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Francis Colpron, Susie Napper, Alexander Weimann - Frutti Musicali (2004)

Francis Colpron, Susie Napper, Alexander Weimann - Frutti Musicali (2004)
  • Title: Frutti Musicali
  • Year Of Release: 2004
  • Label: ATMA Classique
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 01:19:22
  • Total Size: 420 Mb
  • WebSite:
Tracklist:

1 Uccellini: Sonate, Corrente et Arie da farci con diversi Stromenti, Op. 4: Sonata detta la Vittoria trionfante 06:21
2 Fontana: Sonate a 1, 2, 3 per il Violino o Cornetto: Sonata seconda 06:40
3 Frescobaldi: Il Primo Libro delle Canzoni: Canzona seconda detta "La Bernardinia" 03:20
4 Pandolfi: Sonate a Violino solo, per chiesa e camera, Op. 4: Sonata prima "La Bernabea" 07:19
5 Picchi: Intavolatura di Balli d’Arpicordo: Padoana ditta "La Ongara" 02:47
6 Farina: Pavane, Gagliarde, [...] Sonate e Canzone, Livre 5: Sonata detta "La Desperata" 09:02
7 Berardi: Sinfonie a Violino solo, Op. 7: Canzona sesta 08:28
8 A. Scarlatti: Lezzioni, Toccate d’Intavolatura per sonare il cembalo: Toccata terza 05:00
9 Pandolfi: Sonate a Violino solo, per chiesa e camera, Op. 3: Sonata seconda "La Cesta" 06:37
10 Storace: Selva di Varie Compositioni d’Intavolatura per cimbalo ed organo: Ricercare 06:27
11 Palestrina: Regole, Passagi di musica, Madrigal: Io son ferito ahi lasso, madrigale passaggiato da G.B. Bovicelli 09:54
12 Marini: Sonate, Symphoniae, Canzone, Op. 8, No. 4: Sonate 07:27

Performers:
Francis Colpron (recorders, traverso)
Susie Napper (viola da gamba)
Alexander Weimann (harpsichord, organ)

The spirit of the Baroque, which arose in Italy at the very end of the 16th century, was in the span of but a few decades to transform Western music and arts profoundly. Musically, the Renaissance had presided over the triumph of vocal polyphony. However, taking advantage of the freedom afforded by the newfound accompanied monody and the basso continuo, the Italians wished to confer on music an essentially expressive role while teasing with virtuosity. They broke with the balanced contrapuntal structures and created at the outset of the 18th century—alongside opera and cantata—the first true instrumental music, whose sudden appearance and speedy development seem today quite prodigious. The freedom and virtuosity of these melodic lines over a basso continuo are the musical fruits offered by the versatile and moving flutist Francis Colpron, with cellist Susie Napper, and harpsichordist and organist Alex Weimann.




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Booklet :

https://atmaclassique.com/storage/livret/b5b54b84-36e7-4910-b249-598811d245a6_2303_livret.pdf