Marcia Hadjimarkos - Joseph Haydn: Sonates (1999)
BAND/ARTIST: Marcia Hadjimarkos
- Title: Joseph Haydn: Sonates
- Year Of Release: 1999
- Label: Zig-Zag Territoires
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 01:12:18
- Total Size: 429 mb
- WebSite: Album Preview
Tracklist
01. Sonata in B Minor, Hob. XVI:32: I. Allegro moderato
02. Sonata in B Minor, Hob. XVI:32: II. Menuet
03. Sonata in B Minor, Hob. XVI:32: III. Finale (Presto)
04. Sonata in G Minor, Hob. XVI:44: I. Moderato
05. Sonata in G Minor, Hob. XVI:44: II. Allegretto
06. Sonata in C Major, Hob. XVI:48: I. Andante con espressione
07. Sonata in C Major, Hob. XVI:48: II. Rondo (Presto)
08. Sonata in C Minor, Hob. XVI:20: I. Moderato
09. Sonata in C Minor, Hob. XVI:20: II. Andante con moto
10. Sonata in C Minor, Hob. XVI:20: III. Finale (Allegro)
11. Sonata in B-Flat Major, Hob. XVI:41: I. Allegro
12. Sonata in B-Flat Major, Hob. XVI:41: II. Allegro di molto
13. Sonata in D Major, Hob. XVI:42: I. Andante con espressione
14. Sonata in D Major, Hob. XVI:42: II. Vivace assai
« This revelatory CD ? extending the scope of the clavicord beyond my dreams... I cannot recommend this CD too highly and would commend it especially to any who are still wedded to the modern piano for 18th century keyboard music. » Peter Grahame Woolf - Seen & Heard 2000
Carl Philipp Emanuel Bach preferred the clavichord for the interpretation of his improvisatory works. Did Haydn share the point of view expressed by Bach in his Versuch ? Did he too intend the clavichord for solo works ? The question of which keyboard instrument is best suited to which sonata remains a thorny one, and must finally come down to the means available to the performer at a given time and to his subjective judgement. The delicacy, impassionned vehemence and jocularity of Haydn’s keyboard sonatas can be brought to life on many instruments : clavichord, fortepiano, harpsichord, Tangentenflügel and modern piano. But it is perhaps the intimate, urgent directness of the clavichord which can most fully express these qualities - and reveal yet other, undreamt-of facets of Haydn’s imagination.
01. Sonata in B Minor, Hob. XVI:32: I. Allegro moderato
02. Sonata in B Minor, Hob. XVI:32: II. Menuet
03. Sonata in B Minor, Hob. XVI:32: III. Finale (Presto)
04. Sonata in G Minor, Hob. XVI:44: I. Moderato
05. Sonata in G Minor, Hob. XVI:44: II. Allegretto
06. Sonata in C Major, Hob. XVI:48: I. Andante con espressione
07. Sonata in C Major, Hob. XVI:48: II. Rondo (Presto)
08. Sonata in C Minor, Hob. XVI:20: I. Moderato
09. Sonata in C Minor, Hob. XVI:20: II. Andante con moto
10. Sonata in C Minor, Hob. XVI:20: III. Finale (Allegro)
11. Sonata in B-Flat Major, Hob. XVI:41: I. Allegro
12. Sonata in B-Flat Major, Hob. XVI:41: II. Allegro di molto
13. Sonata in D Major, Hob. XVI:42: I. Andante con espressione
14. Sonata in D Major, Hob. XVI:42: II. Vivace assai
« This revelatory CD ? extending the scope of the clavicord beyond my dreams... I cannot recommend this CD too highly and would commend it especially to any who are still wedded to the modern piano for 18th century keyboard music. » Peter Grahame Woolf - Seen & Heard 2000
Carl Philipp Emanuel Bach preferred the clavichord for the interpretation of his improvisatory works. Did Haydn share the point of view expressed by Bach in his Versuch ? Did he too intend the clavichord for solo works ? The question of which keyboard instrument is best suited to which sonata remains a thorny one, and must finally come down to the means available to the performer at a given time and to his subjective judgement. The delicacy, impassionned vehemence and jocularity of Haydn’s keyboard sonatas can be brought to life on many instruments : clavichord, fortepiano, harpsichord, Tangentenflügel and modern piano. But it is perhaps the intimate, urgent directness of the clavichord which can most fully express these qualities - and reveal yet other, undreamt-of facets of Haydn’s imagination.
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