Gli Angeli Genève, Stephan MacLeod - J.S. Bach: Johannes-Passion, BWV 245 (2023) [Hi-Res]

• Title: J.S. Bach: Johannes-Passion, BWV 245
  
• Year Of Release: 2023
  
• Label: Claves Records
  
• Genre: Classical
  
• Quality: flac lossless (tracks) / flac 24bits - 96.0kHz
  
• Total Time: 02:15:17
  
• Total Size: 651 mb / 2.33 gb
  
• WebSite: Album Preview
  

Tracklist

CD1
01. Johannes-Passion, BWV 245, Pt. I: No. 1, Chorus "Herr, unser Herrscher"
02. Johannes-Passion, BWV 245, Pt. I: No. 2a, Recitativo "Jesus ging mit seinen Jüngern"
03. Johannes-Passion, BWV 245, Pt. I: No. 2b, Chorus "Jesum von Nazareth"
04. Johannes-Passion, BWV 245, Pt. I: No. 2c, Recitativo "Jesus spricht zu ihnen"
05. Johannes-Passion, BWV 245, Pt. I: No. 2d, Chorus "Jesum von Nazareth"
06. Johannes-Passion, BWV 245, Pt. I: No. 2e, Recitativo "Jesus antwortete"
07. Johannes-Passion, BWV 245, Pt. I: No. 3, Choral "O große Lieb"
08. Johannes-Passion, BWV 245, Pt. I: No. 4, Recitativo "Auf daß das Wort erfüllet würde"
09. Johannes-Passion, BWV 245, Pt. I: No. 5, Choral "Dein Will gescheh"
10. Johannes-Passion, BWV 245, Pt. I: No. 6, Recitativo "Die Schar aber"
11. Johannes-Passion, BWV 245, Pt. I: No. 7, Aria "Von den Stricken"
12. Johannes-Passion, BWV 245, Pt. I: No. 8, Recitativo "Simon Petrus aber"
13. Johannes-Passion, BWV 245, Pt. I: No. 9, Aria "Ich folge dir gleichfalls"
14. Johannes-Passion, BWV 245, Pt. I: No. 10, Recitativo "Derselbige Jünger"
15. Johannes-Passion, BWV 245, Pt. I: No. 11, Choral "Wer hat dich so geschlagen"
16. Johannes-Passion, BWV 245, Pt. I: No. 12a, Recitativo "Und Hannas"
17. Johannes-Passion, BWV 245, Pt. I: No. 12b, Chorus "Bist du nicht"
18. Johannes-Passion, BWV 245, Pt. I: No. 12c, Recitativo "Er leugnete aber"
19. Johannes-Passion, BWV 245, Pt. I: No. 13, Aria "Ach, mein Sinn"
20. Johannes-Passion, BWV 245, Pt. I: No. 14, Choral "Petrus, der nicht denkt zurück"
21. Johannes-Passion, BWV 245, Pt. II: No. 15, Choral "Christus, der uns selig macht"
22. Johannes-Passion, BWV 245, Pt. II: No. 16a, Recitativo "Da führeten sie Jesum"
23. Johannes-Passion, BWV 245, Pt. II: No. 16b, Chorus "Wäre dieser nicht ein Übeltäter"
24. Johannes-Passion, BWV 245, Pt. II: No. 16c, Recitativo "Da sprach Pilatus zu ihnen"
25. Johannes-Passion, BWV 245, Pt. II: No. 16d, Chorus "Wir dürfen niemand töten"
26. Johannes-Passion, BWV 245, Pt. II: No. 16e, Recitativo "Auf daß erfüllet würde"
27. Johannes-Passion, BWV 245, Pt. II: No. 17, Choral "Ach großer König"
28. Johannes-Passion, BWV 245, Pt. II: No. 18a, Recitativo "Da sprach Pilatus zu ihm"
29. Johannes-Passion, BWV 245, Pt. II: No. 18b, Chorus "Nicht diesen, diesen nicht"
30. Johannes-Passion, BWV 245, Pt. II: No. 18c, Recitativo "Barrabas aber war ein Mörder"
31. Johannes-Passion, BWV 245, Pt. II: No. 19, Arioso "Betrachte, meine Seel"
32. Johannes-Passion, BWV 245, Pt. II: No. 20, Aria "Erwäge"
33. Johannes-Passion, BWV 245, Pt. II: No. 21a, Recitativo "Und die Kriegsknechte"
34. Johannes-Passion, BWV 245, Pt. II: No. 21b, Chorus "Sei gegrüßet"
35. Johannes-Passion, BWV 245, Pt. II: No. 21c, Recitativo "Und gaben ihm Backenstreiche"
36. Johannes-Passion, BWV 245, Pt. II: No. 21d, Chorus "Kreuzige"
37. Johannes-Passion, BWV 245, Pt. II: No. 21e, Recitativo "Pilatus sprach zu ihnen"
38. Johannes-Passion, BWV 245, Pt. II: No. 21f, Chorus "Wir haben ein Gesetz"
39. Johannes-Passion, BWV 245, Pt. II: No. 21g, Recitativo "Da Pilatus das Wort hörete"
40. Johannes-Passion, BWV 245, Pt. II: No. 22, Choral "Durch dein Gefängnis"
41. Johannes-Passion, BWV 245, Pt. II: No. 23a+b, Recitativo & Chorus "Lässest du diesen los"
42. Johannes-Passion, BWV 245, Pt. II: No. 23c, Recitativo "Da Pilatus das Wort hörete"
43. Johannes-Passion, BWV 245, Pt. II: No. 23d, Chorus "Weg, weg mit dem"
44. Johannes-Passion, BWV 245, Pt. II: No. 23e, Recitativo "Spricht Pilatus zu ihnen"
45. Johannes-Passion, BWV 245, Pt. II: No. 23f, Chorus "Wir haben keinen König"
46. Johannes-Passion, BWV 245, Pt. II: No. 23g, Recitativo "Da überantwortete er ihn"
47. Johannes-Passion, BWV 245, Pt. II: No. 24, Aria "Eilt, ihr angefochtnen Seelen"
48. Johannes-Passion, BWV 245, Pt. II: No. 25a, Recitativo "Allda kreuzigten sie ihn"
49. Johannes-Passion, BWV 245, Pt. II: No. 25b, Chorus "Schreibe nicht"
50. Johannes-Passion, BWV 245, Pt. II: No. 25c, Recitativo "Pilatus antwortet"
51. Johannes-Passion, BWV 245, Pt. II: No. 26, Choral "In meines Herzens Grunde"

CD2
01. Johannes-Passion, BWV 245, Pt. II: No. 27a, Recitativo "Die Kriegsknechte aber"
02. Johannes-Passion, BWV 245, Pt. II: No. 27b, Chorus "Lasset uns den nicht zerteilen"
03. Johannes-Passion, BWV 245, Pt. II: No. 27c, Recitativo "Auf daß erfüllet würde die Schrift"
04. Johannes-Passion, BWV 245, Pt. II: No. 28, Choral "Er nahm alles wohl in acht"
05. Johannes-Passion, BWV 245, Pt. II: No. 29, Recitativo "Und von Stund an"
06. Johannes-Passion, BWV 245, Pt. II: No. 30, Aria "Es ist vollbracht"
07. Johannes-Passion, BWV 245, Pt. II: No. 31, Recitativo "Und neiget das Haupt"
08. Johannes-Passion, BWV 245, Pt. II: No. 32, Aria "Mein teurer Heiland"
09. Johannes-Passion, BWV 245, Pt. II: No. 33, Recitativo "Und siehe da"
10. Johannes-Passion, BWV 245, Pt. II: No. 34, Arioso "Mein Herz"
11. Johannes-Passion, BWV 245, Pt. II: No. 35, Aria "Zerfließe, mein Herze"
12. Johannes-Passion, BWV 245, Pt. II: No. 36, Recitativo "Die Jüden aber"
13. Johannes-Passion, BWV 245, Pt. II: No. 37, Choral "O hilf, Christe"
14. Johannes-Passion, BWV 245, Pt. II: No. 38, Recitativo "Darnach bat Pilatum"
15. Johannes-Passion, BWV 245, Pt. II: No. 39, Chorus "Ruht wohl"
16. Johannes-Passion, BWV 245, Pt. II: No. 40, Choral "Ach Herr, laß dein lieb Engelein"
17. Johannes-Passion, BWV 245, Pt. I (Versio 1725): No. 1, Choral "O Mensch bewein dein Sünde groß"
18. Johannes-Passion, BWV 245, Pt. I (Versio 1725): No. 11, Aria "Himmel reiße"
19. Johannes-Passion, BWV 245, Pt. I (Versio 1725): No. 13, Aria "Zerschmettert mich"
20. Johannes-Passion, BWV 245, Pt. II (Versio 1725): No. 19, Aria "Ach windet euch nicht"
21. Johannes-Passion, BWV 245, Pt. II (Versio 1725): No. 40, Choral "Christe, du Lamm Gottes"

According to the obituary written by his son Carl Philip Emmanuel and his former pupil Johann Friedrich Agricola, Johann Sebastian Bach composed five Passions, including “one for two choirs” (the St Matthew Passion). However, only two of them have survived in their entirety. A third one, the St Mark Passion, has given rise to various reconstructions, and the last two, if they at all existed, are irretrievably lost. Of the two Passions that have come down to us, the St John Passion was the first to be composed; Bach had it performed for the first time in the St Nicholas Church less than a year after taking up his post in Leipzig, on 7 April 1724 (he had taken the liberty of announcing it to the St Thomas Church, which earned him a reprimand; he got away with a somewhat ironic letter of apology). The work was again performed the following year, this time at St Thomas’, and most likely on further occasions in 1732, 1739 and 1749, with various revisions.

A musical account of Christ’s crucifixion can be traced back to the Middle Ages, but in the early eighteenth century, the narrative took on an oratorio-like form that one finds with most composers of Bach’s generation. It was a kind of apotheosis of music dedicated to liturgical services. Bach had planned three complete cantata cycles culminating with the performance of three Passions during the Lenten period on Good Friday. He conducted 26 of them during his 28-year tenure, repeating his own cantatas on several occasions and introducing those of other composers such as Telemann, Handel and Keiser.

The texts of the Passions associated biblical sources with derived poetic elaborations, such as Barthold Heinrich Brockes’ writings, which inspired several composers; paraphrases thereof are to be found in the St John Passion. These texts were strictly controlled, and Bach had problems with the Consistory in this respect. This might explain why he deleted, among others, the opening chorus, the concluding chorale (“Ach Herr, lass dein lieb Engelein”) and the tenor aria “Ach, mein Sinn” in the 1725 revival of the work. There were further problems with the 1739 revival, and Bach did not revert to the original version’s libretto until 1749, a year before his death. It is unknown whether this was in agreement with the Consistory or a gesture of defiance (but changes sometimes resulted from practical problems related to available performers). The name of the librettist who assembled the St John Passion’s texts is unknown: it was probably Bach himself, in collaboration with an assistant.

The Passion was bound to the service: after the ringing of the bells and a sung motet, its first part was performed, followed by a long sermon; then came the second part of the Passion. The service could last four to five hours; it ended with a motet, a sung verse, an oration and a final chorale. John’s account, which Luther considered the best of the four gospels, is narrated by a tenor voice in secco recitatives (accompanied only by the continuo): this is the voice of the Evangelist; those of the Christ, the apostle Peter and Pontius Pilate, as well as the crowd (known as the “turba”), are inserted in the narration. [..]

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Year 2023 | Classical | FLAC / APE | HD & Vinyl

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