• logo

Orpheus Chamber Orchestra - Orpheus Chamber Orchestra: Haydn & Mozart (2023)

Orpheus Chamber Orchestra - Orpheus Chamber Orchestra: Haydn & Mozart (2023)
  • Title: Orpheus Chamber Orchestra: Haydn & Mozart
  • Year Of Release: 2023
  • Label: UMG Recordings, Inc.
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 6:46:05
  • Total Size: 1.65 GB
  • WebSite:
Tracklist:

01. I. Allegro
02. II. "La Roxelane". Allegretto (o più tosto allegro)
03. III. Menuet (Allegretto)
04. IV. Finale (Prestissimo)
05. I. Allegro con brio
06. II. Menuetto (Allegretto) - Canone in Diapason
07. III. Adagio
08. IV. Finale (Presto)
09. No. 1 in D Major
10. No. 2 in G Major
11. No. 3 in C Major, Trio "Die Schlittenfahrt"
12. I. Molto allegro
13. II. Menuetto-Trio
14. III. Andantino
15. IV. Menuetto (Tema con Variazioni I-III)
16. V. Rondeau. Allegro assai
17. VI. Marcia alla francese
18. I. Allegro maestoso
19. II. Adagio
20. III. Rondo. Allegro - Cadenza: William Purvis
21. I. Allegro - Cadenza: William Purvis
22. II. Romance (Larghetto)
23. III. Allegro
24. I. Largo-Allegro assai
25. II. Andante
26. III. Menuet (Un poco allegretto)
27. IV. Finale (Vivace)
28. I. Adagio - Allegro di molto
29. II. Andante
30. III. Menuetto
31. IV. Presto
32. V. Adagio (di Lamentatione)
33. VI. Finale (Prestissimo)
34. I. Allegro
35. II. Adagio
36. III. Menuet (Allegretto)
37. IV. Finale. Allegro
38. I. Adagio
39. II. Allegro di molto
40. III. Menuet
41. IV. Finale (Presto)
42. I. Adagio
43. II. Presto
44. III. Menuetto
45. IV. Finale (Presto)
46. I. Allegro maestoso - Cadenza and Lead-in: Susan Palma
47. II. Adagio ma non troppo - Cadenza and Lead-in: Susan Palma
48. III. Rondo. Tempo di Menuetto - Cadenza and Lead-in: Susan Palma
49. I. Largo - Allegro molto
50. II. Menuetto (Allegretto) - Trio I-II
51. III. Adagio
52. IV. Menuetto (Allegretto) - Trio I-II
53. V. Romanze (Adagio - Allegretto - Adagio)
54. VI. Tema con Variazioni: Andante
55. Var. I
56. Var. II
57. Var. III
58. Var. IV
59. Var. V: Adagio
60. Var. VI: Allegro
61. VIi. Finale (Molto allegro)
62. I. Allegro maestoso
63. II. Menuetto
64. III. Adagio
65. IV. Menuetto
66. V. Finale (Allegro)
67. I. Allegro
68. II. Romance (Andante)
69. III. Menuetto (Allegretto)
70. IV. Rondo (Allegro)
71. No. 1 in B-Flat Major
72. No. 2 in E-Flat Major
73. No. 3 in G Major
74. No. 4 in D Major
75. No. 5 in A Major
76. No. 6 in C Major
77. I. Allegro assai
78. II. Andante moderato
79. III. Menuetto
80. IV. Finale (Allegro assai)
81. I. Molto allegro
82. II. Andante
83. III. Menuetto (Allegretto)
84. IV. Finale (Allegro assai)
85. No. 1

The Orpheus Chamber Orchestra was one of the first small orchestral ensembles to adopt the model of playing without a conductor, and they remain one of the most acclaimed such groups critically. They have premiered numerous new compositions, have broadened their work beyond classical genre boundaries, and have drawn many of the world's top musicians as collaborators. The Orpheus Chamber Orchestra was founded in 1972 by a group of musicians who endorsed the anti-authoritarian goals of the counterculture of the era. Cellist Julian Fifer was one of the original founders. The orchestra comprises between 25 and 30 members, and turnover has been slow: as of 2019 it had only 14 emeritus members, and two of the original members were deceased. The group's rehearsal process takes place in two stages: first, a concertmaster (a rotating position) and a group of players determine the overall interpretation of the work, and then in full group rehearsals, other members refine the performance. The ensemble rests on a foundation of extreme mutual attention akin to that of a string quartet. By the early 1980s, the Orpheus Chamber Orchestra had established a strong reputation in New York, and it went on to give regular concert series at Carnegie Hall and at New York's Riverside Church. Since the group's repertoire took a turn toward the contemporary, it has also performed at experimentally oriented venues such as Brooklyn's ShapeShifter Lab. The group has commissioned more than 40 new works. Audiences have been drawn by the presence of superstar collaborators including Yo-Yo Ma, Isaac Stern, and Martha Argerich. They have also backed the likes of Renée Fleming, Dawn Upshaw, and Anne Sofie von Otter in vocal music. The Orpheus Chamber Orchestra has toured internationally, including, unusually, in Southeast Asia; they gave the first performance by an American orchestra in Vietnam since the end of the Vietnam War, leading master classes in Hanoi. In 2019 the group gave a series of performances at the Palacio Euskalduna in Bilbao, Spain. The Orpheus Chamber Orchestra began its recording career in the early '70s on the budget Nonesuch label, but in 1985 they signed with the prestigious Deutsche Grammophon label in Germany, releasing an album of Dvorak's Serenades. The group has recorded works by Fred Lerdahl and William Bolcom, but most of their recordings take up standard repertory. The orchestra has remained on Deutsche Grammophon throughout the late 2010s, releasing the album Mendelssohn in 2019 with the young Polish-Canadian pianist Jan Lisiecki. © James Manheim


As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
  • Unlimited high speed downloads
  • Download directly without waiting time
  • Unlimited parallel downloads
  • Support for download accelerators
  • No advertising
  • Resume broken downloads