Coro della Radio Svizzera, Prague Chamber Orchestra, Orchestra della Svizzera Italiana, Christian Benda, Jean-Claude Malgoire - Philidor: Carmen Saeculare, Overtures (2007)
BAND/ARTIST: Coro della Radio Svizzera, Prague Chamber Orchestra, Orchestra della Svizzera Italiana, Christian Benda, Jean-Claude Malgoire
- Title: Philidor: Carmen Saeculare, Overtures
- Year Of Release: 2007
- Label: Naxos
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:49:54
- Total Size: 485 mb
- WebSite: Album Preview
Tracklist
CD1
01. Le marechal ferrant: Overture, "Symphony No. 27 in G Major": I. Allegro
02. Le marechal ferrant: Overture, "Symphony No. 27 in G Major": II. Andante con Spirito
03. Le marechal ferrant: Overture, "Symphony No. 27 in G Major": III. Presto
04. Carmen saeculare: Ouverture
05. Carmen saeculare, Prologue: Odi Profanum Vulgus (tenor)
06. Carmen saeculare, Part I: Spiritum Phoebus Mihi (tenor)
07. Carmen saeculare, Part I: Deliae Tutela Deae Fugaces (tenor, Chorus)
08. Carmen saeculare, Part I: Nupta Iam Dices (tenor, Chorus)
09. Carmen saeculare, Part II: Dive, Quem Proles Niobea Magnae (chorus)
10. Carmen saeculare, Part II: Ceteris Maior, Tibi Miles Impar (bass)
11. Carmen saeculare, Part II: Ille, Mordaci Velu Icta Ferro (bass, Chorus)
12. Carmen saeculare, Part II: Ni Tuis Flexus Venerisque Gratae (soprano)
13. Carmen saeculare, Part II: Doctor Argutae Fidicen Thaliae (chorus)
14. Carmen saeculare, Part III: Dianam Tenerae Dicite Virgines (soprano, Mezzo-soprano)
15. Carmen saeculare, Part III: Vos Laetam Fluviis Et Nemorum Coma (tenor, Chorus)
16. Carmen saeculare, Part III: Hic Bellum Lacrimosum (soloists, Chorus)
CD2
01. Carmen saeculare, Part IV: Phoebe Silvarumque Potens Diana (soprano, Mezzo-soprano, Chorus)
02. Carmen saeculare, Part IV: Alme Sol, Curru Nitido Diem (bass, Chorus)
03. Carmen saeculare, Part IV: Rite Maturos Aperire Partus (soprano)
04. Carmen saeculare, Part IV: Certus Undenos Decies Per Annos (chorus)
05. Carmen saeculare, Part IV: Vosque Veraces Cecinisse, Parcae (bass)
06. Carmen saeculare, Part IV: Fertilis Frugum Pecorisque Tellus (soprano, Mezzo-soprano, Chorus)
07. Carmen saeculare, Part IV: Conditio Mitis Placidusque (soloists, Chorus)
08. Carmen saeculare, Part IV: Roma Si Vestrum Est Opus (tenor)
09. Carmen saeculare, Part IV: Di Probos Mores Docili Iuventae (tenor)
10. Carmen saeculare, Part IV: Quaeque Vos Bobus Veneratur Albis (bass, Chorus)
11. Carmen saeculare, Part IV: Iam Mari Terraque Manus Potentes (tenor)
12. Carmen saeculare, Part IV: Iam Fides Et Pax Et Honos Pudorque (tenor)
13. Carmen saeculare, Part IV: Augur Et Fulgente Decorus Arcu (mezzo-soprano)
14. Carmen saeculare, Part IV: Quaeque Aventinum Tenet Algidumque (soloists)
15. Carmen saeculare, Part IV: Haec Iovem Sentire Deosque Cunctos (soloists, Chorus)
16. Le Sorcier: Overture
17. Tom Jones: Overture
François-André Danican Philidor pursued successful parallel careers as the composer of over 21 operas and as a chess virtuoso, known not least for his skill in simultaneous blindfold games. His oratorio, Carmen sæculare, is a setting of poems by Horace associated with the Roman centennial celebrations of 17 B.C. Written at the instigation of the Italian scholar Giuseppe Baretti, who chose the Latin texts and sought ‘a man able to temper alternately the solemnity of church-music with the brilliancy of the theatrical’, this majestic, and at times operatic work is coupled with overtures to three of Philidor’s popular and brilliant comic operas.
CD1
01. Le marechal ferrant: Overture, "Symphony No. 27 in G Major": I. Allegro
02. Le marechal ferrant: Overture, "Symphony No. 27 in G Major": II. Andante con Spirito
03. Le marechal ferrant: Overture, "Symphony No. 27 in G Major": III. Presto
04. Carmen saeculare: Ouverture
05. Carmen saeculare, Prologue: Odi Profanum Vulgus (tenor)
06. Carmen saeculare, Part I: Spiritum Phoebus Mihi (tenor)
07. Carmen saeculare, Part I: Deliae Tutela Deae Fugaces (tenor, Chorus)
08. Carmen saeculare, Part I: Nupta Iam Dices (tenor, Chorus)
09. Carmen saeculare, Part II: Dive, Quem Proles Niobea Magnae (chorus)
10. Carmen saeculare, Part II: Ceteris Maior, Tibi Miles Impar (bass)
11. Carmen saeculare, Part II: Ille, Mordaci Velu Icta Ferro (bass, Chorus)
12. Carmen saeculare, Part II: Ni Tuis Flexus Venerisque Gratae (soprano)
13. Carmen saeculare, Part II: Doctor Argutae Fidicen Thaliae (chorus)
14. Carmen saeculare, Part III: Dianam Tenerae Dicite Virgines (soprano, Mezzo-soprano)
15. Carmen saeculare, Part III: Vos Laetam Fluviis Et Nemorum Coma (tenor, Chorus)
16. Carmen saeculare, Part III: Hic Bellum Lacrimosum (soloists, Chorus)
CD2
01. Carmen saeculare, Part IV: Phoebe Silvarumque Potens Diana (soprano, Mezzo-soprano, Chorus)
02. Carmen saeculare, Part IV: Alme Sol, Curru Nitido Diem (bass, Chorus)
03. Carmen saeculare, Part IV: Rite Maturos Aperire Partus (soprano)
04. Carmen saeculare, Part IV: Certus Undenos Decies Per Annos (chorus)
05. Carmen saeculare, Part IV: Vosque Veraces Cecinisse, Parcae (bass)
06. Carmen saeculare, Part IV: Fertilis Frugum Pecorisque Tellus (soprano, Mezzo-soprano, Chorus)
07. Carmen saeculare, Part IV: Conditio Mitis Placidusque (soloists, Chorus)
08. Carmen saeculare, Part IV: Roma Si Vestrum Est Opus (tenor)
09. Carmen saeculare, Part IV: Di Probos Mores Docili Iuventae (tenor)
10. Carmen saeculare, Part IV: Quaeque Vos Bobus Veneratur Albis (bass, Chorus)
11. Carmen saeculare, Part IV: Iam Mari Terraque Manus Potentes (tenor)
12. Carmen saeculare, Part IV: Iam Fides Et Pax Et Honos Pudorque (tenor)
13. Carmen saeculare, Part IV: Augur Et Fulgente Decorus Arcu (mezzo-soprano)
14. Carmen saeculare, Part IV: Quaeque Aventinum Tenet Algidumque (soloists)
15. Carmen saeculare, Part IV: Haec Iovem Sentire Deosque Cunctos (soloists, Chorus)
16. Le Sorcier: Overture
17. Tom Jones: Overture
François-André Danican Philidor pursued successful parallel careers as the composer of over 21 operas and as a chess virtuoso, known not least for his skill in simultaneous blindfold games. His oratorio, Carmen sæculare, is a setting of poems by Horace associated with the Roman centennial celebrations of 17 B.C. Written at the instigation of the Italian scholar Giuseppe Baretti, who chose the Latin texts and sought ‘a man able to temper alternately the solemnity of church-music with the brilliancy of the theatrical’, this majestic, and at times operatic work is coupled with overtures to three of Philidor’s popular and brilliant comic operas.
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