Kaleidoscope Chamber Collective - Samuel Coleridge-Taylor: Nonet, Piano Trio, Piano Quintet (2022) [Hi-Res]
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BAND/ARTIST: Kaleidoscope Chamber Collective
- Title: Samuel Coleridge-Taylor: Nonet, Piano Trio, Piano Quintet
- Year Of Release: 2002
- Label: Chandos
- Genre: Classical
- Quality: flac lossless (image +.cue, log, artwork) / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:03:38
- Total Size: 286 mb / 1.09 gb
- WebSite: Album Preview
Tracklist
01. Nonet in F Minor, Op. 2 "Gradus ad Parnassum": I. Allegro moderato
02. Nonet in F Minor, Op. 2 "Gradus ad Parnassum": II. Andante con moto
03. Nonet in F Minor, Op. 2 "Gradus ad Parnassum": III. Scherzo
04. Nonet in F Minor, Op. 2 "Gradus ad Parnassum": IV. Finale
05. Trio in E Minor: I. Moderato
06. Trio in E Minor: II. Scherzo
07. Trio in E Minor: III. Finale
08. Piano Quintet in G Minor, Op. 1: I. Allegro con moto
09. Piano Quintet in G Minor, Op. 1: II. Larghetto
10. Piano Quintet in G Minor, Op. 1: III. Scherzo
11. Piano Quintet in G Minor, Op. 1: IV. Allegro molto
Samuel Coleridge-Taylor is best known for his cantata Hiawatha’s Wedding Feast, which brought him international success as well as propelling his career at home in the UK – success which was remarkable in stuffy late-Victorian England because of his mixed race and humble origins. Born out of wedlock to Daniel Taylor, a medical student from Sierra Leone, and Alice Holmans, Samuel was brought up by his mother and step-father, George Evans, a railway worker, in Croydon, south London.
The three pieces recorded here were all composed during his time as a student at the Royal College of Music. They were destined to remain unpublished during his lifetime, and indeed for some ninety years following his untimely death from pneumonia at the age of only thirty-seven. Performing editions were eventually prepared from the surviving manuscripts - which had remained in the RCM’s archive - in the early 2000s, offering modern performers and audiences the chance for the first time to savour exactly how precocious the creative talents of the teenage Coleridge-Taylor had been.
The Kaleidoscope Chamber Collective has consulted the manuscripts and corrected numerous inaccuracies in these editions. Described by The Arts Desk as "a sparky, shape-shifting ensemble of starry young musicians", the Collective has been thrilling audiences with its charismatic programming and outstanding musicianship.
01. Nonet in F Minor, Op. 2 "Gradus ad Parnassum": I. Allegro moderato
02. Nonet in F Minor, Op. 2 "Gradus ad Parnassum": II. Andante con moto
03. Nonet in F Minor, Op. 2 "Gradus ad Parnassum": III. Scherzo
04. Nonet in F Minor, Op. 2 "Gradus ad Parnassum": IV. Finale
05. Trio in E Minor: I. Moderato
06. Trio in E Minor: II. Scherzo
07. Trio in E Minor: III. Finale
08. Piano Quintet in G Minor, Op. 1: I. Allegro con moto
09. Piano Quintet in G Minor, Op. 1: II. Larghetto
10. Piano Quintet in G Minor, Op. 1: III. Scherzo
11. Piano Quintet in G Minor, Op. 1: IV. Allegro molto
Samuel Coleridge-Taylor is best known for his cantata Hiawatha’s Wedding Feast, which brought him international success as well as propelling his career at home in the UK – success which was remarkable in stuffy late-Victorian England because of his mixed race and humble origins. Born out of wedlock to Daniel Taylor, a medical student from Sierra Leone, and Alice Holmans, Samuel was brought up by his mother and step-father, George Evans, a railway worker, in Croydon, south London.
The three pieces recorded here were all composed during his time as a student at the Royal College of Music. They were destined to remain unpublished during his lifetime, and indeed for some ninety years following his untimely death from pneumonia at the age of only thirty-seven. Performing editions were eventually prepared from the surviving manuscripts - which had remained in the RCM’s archive - in the early 2000s, offering modern performers and audiences the chance for the first time to savour exactly how precocious the creative talents of the teenage Coleridge-Taylor had been.
The Kaleidoscope Chamber Collective has consulted the manuscripts and corrected numerous inaccuracies in these editions. Described by The Arts Desk as "a sparky, shape-shifting ensemble of starry young musicians", the Collective has been thrilling audiences with its charismatic programming and outstanding musicianship.
Year 2022 | Classical | FLAC / APE | HD & Vinyl
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