en-Provence Festivals under Boulez; the title role in L'Orfeo at the Theater an der Wien, Vienna, and the Barbican, London; Berlioz’s Roméo et Juliette at the Théâtre des Champs-Elysées, Paris; Grimoaldo (Rodelinda) for English National Opera; Bajazet (Tamerlano) in Versailles and at the Theater an der Wien; and the Fisherman (Le Rossignol) and Gonzalve (L’Heure espagnole) under Dutoit at the Concertgebouw, Amsterdam. His concert engagements include a recital at the Wigmore Hall, London; a tour of Messiah with the Orchestra of the Age of Enlightenment; and Britten’s War Requiem at the Teatro Real, Madrid. He has recorded a large variety of repertoire which includes Baroque music, German lied, English song and American musicals.
John Mark Ainsley was born in Crewe and studied with Anthony Rolfe Johnson. His international concert engagements include appearances with the world’s leading orchestras and conductors, including the London, Chicago, Boston and San Francisco Symphony Orchestras, and the London, Berlin, Vienna and New York Philharmonic Orchestras, under Claudio Abbado, Sir Colin Davis, Charles Dutoit, Bernard Haitink, Sir Charles Mackerras, Kurt Masur, Sir Roger Norrington and Sir Simon Rattle. His notable engagements include Captain Vere (Billy Budd) at Glyndebourne and in Amsterdam; Skuratov (From the House of the Dead) at La Scala, Milan, under Salonen, the Deutsche Staatsoper Berlin under Rattle, and the Amsterdam, Vienna and Aix-en-Provence Festivals under Boulez; the title role in L'Orfeo at the Theater an der Wien, Vienna, and the Barbican, London; Berlioz’s Roméo et Juliette at the Théâtre des Champs-Elysées, Paris; Grimoaldo (Rodelinda) for English National Opera; Bajazet (Tamerlano) in Versailles and at the Theater an der Wien; and the Fisherman (Le Rossignol) and Gonzalve (L’Heure espagnole) under Dutoit at the Concertgebouw, Amsterdam. His concert engagements include a recital at the Wigmore Hall, London; a tour of Messiah with the Orchestra of the Age of Enlightenment; and Britten’s War Requiem at the Teatro Real, Madrid. He has recorded a large variety of repertoire which includes Baroque music, German lied, English song and American musicals.
Classical | FLAC / APE | CD-Rip
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