Ardinghello Ensemble - Complete Chamber Music for Flute & Strings Vol. 3 (2023)
BAND/ARTIST: Ardinghello Ensemble
- Title: Complete Chamber Music for Flute & Strings Vol. 3
- Year Of Release: 2023
- Label: CPO
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 01:05:55
- Total Size: 275 mb
- WebSite: Album Preview
Tracklist
01. Quartet for flute, violin, viola and violoncello WoO 35,3 in A Minor: 1. Allegro non troppo
02. Quartet for flute, violin, viola and violoncello WoO 35,3 in A Minor: 2. Largo
03. Quartet for flute, violin, viola and violoncello WoO 35,3 in A Minor: 3. Menuetto. Moderato
04. Quartet for flute, violin, viola and violoncello WoO 35,3 in A Minor: 4. Rondo grazioso. Allegretto
05. Quintet for flute, violin, 2 violas and violoncello op. 107 in B Minor: 5. Allegro
06. Quartet for flute, violin, viola and violoncello WoO 35,3 in B Minor: 6. Andantino con moto
07. Quartet for flute, violin, viola and violoncello WoO 35,3 in B Minor: 7. Finale. Allegro
08. Quartet for flute, violin, viola and violoncello op. 145,3 in A Major: 8. Allegro
09. Quartet for flute, violin, viola and violoncello op. 145,3 in A Major: 9. Scherzo vivace
10. Quartet for flute, violin, viola and violoncello op. 145,3 in A Major: 10. Adagio
11. Quartet for flute, violin, viola and violoncello op. 145,3 in A Major: 11. Allegro
Ferdinand Ries presents himself as a master of chamber music with the three extraordinarily imaginatively composed works on Vol. 3 of our edition of his complete works for flute and strings. On the one hand he is firmly rooted in the tradition of his great classical models. On the other hand he takes the step to a poetic musical worldview that by no means corresponded to the mainstream between 1815 and 1830. Some time before Novalis had written: ""The world must be romanticized."" Along with two more flute quartets designed very much in the classical style but also already displaying newer musical expressive forms, his only, highly emotional Flute Quintet op. 107 is heard here, a work composed by Ries in London in 1818. As in the great majority of flute quintets, it is scored with two violas, which results in a practically orchestral sound picture. The composer makes manifold use of the option of setting the stringed instruments in opposition to the flute. Nevertheless, the flute is treated as the equal partner of the stringed instruments, which all take part in the changing functions of solo and accompaniment. Here too the Ardinghellos offer ""dialoguing that is finely heard out, trim playing with a minimum of vibrato, and the most careful, delightful phrasing"" klassik-heute of Vol. 3 in March 2019).
01. Quartet for flute, violin, viola and violoncello WoO 35,3 in A Minor: 1. Allegro non troppo
02. Quartet for flute, violin, viola and violoncello WoO 35,3 in A Minor: 2. Largo
03. Quartet for flute, violin, viola and violoncello WoO 35,3 in A Minor: 3. Menuetto. Moderato
04. Quartet for flute, violin, viola and violoncello WoO 35,3 in A Minor: 4. Rondo grazioso. Allegretto
05. Quintet for flute, violin, 2 violas and violoncello op. 107 in B Minor: 5. Allegro
06. Quartet for flute, violin, viola and violoncello WoO 35,3 in B Minor: 6. Andantino con moto
07. Quartet for flute, violin, viola and violoncello WoO 35,3 in B Minor: 7. Finale. Allegro
08. Quartet for flute, violin, viola and violoncello op. 145,3 in A Major: 8. Allegro
09. Quartet for flute, violin, viola and violoncello op. 145,3 in A Major: 9. Scherzo vivace
10. Quartet for flute, violin, viola and violoncello op. 145,3 in A Major: 10. Adagio
11. Quartet for flute, violin, viola and violoncello op. 145,3 in A Major: 11. Allegro
Ferdinand Ries presents himself as a master of chamber music with the three extraordinarily imaginatively composed works on Vol. 3 of our edition of his complete works for flute and strings. On the one hand he is firmly rooted in the tradition of his great classical models. On the other hand he takes the step to a poetic musical worldview that by no means corresponded to the mainstream between 1815 and 1830. Some time before Novalis had written: ""The world must be romanticized."" Along with two more flute quartets designed very much in the classical style but also already displaying newer musical expressive forms, his only, highly emotional Flute Quintet op. 107 is heard here, a work composed by Ries in London in 1818. As in the great majority of flute quintets, it is scored with two violas, which results in a practically orchestral sound picture. The composer makes manifold use of the option of setting the stringed instruments in opposition to the flute. Nevertheless, the flute is treated as the equal partner of the stringed instruments, which all take part in the changing functions of solo and accompaniment. Here too the Ardinghellos offer ""dialoguing that is finely heard out, trim playing with a minimum of vibrato, and the most careful, delightful phrasing"" klassik-heute of Vol. 3 in March 2019).
Year 2023 | Classical | FLAC / APE
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