Katherine Needleman, Ji Su Jung, Baltimore Symphony Orchestra, Marin Alsop - Kevin Puts: Marimba Concerto, The City & Oboe Concerto No. 2 "Moonlight" (2023)
BAND/ARTIST: Katherine Needleman, Ji Su Jung, Baltimore Symphony Orchestra, Marin Alsop
- Title: Kevin Puts: Marimba Concerto, The City & Oboe Concerto No. 2 "Moonlight"
- Year Of Release: 2023
- Label: Naxos
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:06:38
- Total Size: 280 mb
- WebSite: Album Preview
Tracklist
01. Marimba Concerto: I. Flowing
02. Marimba Concerto: II. Broad and Deliberate
03. Marimba Concerto: III. With Energy
04. The City
05. Oboe Concerto No. 2 "Moonlight": I. Moonlight
06. Oboe Concerto No. 2 "Moonlight": II. Folly
07. Oboe Concerto No. 2 "Moonlight": III. Air (The Eye Begins to See)
This collection of recordings is especially meaningful for me because it charts my growth as an orchestral composer from my years as a student – when the Marimba Concerto was composed – to more mature work such as Moonlight. It also reflects the wonderful relationship I have enjoyed over the years with the Baltimore Symphony Orchestra and Marin Alsop. The Marimba Concerto, which reflects my love of Mozart’s piano concertos, also represents my most direct and unguarded voice as a composer. The City was originally intended as a portrait of the city of Baltimore and more generally of the American city, but the death of Freddy Gray while in police custody and the subsequent unrest in Baltimore sent me in an unexpected direction with the piece.
01. Marimba Concerto: I. Flowing
02. Marimba Concerto: II. Broad and Deliberate
03. Marimba Concerto: III. With Energy
04. The City
05. Oboe Concerto No. 2 "Moonlight": I. Moonlight
06. Oboe Concerto No. 2 "Moonlight": II. Folly
07. Oboe Concerto No. 2 "Moonlight": III. Air (The Eye Begins to See)
This collection of recordings is especially meaningful for me because it charts my growth as an orchestral composer from my years as a student – when the Marimba Concerto was composed – to more mature work such as Moonlight. It also reflects the wonderful relationship I have enjoyed over the years with the Baltimore Symphony Orchestra and Marin Alsop. The Marimba Concerto, which reflects my love of Mozart’s piano concertos, also represents my most direct and unguarded voice as a composer. The City was originally intended as a portrait of the city of Baltimore and more generally of the American city, but the death of Freddy Gray while in police custody and the subsequent unrest in Baltimore sent me in an unexpected direction with the piece.
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