Bremen Weser-Renaissance - Schütz: Historia der Auferstehung Jesu Christi, Op. 3, SWV 50 (2005)
BAND/ARTIST: Bremen Weser-Renaissance
- Title: Schütz: Historia der Auferstehung Jesu Christi, Op. 3, SWV 50
- Year Of Release: 2005
- Label: CPO
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 01:00:17
- Total Size: 271 mb
- WebSite: Album Preview
Tracklist
01. Surrexit pastor bonus, SWV 469
02. Historia der Auferstehung Jesu Christi, Op. 3, SWV 50: No. 1, Die Auferstehung unsers Herren Jesu Christi
03. Historia der Auferstehung Jesu Christi, Op. 3, SWV 50: No. 2, Da der Sabbath vergangen war
04. Historia der Auferstehung Jesu Christi, Op. 3, SWV 50: No. 3, Maria aber stund für dem Grabe
05. Historia der Auferstehung Jesu Christi, Op. 3, SWV 50: No. 4, Die Weiber aber gingen hinein in das Grab
06. Historia der Auferstehung Jesu Christi, Op. 3, SWV 50: No. 5, Und do sie gingen seinen Jüngern zu verkündigen
07. Historia der Auferstehung Jesu Christi, Op. 3, SWV 50: No. 6, Da sie aber hingingen, siehe
08. Historia der Auferstehung Jesu Christi, Op. 3, SWV 50: No. 7, Und siehe, Zweene aus ihnen gingen an demselbigen
09. Historia der Auferstehung Jesu Christi, Op. 3, SWV 50: No. 8, Es war aber am Abend desselbigen Sabbaths
10. Historia der Auferstehung Jesu Christi, Op. 3, SWV 50: No. 9, Und abermal sprach er zu ihnen
11. Historia der Auferstehung Jesu Christi, Op. 3, SWV 50: No. 10, Gott sei Dank, der uns den Sieg gegeben hat durch
12. Kleine geistliche Konzerte II, Op. 9: No. 19, Ich bin die Auferstehung und das Leben, SWV 324
13. Weib, was weinest du, SWV 443
14. Symphoniae sacrae III, Op. 12, RISM S2295: No. 7, Feget den alten Sauerteig aus, SWV 404
The central work on this disc of sacred vocal music by Heinrich Schütz is the Historia der Auferstehung Jesu Christi (History of the Resurrection of Jesus Christ); several small vocal concertos from various phases of Schütz's career are also included. The musical "history" in Lutheran Germany was a soloistic but nondramatic rendering of a Bible story, often an episode from the life of Jesus. It was a key predecessor of the oratorio, and in Schütz's hands here it was a chance to experiment with adapting new Italian operatic styles to the requirements of German sacred music. The Historia is an early work of Schütz and something of a mixed bag. Some of the parts are sung by soloists, others by pairs or groups of singers, and the orchestra is varied, like that of an Italian intermedio -- it includes violins, gambas, chitarrone, harp, and an organ continuo. The work has neither the grandeur of Schütz's big motets nor the intimacy of his sacred concertos or the radically concise Passion settings of his old age. Yet it is recognizably a product of its composer and his Dürer-like merging of German monumentality and Italian color. This isn't a first Schütz disc for anybody, but for those interested in the era, it's a worthwhile choice: recordings of the Historia are rare, and the fine north German group Weser-Renaissance is well-versed in music of this period.
01. Surrexit pastor bonus, SWV 469
02. Historia der Auferstehung Jesu Christi, Op. 3, SWV 50: No. 1, Die Auferstehung unsers Herren Jesu Christi
03. Historia der Auferstehung Jesu Christi, Op. 3, SWV 50: No. 2, Da der Sabbath vergangen war
04. Historia der Auferstehung Jesu Christi, Op. 3, SWV 50: No. 3, Maria aber stund für dem Grabe
05. Historia der Auferstehung Jesu Christi, Op. 3, SWV 50: No. 4, Die Weiber aber gingen hinein in das Grab
06. Historia der Auferstehung Jesu Christi, Op. 3, SWV 50: No. 5, Und do sie gingen seinen Jüngern zu verkündigen
07. Historia der Auferstehung Jesu Christi, Op. 3, SWV 50: No. 6, Da sie aber hingingen, siehe
08. Historia der Auferstehung Jesu Christi, Op. 3, SWV 50: No. 7, Und siehe, Zweene aus ihnen gingen an demselbigen
09. Historia der Auferstehung Jesu Christi, Op. 3, SWV 50: No. 8, Es war aber am Abend desselbigen Sabbaths
10. Historia der Auferstehung Jesu Christi, Op. 3, SWV 50: No. 9, Und abermal sprach er zu ihnen
11. Historia der Auferstehung Jesu Christi, Op. 3, SWV 50: No. 10, Gott sei Dank, der uns den Sieg gegeben hat durch
12. Kleine geistliche Konzerte II, Op. 9: No. 19, Ich bin die Auferstehung und das Leben, SWV 324
13. Weib, was weinest du, SWV 443
14. Symphoniae sacrae III, Op. 12, RISM S2295: No. 7, Feget den alten Sauerteig aus, SWV 404
The central work on this disc of sacred vocal music by Heinrich Schütz is the Historia der Auferstehung Jesu Christi (History of the Resurrection of Jesus Christ); several small vocal concertos from various phases of Schütz's career are also included. The musical "history" in Lutheran Germany was a soloistic but nondramatic rendering of a Bible story, often an episode from the life of Jesus. It was a key predecessor of the oratorio, and in Schütz's hands here it was a chance to experiment with adapting new Italian operatic styles to the requirements of German sacred music. The Historia is an early work of Schütz and something of a mixed bag. Some of the parts are sung by soloists, others by pairs or groups of singers, and the orchestra is varied, like that of an Italian intermedio -- it includes violins, gambas, chitarrone, harp, and an organ continuo. The work has neither the grandeur of Schütz's big motets nor the intimacy of his sacred concertos or the radically concise Passion settings of his old age. Yet it is recognizably a product of its composer and his Dürer-like merging of German monumentality and Italian color. This isn't a first Schütz disc for anybody, but for those interested in the era, it's a worthwhile choice: recordings of the Historia are rare, and the fine north German group Weser-Renaissance is well-versed in music of this period.
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