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Vassily Primakov - Schumann - Carnaval, Kreisleriana & Arabeske (2009)

Vassily Primakov - Schumann - Carnaval, Kreisleriana & Arabeske (2009)

BAND/ARTIST: Vassily Primakov

  • Title: Schumann - Carnaval, Kreisleriana & Arabeske
  • Year Of Release: 2009
  • Label: Bridge Records
  • Genre: Classical
  • Quality: FLAC (tracks + booklet)
  • Total Time: 1:11:39
  • Total Size: 214 MB
  • WebSite:
Tracklist:

1. Carnaval, Op. 9: No. 1, Préambule (02:33)
2. Carnaval, Op. 9: No. 2, Pierrot (02:08)
3. Carnaval, Op. 9: No. 3, Arlequin (01:07)
4. Carnaval, Op. 9: No. 4, Valse noble (01:01)
5. Carnaval, Op. 9: No. 5, Eusebius (01:54)
6. Carnaval, Op. 9: No. 6, Florestan (00:52)
7. Carnaval, Op. 9: No. 7, Coquette (01:43)
8. Carnaval, Op. 9: No. 8, Réplique (00:55)
9. Carnaval, Op. 9: No. 9, Papillons (00:45)
10. Carnaval, Op. 9: No. 10, ASCH - SCHA (Lettres dansantes) (00:52)
11. Carnaval, Op. 9: No. 11, Chiarina (01:49)
12. Carnaval, Op. 9: No. 12, Chopin (01:35)
13. Carnaval, Op. 9: No. 13, Estrella (00:26)
14. Carnaval, Op. 9: No. 14, Reconnaissance (01:42)
15. Carnaval, Op. 9: No. 15, Pantalon et Colombine (01:10)
16. Carnaval, Op. 9: No. 16, Valse allemande (01:05)
17. Carnaval, Op. 9: No. 17, Paganini (01:34)
18. Carnaval, Op. 9: No. 18, Aveu (01:27)
19. Carnaval, Op. 9: No. 19, Promenade (02:16)
20. Carnaval, Op. 9: No. 20, Pause (00:21)
21. Carnaval, Op. 9: No. 21, Marche des Davidsbündler contre les Philistins (04:04)
22. Kreisleriana, Op. 16: I. Äußerst bewegt (02:45)
23. Kreisleriana, Op. 16: II. Sehr innig und nicht zu rasch (08:29)
24. Kreisleriana, Op. 16: III. Sehr aufgeregt (04:22)
25. Kreisleriana, Op. 16: IV. Sehr langsam (03:32)
26. Kreisleriana, Op. 16: V. Sehr lebhaft (03:27)
27. Kreisleriana, Op. 16: VI. Sehr langsam (03:40)
28. Kreisleriana, Op. 16: VII. Sehr rasch (02:12)
29. Kreisleriana, Op. 16: VIII. Schnell und spielend (03:37)
30. Arabeske in C Major, Op. 18 (08:02)

Vassily Primakov's latest disc presents three of Robert Schumann's revolutionary compositions, all composed in the 1830s.

Annotator Malcolm McDonald describes these pieces as “paradigms of Schumann's youthful, original approach to the idea of musico-literary inspiration.”


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