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Leonard Bernstein - Bernstein & Mahler: Perfect Match (2023)

Leonard Bernstein - Bernstein & Mahler: Perfect Match (2023)
  • Title: Bernstein & Mahler: Perfect Match
  • Year Of Release: 2023
  • Label: Sony Classical
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 3:34:26
  • Total Size: 1 GB
  • WebSite:
Tracklist:

1. Leonard Bernstein, New York Philharmonic & James Chambers – Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam (11:01)
2. Leonard Bernstein, New York Philharmonic & Jennie Tourel – Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (05:28)
3. Leonard Bernstein & New York Philharmonic – Symphony No. 1 in D Major "Titan": II. Kräftig bewegt, doch nicht zu schnell (08:15)
4. Leonard Bernstein & New York Philharmonic – Symphony No. 10 in F-Sharp Minor: I. Adagio (26:29)
5. Leonard Bernstein, New York Philharmonic & Reri Grist – Symphony No. 4 in G Major: I. Bedächtig, nicht eilen (16:52)
6. Leonard Bernstein, New York Philharmonic & Raymond Sabinsky – Symphony No. 7 in E Minor: II. Nachtmusik. Allegro moderato (16:41)
7. Leonard Bernstein & New York Philharmonic – Symphony No. 2 in C Minor "Resurrection": III. In ruhig flieÃender Bewegung (10:09)
8. Leonard Bernstein, New York Philharmonic & Reri Grist – Symphony No. 4 in G Major: IV. Sehr behaglich: "Wir genieÃen (08:33)
9. Leonard Bernstein, Christa Ludwig, René Kollo & Israel Philharmonic Orchestra – Das Lied von der Erde: III. Von der Jugend (Remastered) (03:00)
10. Leonard Bernstein, New York Philharmonic, Martha Lipton, Women's Chorus of The Schola Cantorum & Boys' Choir of The Church of The Transfiguration – Symphony No. 3 in D Minor, Part II: V. Lustig im Tempo und keck im Ausdruck (04:09)
11. Leonard Bernstein & New York Philharmonic – Symphony No. 6 in A Minor "Tragic": III. Andante moderato (15:19)
12. Leonard Bernstein, New York Philharmonic & Raymond Sabinsky – Symphony No. 7 in E Minor: III. Scherzo. Schattenhaft (09:36)
13. Leonard Bernstein, London Symphony Orchestra, London Symphony Chorus, Leeds Festival Chorus, Finchley Children's Music Group, Highgate School Boys Choir, Orpington Junior Singers, Anna Reynolds, Norma Procter & John Mitchinson – Symphony No. 8 in E-Flat Major "Symphony of a Thousand": I. Hymnus: "Veni, creator spiritus" (24:04)
14. Leonard Bernstein & New York Philharmonic – Symphony No. 9 in D Major: II. Im Tempo eines gemächlichen Ländlers (15:52)
15. Leonard Bernstein & New York Philharmonic – Symphony No. 9 in D Major: III. Rondo-Burleske. Allegro assai (12:32)
16. Leonard Bernstein, Jennie Tourel & New York Philharmonic – Kindertotenlieder: 3. Wenn dein Mütterlein (05:38)
17. Leonard Bernstein, Jennie Tourel & New York Philharmonic – Kindertotenlieder: 5. In diesem Wetter, in diesem Braus (06:33)
18. Leonard Bernstein, Jennie Tourel & New York Philharmonic – Rückert-Lieder: 3. Ich bin der Welt abhanden gekommen (Remastered) (06:32)
19. Leonard Bernstein & Dietrich Fischer-Dieskau – Lieder eines fahrenden Gesellen: Ging heut' morgens übers Feld (2017 Remastered Version) (03:52)
20. Leonard Bernstein, New York Philharmonic & Christa Ludwig – Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt (03:40)

As composer, conductor, and educator, Leonard Bernstein (1918-1990) emerged as one of a handful of figures in the twentieth century who truly changed the face of music. As a composer, Bernstein left a far-reaching legacy that includes three symphonies, a film score of singular distinction, (On the Waterfront), and an important body of stage works, including one of the cornerstones of American musical theater, West Side Story (1957). The first American-born conductor to attain international superstardom, Bernstein made a profound impression on audiences; his podium manner was dynamic, even flamboyant, to an extent never before witnessed. Bernstein's extroverted manner attracted much criticism from those who dismissed him as a mere exhibitionist; his advocates, however, far outnumbered his detractors.

Born in Lawrence, MA, Bernstein made his mark first as a composer. He attended Harvard University, where he studied with Walter Piston among other distinguished figures. Occasionally he wrote popular songs on the side using the pseudonym Lenny Amber ("amber" being the English translation of the word "Bernstein"). His works of the 1940s, both weighty and light, brought him considerable acclaim; the single year of 1944 saw the premieres of two especially well-received scores, the Symphony No. 1, "Jeremiah", and the ballet Fancy Free. During his sometimes rocky tenure (1958-1969) as music director of the New York Philharmonic, Bernstein brought that ensemble to a new level of prestige and popularity: every Bernstein concert and recording became a much-anticipated event. Through his association with the New York Philharmonic and a neverending stream of guest engagements worldwide, Bernstein became particularly renowned as an interpreter of Mahler and Copland; he did much to carve out the prominent place in the orchestral concert repertory that both composers now maintain. Already well-known by the time he took over the New York Philharmonic, Bernstein became truly famous in 1958, with the first of his series of televised Young People's Concerts, fondly remembered by many as their introduction to the world of classical music. Among the first group of students to receive training at the Berkshire Music Center at Tanglewood, Bernstein soon became the institution's guiding light, serving as teacher and mentor for generations of musicians. Though he remained a giant of the podium until the very end, Bernstein curtailed his conducting activities in later years in order to spend more time composing. Little of Bernstein's music from the 1970s on has attained the same level of popularity achieved by his earlier works; still, it comprises a distinguished, substantial body of work that includes Mass (1971), the opera A Quiet Place (1983), and the song cycle Arias and Barcarolles (1988). © Rovi Staff


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