Warsaw Philharmonic Orchestra, Antoni Wit - Karlowicz: 'Rebirth' Symphony - Bianca da Molena (2011)
BAND/ARTIST: Warsaw Philharmonic Orchestra, Antoni Wit
- Title: Karlowicz: 'Rebirth' Symphony - Bianca da Molena
- Year Of Release: 2011
- Label: Naxos
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:02:12
- Total Size: 286 mb
- WebSite: Album Preview
Tracklist
01. Symphony in E minor, Op. 7, "Odrodzenie" (Rebirth): I. Andante - Allegro
02. Symphony in E minor, Op. 7, "Odrodzenie" (Rebirth): II. Andante non troppo
03. Symphony in E minor, Op. 7, "Odrodzenie" (Rebirth): III. Vivace - Molto meno mosso - Tempo I
04. Symphony in E minor, Op. 7, "Odrodzenie" (Rebirth): IV. Allegro maestoso - Allegro ben moderato
05. Bianca da Molena, Op. 6: Prologue -
06. Bianca da Molena, Op. 6: Intermezzo (Scenenmusik)
Best known today for his sumptuously Romantic symphonic poems (8.570452, 8.570295), Mieczysław Karłowicz completed his most ambitious work, the ‘Rebirth’ Symphony, in 1903. Like Mahler’s ‘Resurrection’ Symphony, premièred eight years earlier (Naxos 8.550523–24), it evokes the soul’s spiritual struggle against fate from tragedy to triumph. The resplendent Prologue from Karłowicz’s music for the play The White Dove leads to a serene Intermezzo. Polish conductor Antoni Wit brings out the brooding, portentous and lyrical characteristics of his compatriot’s richly orchestrated yet seldom-heard scores.
01. Symphony in E minor, Op. 7, "Odrodzenie" (Rebirth): I. Andante - Allegro
02. Symphony in E minor, Op. 7, "Odrodzenie" (Rebirth): II. Andante non troppo
03. Symphony in E minor, Op. 7, "Odrodzenie" (Rebirth): III. Vivace - Molto meno mosso - Tempo I
04. Symphony in E minor, Op. 7, "Odrodzenie" (Rebirth): IV. Allegro maestoso - Allegro ben moderato
05. Bianca da Molena, Op. 6: Prologue -
06. Bianca da Molena, Op. 6: Intermezzo (Scenenmusik)
Best known today for his sumptuously Romantic symphonic poems (8.570452, 8.570295), Mieczysław Karłowicz completed his most ambitious work, the ‘Rebirth’ Symphony, in 1903. Like Mahler’s ‘Resurrection’ Symphony, premièred eight years earlier (Naxos 8.550523–24), it evokes the soul’s spiritual struggle against fate from tragedy to triumph. The resplendent Prologue from Karłowicz’s music for the play The White Dove leads to a serene Intermezzo. Polish conductor Antoni Wit brings out the brooding, portentous and lyrical characteristics of his compatriot’s richly orchestrated yet seldom-heard scores.
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