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Billy Bragg - Back to Basics (1987)

Billy Bragg - Back to Basics (1987)

BAND/ARTIST: Billy Bragg

  • Title: Back to Basics
  • Year Of Release: 1987
  • Label: Cooking Vinyl
  • Genre: Folk Rock, Rock
  • Quality: FLAC (tracks) / MP3 320 Kbps
  • Total Time: 58:06
  • Total Size: 348 / 149 Mb
  • WebSite:
Tracklist:

1 The Milkman of Human Kindness 02:49
2 To Have and to Have Not 02:33
3 Richard 02:51
4 Lovers Town Revisited 01:17
5 A New England 02:13
6 The Man in the Iron Mask 02:14
7 The Busy Girl Buys Beauty 01:58
8 It Says Here 04:15
9 Love Gets Dangerous 02:23
10 From a Vauxhall Velox 02:31
11 The Myth of Trust 02:54
12 The Saturday Boy 03:28
13 Island of No Return 03:37
14 This Guitar Says Sorry 02:31
15 Like Soldiers Do 02:39
16 St. Swithin's Day 03:50
17 Strange Things Happen 02:38
18 A Lover Sings 03:51
19 Between the Wars 02:27
20 The World Turned Upside Down 02:33
21 Which Side Are You On 02:34

After Elektra signed Billy Bragg to his first major-label deal and released Talking with the Taxman About Poetry in 1986, the label decided to do a clean-up job on his back catalog and compiled Back to Basics, which combined the material from Bragg's first three records -- Life's a Riot with Spy vs Spy, Brewing Up with Billy Bragg, and Between the Wars -- into one two-record set (now available on a single CD). The first seven cuts, from the Life's a Riot EP, are Billy Bragg at his most basic; recorded in an afternoon with no overdubs, the audio is rough and Billy's electric guitar often threatens to drown out his voice, but the performances are game, and Bragg was already writing top-notch songs like "A New England" and "The Milkman of Human Kindness." The next 11 songs were originally released on Bragg's first LP, Brewing Up with Billy Bragg; while the sound is still spare and stark, the engineering is a good bit cleaner than on Life's a Riot, and Billy fleshed out his one-man-with-a-guitar approach to include the occasional vocal and/or guitar overdub, and even guest musicians on two tracks (though the trumpet on "The Saturday Boy" and the organ on "A Lover Sings" hardly count as orchestration). Bragg's performances are even stronger, displaying a charm that didn't quite make it through the sloppy sound of his debut, and his love songs resonated more strongly while his political numbers cut deep (especially "It Says Here" and the harrowing "Island of No Return"). Back to Basics closes with three somber political numbers that first surfaced on Bragg's Between the Wars EP, released when tensions over trade union strikes in the U.K. were at their height -- one original ("Between the Wars") and two vintage labor anthems. While the tone is downbeat, the performances are strong and compassionate. While Back to Basics fudges a bit with the sequence of the original material, and there's no reason why both of Bragg's recordings of "It Says Here" couldn't have been included, it's still a strong collection of some of Billy Bragg's most engaging work.




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  • User offline
  • nilesh65
  •  wrote in 15:30
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Thank you so much for sharing!!
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  • whiskers
  •  wrote in 15:50
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Many thanks
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  • mufty77
  •  wrote in 17:26
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Many thanks for Flac.